Southeast Asia Seeks Global Recognition for ‘Special’ Kebaya Craft 

This picture taken on April 7, 2023, shows kebayas, a traditional outfit worn by women in Southeast Asia, displayed for sale at a shop in Kuala Lumpur. (AFP)
This picture taken on April 7, 2023, shows kebayas, a traditional outfit worn by women in Southeast Asia, displayed for sale at a shop in Kuala Lumpur. (AFP)
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Southeast Asia Seeks Global Recognition for ‘Special’ Kebaya Craft 

This picture taken on April 7, 2023, shows kebayas, a traditional outfit worn by women in Southeast Asia, displayed for sale at a shop in Kuala Lumpur. (AFP)
This picture taken on April 7, 2023, shows kebayas, a traditional outfit worn by women in Southeast Asia, displayed for sale at a shop in Kuala Lumpur. (AFP)

In a Malaysian boutique, a small group of seamstresses sit at clattering sewing machines, stitching bright flowers and leaves into kebayas, traditional blouses worn by women around Southeast Asia.

What makes kebayas special is that they are worn by women of all ethnic backgrounds in a diverse region, according to Lim Yu Lin, who co-runs the family business her grandmother founded in 1955.

"It's not only meant for one culture," she told AFP.

In a moment of unity, Malaysia, Indonesia, Singapore, Brunei and Thailand have jointly nominated the kebaya for the UN's prestigious intangible cultural heritage list, with a decision expected in 2024.

Suited to hot tropical weather, the intricately embroidered blouse is usually long-sleeved, and ranges from loose-fitting to semi-transparent, figure-hugging cuts.

A kebaya can cost as little as $7 for a simple, machine-made design, to around $1,200 for a more intricate handmade piece.

National symbol

Indonesia picked the centuries-old kebaya as its national dress for women after it declared independence from the Netherlands in 1945.

Author and independence activist Soerastri Karma Trimurti celebrated the new country's cultural roots by wearing a kebaya to the proclamation ceremony. She later became the country's first minister of labor.

The blouse was later popularized by Malaysian film actors.

Singapore, Malaysia and Indonesia's national airlines also used it as the inspiration for their uniforms.

Kebayas were traditionally worn to weddings and formal events, but they are seeing a steady comeback among enthusiasts who wear them in daily life.

In Singapore, Charmaine Neo, 36, said she wears the garment to attend family events, and that it is suited to women of all ages.

"It's not just limited to the older folks. You see lots of young people also wearing the kebaya," she said.

"It's very flattering to the figure."

In Indonesia, 49-year-old Telly Nathalia said it was during a holiday with friends to Central Java province that she decided to start wearing a kebaya every day.

In her eyes, it was a way to connect with her country's history.

"Our ancestors lived here wearing kebaya," she said.

"People would ask, 'are you going to a party or something? A wedding?' Because in Indonesia when you wear a kebaya, they would think that you are going to something special."

'Our culture, our identity'

The kebaya is believed to have originated in the Middle East and was once worn by both men and women.

Over a dozen styles have been developed across Southeast Asia, mostly in Indonesia and Malaysia.

"It's a form of traditional women's garment that has evolved over time," said Yeo Kirk Siang, a senior director at Singapore's National Heritage Board (NHB), which organized a kebaya exhibition in April following the UNESCO nomination.

"There was a kind of fusion of cultures, influences and different communities that brought about their own kebayas."

Oniatta Effendi, a fashion designer in Singapore who creates modern takes on the traditional blouse, said it is a symbol of cultural heritage.

"Many of us grow up seeing a kebaya worn by our mothers and grandmothers. It represents our culture, our identity," she said, according to an NHB statement.

"The kebaya may present itself differently in different countries. Its significance to each person may also be different, but one thing is certain: the kebaya brings us together through an identity that is shared."



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."