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Stone Monuments in Northern Saudi Arabia Date Back to 9th Century BC

Researchers were able to uncover more than 6,000 sites that used to be traps for wild animals (SPA).
Researchers were able to uncover more than 6,000 sites that used to be traps for wild animals (SPA).
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Stone Monuments in Northern Saudi Arabia Date Back to 9th Century BC

Researchers were able to uncover more than 6,000 sites that used to be traps for wild animals (SPA).
Researchers were able to uncover more than 6,000 sites that used to be traps for wild animals (SPA).

An archaeological survey by an international scientific team in Saudi Arabia uncovered stone structures dating back to the 9th century BC, in the northern Al-Jouf region.

A team of Saudi and international archaeologists discovered one of the oldest stone structures built by man in Jabal Al-Dhulayat in Al-Jawf region, dating back to the period between 8,000 and 9,000 years BC, as part of the findings of the archaeological survey projects recently conducted by the Saudi Heritage Authority in cooperation with international scientific centers.

A recent scientific paper revealed stone monuments that were used as animal traps that date back to the prehistoric period, and reflect the ability of ancient populations to adapt to the nature of the place, and their intelligent behavior in dealing with natural conditions.

More field discoveries were made of desert stone traps and their construction patterns, as they spread in groups stretching for tens of kilometers from the north of Medina to the Hail region in central Saudi Arabia, and south to the Makkah region.

Dr. Suleiman Al-Dhaib, a professor of ancient Arabic writings, said that the Saudi Al-Jawf region was an inexhaustible source of history.

He noted that the discovery of stone monuments dating back to the ninth millennium BC is added to the amazing findings in Al-Jouf, the most prominent of which is the second oldest site in the continent of Asia, which is the Al-Shuwaytiyya ruins, which includes 16 settlements dating back to 1.3 million years BC, in addition to the oldest three-dimensional drawings known to this day.

He called for the need to launch an integrated national scientific project on the history and archeology of the Al-Jouf region, adopt the publication and documentation of its ancient Arabic and Islamic inscriptions, and shed light on its sites dating back to the stone, historical and Islamic ages.

 

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The Author of ‘The Help’ Wrote a Second Novel. Yes, Following Up Was Daunting.

Kathryn Stockett
Kathryn Stockett
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The Author of ‘The Help’ Wrote a Second Novel. Yes, Following Up Was Daunting.

Kathryn Stockett
Kathryn Stockett

Fifteen years after her blockbuster novel “The Help” sparked conversation and criticism for its portrayal of the lives of Black maids in the South, Kathryn Stockett is publishing a new novel.
Set in 1933 in Oxford, Miss., “The Calamity Club” centers on a group of women whose lives intersect as they struggle to get by during the Depression. It will be published in April 2026 by the independent press Spiegel & Grau.
Anticipation for a follow-up from Stockett was high. When it was released in 2009, “The Help” caused a stir with its frank depiction of racial inequality. It went on to sell some 15 million copies, spent more than two years on the New York Times best-seller list, and was adapted into an Academy Award-winning movie.
In a video interview from her home outside of Natchez, Miss., Stockett admitted that writing a second novel in the long shadow of her debut was daunting.
“The pressure was definitely on,” she said. “The fear of failure, it really weighs on a writer.”
The novel also drew sharp criticism for its portrayal of Black characters and their speech, which some readers and critics found insensitive and offensive. Viola Davis, who was nominated for an Academy Award for her role in the film, later said she regretted participating, adding that she felt the film failed to accurately capture the voices and lives of Black women.
In some ways, the debate over “The Help” foreshadowed the “own voices” movement in the literary world, which pushed for more diversity in literature from writers drawing on their own cultural backgrounds.
Stockett said that “The Help” would most likely not have found a publisher in today’s environment, but that she doesn’t regret the way she told the story.
“I doubt that ‘The Help’ would be published today, for the fact that a white woman was writing in the voice of a Black woman,” she said. “I did get a lot of criticism but it didn’t get under my skin, because it started conversations.”
“The Help” was inspired in part by Stockett’s relationship with a woman named Demetrie McLorn, who worked as a maid for her family and died when Stockett was a teenager.
The story, which takes place in Mississippi in the early 1960s, has multiple narrators: a Black woman named Aibileen who works as a nanny and housekeeper for white families, Aibileen’s outspoken friend Minny, and a young white woman, Skeeter, who is appalled by the racism she witnesses.
Stockett’s new novel, set in the segregated South, also engages with the issue of race, but not as directly, Stockett said.
“Race is always in the background,” she said. “It’s probably always going to be in the background of any book I write.”
Stockett first began working on a novel set in Depression-era Mississippi in 2013. She did extensive research into the era, learning about the Farm Act, child labor laws, the eugenics movement and the forced sterilization of women in prison, and Franklin D. Roosevelt’s economic policies.
The story is narrated by two white female characters: an 11-year-old girl who lives in an orphanage and a young woman from the Delta who has come to Oxford in hopes of helping her family through hard times.
In 2020, after writing some 800 pages, Stockett felt stuck, and almost abandoned the book. A friend who had read the manuscript connected her with Julie Grau, co-founder of Spiegel & Grau. They worked for years without a contract, and kept the project quiet. A few years later, they signed a deal. With its release next year, the book will be published simultaneously in Britain by Fig Tree and in Canada by Doubleday Canada.
“There’s something really precious about giving writers the time and the space to execute that follow up,” Grau said. “It was really remarkable and ideal to shield her from the glare.”
Stockett said she was so stunned by the success of her debut that she’s set aside any expectations about how “The Calamity Club” will be received.
“I can’t believe it happened then,” she said, “and I have no idea what's going to happen this time around either.”

 

The New York Times