Restoration Lags for Syria's Famed Roman Ruins at Palmyra

Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)
Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)
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Restoration Lags for Syria's Famed Roman Ruins at Palmyra

Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)
Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)

At the height of ISIS’ rampage across Syria, the world watched in horror as the militants blew up an iconic arch and temple in the country’s famed Roman ruins in Palmyra.
Eight years later, ISIS has lost its hold but restoration work on the site has been held up by security issues, leftover ISIS land mines and lack of funding.
Other archaeological sites throughout Syria face similar problems, both in areas held by the government and by the opposition. They were damaged by the war or, more recently, by the deadly 7.8-magnitude earthquake that struck a wide area of neighboring Türkiye and also Syria in February.
Youssef Kanjou, a former director of Syria's Aleppo National Museum, said the situation of heritage sites in his country is a “disaster.”
Without a coordinated preservation and restoration effort, said Kanjou, now a researcher at Tübingen University in Germany, "We will lose what was not destroyed by the war or the earthquake."
Before the war, Palmyra — one of Syria’s six UNESCO world heritage sites — was the country’s archaeological crown jewel, a tourist attraction that drew tens of thousands of visitors each year. The ancient city was the capital of an Arab client state of the Roman Empire that briefly rebelled and carved out its own kingdom in the third century, led by Queen Zenobia.
The militants later destroyed Palmyra's historic temples of Bel and Baalshamin and the Arch of Triumph, viewing them as monuments to idolatry, and beheaded an elderly antiquities scholar who had dedicated his life to overseeing the ruins.
Today, the road through the desert from Homs to Palmyra is dotted with Syrian army checkpoints. In the town adjacent to the ancient site, some shops have reopened, but signs of war remain in the form of charred vehicles and burned-out or boarded-up stores and houses.
The Palmyra Museum is closed, and the much-loved lion statue that used to stand in front of it has been moved to Damascus for restoration and safekeeping.
In 2019, international experts convened by UNESCO, the United Nations' cultural agency, said detailed studies would need to be done before starting major restorations.
Youmna Tabet, program specialist at the Arab states unit of UNESCO's World Heritage Center, said restoration work often involves difficult choices, particularly if there isn't enough original material for rebuilding.
“Is it worth it to rebuild it with very little authenticity or should we rather focus on having 3D documentation of how it was?” she said.
Missions to the site were held up at first by security issues, including land mines that had to be cleared. ISIS cells still occasionally carry out attacks in the area.
Money is also a problem.
"There is a big lack of funding so far, for all the sites in Syria,” The Associated Press quoted Tabet as saying, noting that international donors have been wary of breaching sanctions on Syria, which have been imposed by the United States, the European Union and others.
US sanctions exempt activities related to preservation and protection of cultural heritage sites, but sanctions-related obstacles remain, such as a ban on exporting US-made items to Syria.
Russia, an ally of Syrian President Bashar Assad's government, has begun restoring Palmyra's triumphal arch, the largest-scale project underway to date at the site.
“We have some funding from some friends in some places, but it is not sufficient in relation to the disaster that occurred,” said Mohammad Nazir Awad, director general of Syria's department of Antiquities and Museums.
It doesn't have to be this way, said Maamoun Abdulkarim, who headed the antiquities department at the time of the ISIS incursion. Abdulkarim pointed to the international push to recover damaged heritage sites in the city of Mosul in neighboring Iraq, also controlled by the militants for some time, as an example of a successful restoration.
“We need to make some separation between political affairs and cultural heritage affairs,” said Abdulkarim, now a professor at the University of Sharjah. He warned that damaged structures are in danger of deteriorating further or collapsing as the rehabilitation work is delayed.
The deadly Feb. 6 earthquake caused further destruction at some sites already damaged by the war. This includes the old city of Aleppo, which is under the control of the government, and the Byzantine-era church of Saint Simeon in the Aleppo countryside, in an area controlled by Turkish-backed opposition forces.
About one-fifth of the church was damaged in the earthquake, including the basilica arch, said Hassan al-Ismail, a researcher with Syrians for Heritage a non-governmental organization. He said the earthquake compounded earlier damage caused by bombings and vandalism.
The group tried to stabilize the structure with wooden and metal supports and to preserve the stones that fell from it for later use in restoration.
Ayman al-Nabo, head of antiquities in the opposition-held city of Idlib, appealed for international assistance in stabilizing and restoring sites damaged by the earthquake.
Antiquities should be seen as “neutral to the political reality,” he said. “This is global human heritage, which belongs to the whole world, not just the Syrians."



