Black Arab Women Tackle Racist Beauty Ideals and Stereotypes

Tunisians hold a placard reading in French ‘We are all Children of Earth’ as they take part in a demonstration against racism on March 21, 2014 in the capital Tunis. (AFP)
Tunisians hold a placard reading in French ‘We are all Children of Earth’ as they take part in a demonstration against racism on March 21, 2014 in the capital Tunis. (AFP)
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Black Arab Women Tackle Racist Beauty Ideals and Stereotypes

Tunisians hold a placard reading in French ‘We are all Children of Earth’ as they take part in a demonstration against racism on March 21, 2014 in the capital Tunis. (AFP)
Tunisians hold a placard reading in French ‘We are all Children of Earth’ as they take part in a demonstration against racism on March 21, 2014 in the capital Tunis. (AFP)

Black Arab women are drawing inspiration from global anti-racism protests to fight back against long-standing discrimination and Middle Eastern beauty standards that favor light skin and straight hair.

Black Arabs in the Middle East and North Africa, who descend from sub-Saharan Africans, suffer social marginalization and unequal job prospects, and are often subjected to racist abuse and derogatory portrayals in the media, reported Reuters.

Black women, some of whom are African migrants, suffer a double discrimination, activists say.

“The standard of beauty in our society is to be white,” said Khawla Ksiksi, a feminist and anti-racism activist who co-founded the Voices of Black Tunisian Women group.

“Black women are pressured to straighten their hair, get rid of their curls and to whiten their skin in order to be accepted by society and fit in by its standards,” Ksiksi told the Thomson Reuters Foundation.

Emboldened by the global Black Lives Matter movement, she said Black Arab women wanted to highlight the day-to-day racial prejudice and abuse they face in a region where there is widespread denial about the issue.

Somali-Yemeni activist Amna Ali founded the Black Arabs Collective this month, an Instagram platform that aims to raise awareness about race and racism in the region.

She recalled watching adverts for whitening cream on TV showing women growing happier as their complexion gradually became lighter.

“It’s so damaging to brown and Black girls that watch that and think my skin color is bad and if it’s lighter, it’s better,” she said by phone from Dubai.

Whitening creams
A surge of global criticism about whitening creams has forced brands to react, however.

Johnson & Johnson said on Friday it would stop selling its range of such products in Asia and the Middle East.

In Tunisia, leading sanitary pad brand Nana caused outrage on social media after sharing a post on June 9 meant to celebrate diversity that featured a white, blue-eyed model painted in different skin-tone shades.

Nana Arabia, which swiftly replaced the controversial post, did not respond to requests for comment.

“The use of blackface for me further indicates that Black women are perceived as not beautiful,” Ksiksi said. “(Brands) would rather use the image of a white woman and paint her face.”

Besides racist beauty standards, she said Black Arab women are frequently taunted over stereotypes that they have high sex drives.

In Tunisia, as elsewhere in North Africa and the Middle East, they are also disproportionately poor and suffer worse job prospects as well as increased sexual harassment at the hand of employers, or while out in the street.

“Economically and socially Black women are at the bottom of the pyramid. So, if someone harasses a Black woman, he knows she has no connections... and this makes it easier for her to be harassed,” Ksiksi said.

Tunisia became the first Arab country in October 2018 to criminalize racial discrimination, with the first conviction under the law taking place in February 2019.

‘Proud of my color’
But from Egypt to the Palestinian territories, deep-rooted racist views are coming under attack.

Earlier this month, Egyptian actor and singer Mohamed Ramadan called out a woman who commented on a photo of his son to say it was unfortunate the boy turned out Black like his father instead of inheriting his mother’s lighter skin.

“I’m proud of my color... and I’m happy my children will grow up to be anti-racism,” Ramadan wrote on his Facebook page.

In a viral Instagram video, Palestinian actress Maryam Abu Khaled said she hoped future generations would not endure the anti-Black comments she grew up hearing, such as parents warning their children to avoid the sun so they would not look like her.

For Ali, who was often told she was “pretty for a black girl”, the protests sparked by last month’s killing of Black American George Floyd by a white Minneapolis police officer had triggered some long-overdue soul searching closer to home.

