Last Emperor of China’s Watch Sells for Record $6.2 Mln in Hong Kong Auction

The Patek Philippe Ref 96 Quantieme Lune timepiece once owned by Aisin-Gioro Puyi, the Chinese Qing dynasty’s last emperor (R), is seen on display in Hong Kong on May 23, 2023 ahead of its auction in the territory on the same day. (AFP)
The Patek Philippe Ref 96 Quantieme Lune timepiece once owned by Aisin-Gioro Puyi, the Chinese Qing dynasty’s last emperor (R), is seen on display in Hong Kong on May 23, 2023 ahead of its auction in the territory on the same day. (AFP)
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Last Emperor of China’s Watch Sells for Record $6.2 Mln in Hong Kong Auction

The Patek Philippe Ref 96 Quantieme Lune timepiece once owned by Aisin-Gioro Puyi, the Chinese Qing dynasty’s last emperor (R), is seen on display in Hong Kong on May 23, 2023 ahead of its auction in the territory on the same day. (AFP)
The Patek Philippe Ref 96 Quantieme Lune timepiece once owned by Aisin-Gioro Puyi, the Chinese Qing dynasty’s last emperor (R), is seen on display in Hong Kong on May 23, 2023 ahead of its auction in the territory on the same day. (AFP)

A watch that was once owned by the last emperor of China's Qing Dynasty, whose life formed the basis of the Oscar-winning film "The Last Emperor," sold for a record HK$49 million ($6.2 million) at a Hong Kong auction on Tuesday.

An Asian collector residing in Hong Kong calling on the phone bought the rare Patek Philippe watch that had belonged to Aisin-Gioro Puyi, according to the auction house.

The hammer price, which excludes the buyer's premium fee, was HK$40 million ($5.1 million).

Thomas Perazzi, head of watches at auction house Phillips Asia, told Reuters that it is "the highest result" for any wristwatch that once belonged to an emperor.

It was one of only eight known Patek Philippe Reference 96 Quantieme Lune timepieces and was gifted by Puyi to his Russian interpreter when he was imprisoned by the Soviet Union, the auction house said. It easily beat a pre-sale estimate of $3 million.

Other watches owned by emperors and sold at auction include a Patek Philippe timepiece that belonged to the last Ethiopian emperor, Haile Selassie, which sold for $2.9 million in 2017.

A Rolex watch that belonged to the last emperor of Vietnam, Bao Dai, fetched $5 million at an auction in 2017.

Born in 1906, Puyi was the last emperor of China's Qing dynasty, who began his reign at two years old.

After Japan’s defeat in World War II in 1945, Puyi was captured at China's Shenyang Airport by the Soviet Red Army. He was detained as a war prisoner and incarcerated in a detention camp in Khabarovsk, Russia, for five years.

The auction house said it spent three years collaborating with watch specialists, historians, journalists, and scientists to research the watch's history and verify its provenance.

Perazzi told Reuters that the watch was the finest Patek made at the time.

Journalist Russell Working, who interviewed Puyi's interpreter Georgy Permyakov in 2001, said he gave the watch to Permyakov on his last day in the Soviet Union, shortly before he was extradited back to China.

“These were the kind of things he sometimes did to people that were very special to him,” Working said.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.