Saudi Arabia Participates in Cairo International Book Fair 2026

Saudi Arabia Participates in Cairo International Book Fair 2026
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Saudi Arabia Participates in Cairo International Book Fair 2026

Saudi Arabia Participates in Cairo International Book Fair 2026

The Literature, Publishing and Translation Commission will lead the Kingdom’s participation in the 57th edition of the Cairo International Book Fair 2026 taking place from January 21 until February 3.

CEO of the Literature, Publishing and Translation Commission Abdullatif Alwasel stated that this participation is an extension of the commission’s ongoing efforts to enhance the Kingdom’s cultural and literary presence at the regional and international levels and to introduce Saudi cultural heritage, while underscoring the Kingdom’s role in leading the global cultural landscape.

He noted that the commission has mobilized its capabilities to support the participation of Saudi publishing houses in book fairs both within and outside the Kingdom, while also working to attract international publishers to participate in Saudi book fairs by building new partnerships and strengthening channels of cultural cooperation.

The Kingdom’s participation in the fair, which is organized by the General Egyptian Book Organization, aims to strengthen cultural relations and knowledge exchange between the Kingdom and Egypt, enhance cooperation in the fields of literature, publishing, and translation, support and promote Saudi publishing houses and literary agencies internationally, and raise awareness of Saudi cultural heritage in global forums.


Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
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Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)

French investigators remain determined to find the imperial jewels stolen from the Louvre in October, a prosecutor has told AFP.

Police believe they have arrested all four thieves who carried out the brazen October 19 robbery, making off with jewelry worth an estimated $102 million from the world-famous museum.

"The interrogations have not produced any new investigative elements," top Paris prosecutor Laure Beccuau said this week, three months after the broad-daylight heist.

But the case remains a top priority, she underlined.

"Our main objective is still to recover the jewelry," she said.

That Sunday morning in October, thieves parked a mover's truck with an extendable ladder below the Louvre's Apollo Gallery housing the French crown jewels.

Two of the thieves climbed up the ladder, broke a window and used angle grinders to cut glass display booths containing the treasures, while the other two waited below, investigators say.

The four then fled on high-powered motor scooters, dropping a diamond-and-emerald crown in their hurry.

But eight other items of jewelry -- including an emerald-and-diamond necklace that Napoleon I gave his second wife, Empress Marie-Louise -- remain at large.

Beccuau said investigators were keeping an open mind as to where the loot might be.

"We don't have any signals indicating that the jewelry is likely to have crossed the border," she said, though she added: "Anything is possible."

Detectives benefitted from contacts with "intermediaries in the art world, including internationally" as they pursued their probe.

"They have ways of receiving warning signals about networks of receivers of stolen goods, including abroad," Beccuau said.

As for anyone coming forward to hand over the jewels, that would be considered to be "active repentance, which could be taken into consideration" later during a trial, she said.

A fifth suspect, a 38-year-old woman who is the partner of one of the men, has been charged with being an accomplice but was released under judicial supervision pending a trial.

Investigators still had no idea if someone had ordered the theft.

"We refuse to have any preconceived notions about what might have led the individuals concerned to commit this theft," the prosecutor said.

But she said detectives and investigating magistrates were resolute.

"We haven't said our last word. It will take as long as it takes," she said.


Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Mohammad AlFaraj's artwork at Desert X AlUla 2026 (Courtesy of Lance Gerber)
Mohammad AlFaraj's artwork at Desert X AlUla 2026 (Courtesy of Lance Gerber)
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Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Mohammad AlFaraj's artwork at Desert X AlUla 2026 (Courtesy of Lance Gerber)
Mohammad AlFaraj's artwork at Desert X AlUla 2026 (Courtesy of Lance Gerber)

Arts AlUla has announced the lineup of Saudi and international artists participating in the fourth edition of Desert X AlUla, the international open-air art exhibition held in collaboration with Desert X.

 

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks, ranging from large-scale installations and sound pieces that stretch across and beneath the desert landscape, to kinetic works and immersive interactive experiences.

 

The showcase reflects a deep connection to AlUla’s unique environment, its dramatic natural landscapes, and rich cultural heritage.

 

Desert X AlUla, the region’s first public art biennial, will feature 11 artists presenting diverse perspectives, materials, and artistic traditions in their large-scale works in its 2026 edition.

 

The program offers a delightful mix of performances and interactive family activities, alongside dedicated programs that blend sound, movement, storytelling, and play.

 

Also, the visitor pavilion will host a live music program curated in collaboration with AlUla Music Hub, creating moments where art, nature, and community converge in a shared experience shaped by rhythm and a strong sense of place.

 

Arts AlUla confirmed that Desert X AlUla 2026 will be open to the public.