“People are starting to understand that ‘okay, maybe now I should be more socially aware of my anti-Blackness’,” she said.

“This is a huge change from the race conversation completely not existing in the Arab world to people now calling each other out.”



Amputee Palestinian Boy Image Wins World Press Photo Award

This image provided by World Press Photo and taken by Samar Abu Elouf, for The New York Times, won the World Press Photo Award of the Year and shows Mahmoud Ajjour (9), who was injured during an Israeli attack on Gaza City in March 2024, finds refuge and medical help in Doha, Qatar, 28 June 2024. (Samar Abu Elouf, for The New York Times/World Press Photo via AP)
This image provided by World Press Photo and taken by Samar Abu Elouf, for The New York Times, won the World Press Photo Award of the Year and shows Mahmoud Ajjour (9), who was injured during an Israeli attack on Gaza City in March 2024, finds refuge and medical help in Doha, Qatar, 28 June 2024. (Samar Abu Elouf, for The New York Times/World Press Photo via AP)
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Amputee Palestinian Boy Image Wins World Press Photo Award

This image provided by World Press Photo and taken by Samar Abu Elouf, for The New York Times, won the World Press Photo Award of the Year and shows Mahmoud Ajjour (9), who was injured during an Israeli attack on Gaza City in March 2024, finds refuge and medical help in Doha, Qatar, 28 June 2024. (Samar Abu Elouf, for The New York Times/World Press Photo via AP)
This image provided by World Press Photo and taken by Samar Abu Elouf, for The New York Times, won the World Press Photo Award of the Year and shows Mahmoud Ajjour (9), who was injured during an Israeli attack on Gaza City in March 2024, finds refuge and medical help in Doha, Qatar, 28 June 2024. (Samar Abu Elouf, for The New York Times/World Press Photo via AP)

A haunting portrait of a nine-year-old Palestinian boy who lost both arms during an Israeli attack on Gaza City won the 2025 World Press Photo of the Year Award Thursday.

The picture, by Samar Abu Elouf for The New York Times, depicts Mahmoud Ajjour, evacuated to Doha after an explosion severed one arm and mutilated the other last year.

"One of the most difficult things Mahmoud's mother explained to me was how when Mahmoud first came to the realisation that his arms were amputated, the first sentence he said to her was, 'How will I be able to hug you'?" said Elouf.

The photographer is also from Gaza and was herself evacuated in December 2023. She now portrays badly wounded Palestinians based in Doha.

"This is a quiet photo that speaks loudly. It tells the story of one boy, but also of a wider war that will have an impact for generations," said Joumana El Zein Khoury, World Press Photo Executive Director.

The jury praised the photo's "strong composition and attention to light" and its thought-provoking subject-matter, especially questions raised over Mahmoud's future.

The boy is now learning to play games on his phone, write, and open doors with his feet, the jury said.

"Mahmoud's dream is simple: he wants to get prosthetics and live his life as any other child," said the World Press Photo organisers in a statement.

The jury also selected two photos for the runner-up prize.

The first, entitled "Droughts in the Amazon" by Musuk Nolte for Panos Pictures and the Bertha Foundation, shows a man on a dried-up river bed in the Amazon carrying supplies to a village once accessible by boat.

The second, "Night Crossing" by John Moore shooting for Getty Images, depicts Chinese migrants huddling near a fire during a cold rainshower after crossing the US–Mexico border.

The jury sifted through 59,320 photographs from 3,778 photo journalists to select 42 prize-winning shots from around the world.

Photographers for Agence France-Presse were selected four times for a regional prize, more than any other organization.

Nairobi-based Luis Tato won in the "Stories" category for the Africa region for a selection of photos depicting Kenya's youth uprising.

Jerome Brouillet won in the "Singles" category Asia-Pacific and Oceania for his iconic picture of surfer Gabriel Medina seemingly floating above the waves.

Clarens Siffroy won in the "Stories" category North and Central America for his coverage of the gang crisis in Haiti.

Finally, Anselmo Cunha won in the "Singles" category for South America for his photo of a Boeing 727-200 stranded at Salgado Filho International Airport in Brazil.