Restoration Lags for Syria's Famed Roman Ruins at Palmyra

Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)
Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)
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Restoration Lags for Syria's Famed Roman Ruins at Palmyra

Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)
Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)

At the height of ISIS’ rampage across Syria, the world watched in horror as the militants blew up an iconic arch and temple in the country’s famed Roman ruins in Palmyra.
Eight years later, ISIS has lost its hold but restoration work on the site has been held up by security issues, leftover ISIS land mines and lack of funding.
Other archaeological sites throughout Syria face similar problems, both in areas held by the government and by the opposition. They were damaged by the war or, more recently, by the deadly 7.8-magnitude earthquake that struck a wide area of neighboring Türkiye and also Syria in February.
Youssef Kanjou, a former director of Syria's Aleppo National Museum, said the situation of heritage sites in his country is a “disaster.”
Without a coordinated preservation and restoration effort, said Kanjou, now a researcher at Tübingen University in Germany, "We will lose what was not destroyed by the war or the earthquake."
Before the war, Palmyra — one of Syria’s six UNESCO world heritage sites — was the country’s archaeological crown jewel, a tourist attraction that drew tens of thousands of visitors each year. The ancient city was the capital of an Arab client state of the Roman Empire that briefly rebelled and carved out its own kingdom in the third century, led by Queen Zenobia.
The militants later destroyed Palmyra's historic temples of Bel and Baalshamin and the Arch of Triumph, viewing them as monuments to idolatry, and beheaded an elderly antiquities scholar who had dedicated his life to overseeing the ruins.
Today, the road through the desert from Homs to Palmyra is dotted with Syrian army checkpoints. In the town adjacent to the ancient site, some shops have reopened, but signs of war remain in the form of charred vehicles and burned-out or boarded-up stores and houses.
The Palmyra Museum is closed, and the much-loved lion statue that used to stand in front of it has been moved to Damascus for restoration and safekeeping.
In 2019, international experts convened by UNESCO, the United Nations' cultural agency, said detailed studies would need to be done before starting major restorations.
Youmna Tabet, program specialist at the Arab states unit of UNESCO's World Heritage Center, said restoration work often involves difficult choices, particularly if there isn't enough original material for rebuilding.
“Is it worth it to rebuild it with very little authenticity or should we rather focus on having 3D documentation of how it was?” she said.
Missions to the site were held up at first by security issues, including land mines that had to be cleared. ISIS cells still occasionally carry out attacks in the area.
Money is also a problem.
"There is a big lack of funding so far, for all the sites in Syria,” The Associated Press quoted Tabet as saying, noting that international donors have been wary of breaching sanctions on Syria, which have been imposed by the United States, the European Union and others.
US sanctions exempt activities related to preservation and protection of cultural heritage sites, but sanctions-related obstacles remain, such as a ban on exporting US-made items to Syria.
Russia, an ally of Syrian President Bashar Assad's government, has begun restoring Palmyra's triumphal arch, the largest-scale project underway to date at the site.
“We have some funding from some friends in some places, but it is not sufficient in relation to the disaster that occurred,” said Mohammad Nazir Awad, director general of Syria's department of Antiquities and Museums.
It doesn't have to be this way, said Maamoun Abdulkarim, who headed the antiquities department at the time of the ISIS incursion. Abdulkarim pointed to the international push to recover damaged heritage sites in the city of Mosul in neighboring Iraq, also controlled by the militants for some time, as an example of a successful restoration.
“We need to make some separation between political affairs and cultural heritage affairs,” said Abdulkarim, now a professor at the University of Sharjah. He warned that damaged structures are in danger of deteriorating further or collapsing as the rehabilitation work is delayed.
The deadly Feb. 6 earthquake caused further destruction at some sites already damaged by the war. This includes the old city of Aleppo, which is under the control of the government, and the Byzantine-era church of Saint Simeon in the Aleppo countryside, in an area controlled by Turkish-backed opposition forces.
About one-fifth of the church was damaged in the earthquake, including the basilica arch, said Hassan al-Ismail, a researcher with Syrians for Heritage a non-governmental organization. He said the earthquake compounded earlier damage caused by bombings and vandalism.
The group tried to stabilize the structure with wooden and metal supports and to preserve the stones that fell from it for later use in restoration.
Ayman al-Nabo, head of antiquities in the opposition-held city of Idlib, appealed for international assistance in stabilizing and restoring sites damaged by the earthquake.
Antiquities should be seen as “neutral to the political reality,” he said. “This is global human heritage, which belongs to the whole world, not just the Syrians."



Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
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Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition concluded its six-month run at the Red Sea Museum in Historic Jeddah, offering visitors an educational journey into centuries of maritime trade, navigation, and pilgrimage.

