Iraq Recovers 23,000 Sumerian, Babylonian, Assyrian Archaeological Artifacts

The Iraqi Prime Minister during his visit to the National Museum on June 10 (Prime Minister's Office)
The Iraqi Prime Minister during his visit to the National Museum on June 10 (Prime Minister's Office)
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Iraq Recovers 23,000 Sumerian, Babylonian, Assyrian Archaeological Artifacts

The Iraqi Prime Minister during his visit to the National Museum on June 10 (Prime Minister's Office)
The Iraqi Prime Minister during his visit to the National Museum on June 10 (Prime Minister's Office)

Iraq has successfully recovered over 23,000 archaeological pieces during the past three years, with many of them being distributed between the US and Britain, according to Ahmed Al-Alyawi, who heads the House of Manuscripts body.

Al-Alyawi, who is also a spokesperson of Iraq’s Culture Ministry, also revealed the presence of 25 archaeological missions currently operating in Iraq, in collaboration with Iraqi experts, spanning German and Italian institutes and universities.

Speaking to Asharq Al-Awsat, Al-Alyawi affirmed that the ministry continues its relentless efforts to recover Iraqi antiquities from abroad.

The ongoing efforts have resulted in the recovery of 17,338 archaeological pieces from the US and various other countries.

Additionally, Iraqi authorities have successfully retrieved the Kish tablet, which bears the inscription of the Epic of Gilgamesh, as well as the Sumerian ram artifact.

Al-Alyawi added that the Ministry of Foreign Affairs has handed over all these pieces to the General Authority for Antiquities in the Ministry of Culture, where they have been stored in an Iraqi museum.

Meanwhile, the Kish tablet and the Sumerian ram artifact have been put on display.

Regarding the methods used for the theft and smuggling of this vast number of archaeological pieces, Al-Alyawi mentioned that “the looting has been occurring for many years, affecting artifacts from various Iraqi civilizations such as Sumerian, Babylonian, Assyrian, and others.”

Most of these artifacts were extracted through random digging by organized thieves, within the framework of what is known as the antiquities trade, which is both unfortunate and catastrophic.

“Excavated pieces were smuggled to a Gulf country and from there, further smuggled to the US,” revealed Al-Alyawi.

“However, through persistent efforts by Iraq, with the assistance of certain US entities, particularly the Department of Justice, we have managed to recover them,” he said.

 



Al-Ahsa Becomes Deputy Head at UNESCO Creative Cities Network in Crafts, Folk Arts

Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA
Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA
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Al-Ahsa Becomes Deputy Head at UNESCO Creative Cities Network in Crafts, Folk Arts

Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA
Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA

Represented by Dr. Ibrahim Al-Shabith, Saudi Arabia’s Al-Ahsa won the position of deputy head of the UNESCO Creative Cities Network in crafts and folk arts, a field that currently encompasses 66 cities from around the world.

This feat comes after Al-Ahsa became a member of the network in the creative field, following an initiative by Al-Ahsa Municipality in 2015.

This success is supported by national entities, represented by the municipality; Al-Ahsa Governorate; the Culinary Arts Commission; the Saudi National Commission for Education, Culture and Science; the Heritage Commission; and the Royal Institute for Traditional Arts.

Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts.

Al-Ahsa has worked on developing the general objectives of integrating and highlighting the connection between education and cultural and creative activities to enhance the sustainability of handicrafts and folk arts.

Over the past years, Al-Ahsa has shared expertise in preserving handicrafts and folk arts with creative cities worldwide through numerous international meetings and conferences in South Korea, Poland, France, the United States, Australia, and Brazil.

Al-Ahsa became the first Gulf city and the third in the Arab world to join the network in the creative field. It has achieved close cooperation in development programs among creative cities, with a focus on sustainable development and heritage preservation.