Housed at the historic Bab Al-Bunt building since February 25, the exhibition highlighted the Red Sea's historical role as a vital trade artery connecting the Arabian Peninsula with the Mediterranean, Africa, and Asia.

Structured across four thematic zones, the galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets, SPA reported.

Among the exhibition's centerpiece displays was the 18th-century Umluj shipwreck, discovered submerged 20 to 22 meters deep amid coral reefs. Its recovered cargo—including commercial containers, pottery, coins, ceramics, and daily shipboard tools alongside antique navigational instruments and nautical maps—illustrated the vibrant human exchange that traversed regional waters.

Organized in collaboration with the Heritage Commission and the Historic Jeddah Program, the exhibition was also part of the summer season's cultural offerings, combining interactive public programming with scientific research to bolster cultural tourism and raise awareness of the Kingdom's underwater heritage.


Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
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Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)

Diriyah Art Futures (DAF), the first center for New Media Arts in the Middle East and North Africa, launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors.

Visitors explored a diverse range of cutting-edge technological media, including immersive and multimedia installations, light, sound, moving image, virtual reality, mixed reality, and AI-generated projects, the Saudi Press Agency reported.

CONTINUUM ’26 features artworks produced by 16 emerging artists and two mentors during DAF’s year-long Emerging New Media Artists Program. Curated by Irini Papadimitriou and Bushra Alghamdi, Assistant Curator, the exhibition explores questions surrounding memory, identity, place, belonging, repetition, and interspecies relationships.

Developed under the mentorship of artists Louis-Philippe Demers and Rick Treweek, the artworks explore the boundaries between the real and the artificial, human and artificial intelligence, the organic and synthetic.

Speaking at the exhibition launch, CEO of the Museums Commission Eng. Abdullah bin Abdulaziz Al-Hammad said: “Programs like the Emerging New Media Artists Program represent the long-term, deliberate investment needed to shape the future of the Kingdom's museum sector.

“By providing our artists with world-class facilities, mentorship, and the dedicated time to refine their craft, we are fueling innovation and sparking vital cultural conversations. CONTINUUM 26 brings a full year of that dedication into the public eye.”

The opening program kicked off with a panel conversation between exhibition artists Noel Apitta, Njood Albwardi, Badriya Alsalem, and Harpreet Sareen, in conversation with Bushra Alghamdi about the ideas behind their works in CONTINUUM '26.

The artists discussed the exhibition's themes – the power of artificial intelligence; memory and time; and embodied perception – exploring how each artist navigated their creative process and what questions drove them.

CONTINUUM ’26 is the second installment in a series of exhibitions at DAF, spotlighting diverse voices shaping the future of New Media Art in the region and beyond.

Developed in collaboration with Le Fresnoy – Studio national des arts contemporains in France, the Emerging New Media Artists Program gives emerging artists access to cutting-edge professional equipment and a production budget, as well as a wide range of multidisciplinary learning opportunities.

CONTINUUM ’26 is open to the public at Diriyah Art Futures and runs until November 7. The exhibition is accompanied by a public program of workshops, talks and other activities spanning AI, VR, digital photography, and much more.

Meet the Artists: an invitation to encounter the works of CONTINUUM '26 through the perspectives of the artists who made them. Over the opening weekend, artists will discuss the ideas and processes behind their works with visitors.


US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
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US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)

The United States on Thursday announced the return of Roman-era sarcophagus fragments to Lebanon that were looted from the southern city of Tyre and recovered by an FBI investigation.

The decorative, lead fragments were returned to the Lebanese consulate in New York on Wednesday, ahead of their repatriation, the US embassy in Lebanon said.

The recovery "reflects the strong US-Lebanon partnership in the fight against illicit trafficking of cultural property", the embassy said.

Lebanese Culture Minister Ghassan Salame said the fragments "were unearthed in the Tyre area during illegal excavations".

"The fragments bear distinctive artistic, decorative and technical characteristics typical of workshops that produced lead sarcophagus in Tyre, which were among the city's active and prolific workshops in antiquity."

According to the FBI, the antiquities "were stolen from illicit excavations in or around Tyre and were exported outside of Lebanon's borders".

The trade in looted antiquities is widespread in the Middle East. New York, one of the world's art capitals, is home to many wealthy collectors, galleries, and auction houses.

In December 2017, three ancient artifacts were returned to Lebanon, including a bull's head of Greek origin that had been exhibited at the Met Gala, valued at $1.2 million.

Salame said the Tyre region "is exceptionally rich in archaeological heritage" and "has recently suffered severe destruction" due to heavy Israeli strikes during the latest war between Israel and Iran-backed Hezbollah.

UNESCO, the United Nations cultural agency, added Tyre to its World Heritage in Danger list in July.