Iraq Recovers 23,000 Sumerian, Babylonian, Assyrian Archaeological Artifacts

The Iraqi Prime Minister during his visit to the National Museum on June 10 (Prime Minister's Office)
The Iraqi Prime Minister during his visit to the National Museum on June 10 (Prime Minister's Office)
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Iraq Recovers 23,000 Sumerian, Babylonian, Assyrian Archaeological Artifacts

The Iraqi Prime Minister during his visit to the National Museum on June 10 (Prime Minister's Office)
The Iraqi Prime Minister during his visit to the National Museum on June 10 (Prime Minister's Office)

Iraq has successfully recovered over 23,000 archaeological pieces during the past three years, with many of them being distributed between the US and Britain, according to Ahmed Al-Alyawi, who heads the House of Manuscripts body.

Al-Alyawi, who is also a spokesperson of Iraq’s Culture Ministry, also revealed the presence of 25 archaeological missions currently operating in Iraq, in collaboration with Iraqi experts, spanning German and Italian institutes and universities.

Speaking to Asharq Al-Awsat, Al-Alyawi affirmed that the ministry continues its relentless efforts to recover Iraqi antiquities from abroad.

The ongoing efforts have resulted in the recovery of 17,338 archaeological pieces from the US and various other countries.

Additionally, Iraqi authorities have successfully retrieved the Kish tablet, which bears the inscription of the Epic of Gilgamesh, as well as the Sumerian ram artifact.

Al-Alyawi added that the Ministry of Foreign Affairs has handed over all these pieces to the General Authority for Antiquities in the Ministry of Culture, where they have been stored in an Iraqi museum.

Meanwhile, the Kish tablet and the Sumerian ram artifact have been put on display.

Regarding the methods used for the theft and smuggling of this vast number of archaeological pieces, Al-Alyawi mentioned that “the looting has been occurring for many years, affecting artifacts from various Iraqi civilizations such as Sumerian, Babylonian, Assyrian, and others.”

Most of these artifacts were extracted through random digging by organized thieves, within the framework of what is known as the antiquities trade, which is both unfortunate and catastrophic.

“Excavated pieces were smuggled to a Gulf country and from there, further smuggled to the US,” revealed Al-Alyawi.

“However, through persistent efforts by Iraq, with the assistance of certain US entities, particularly the Department of Justice, we have managed to recover them,” he said.

 



Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
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Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)

In his seaside workshop on the Greek island of Lesbos, Nikos Kouvdis uses ancient techniques to create pottery pieces that have recently been honored with inclusion in UNESCO's National Inventory of Intangible Cultural Heritage.

Kouvdis, 70, and his family have kept an old technique alive near the once humming pottery hub of Mandamados, just as the slow and careful methods of the past have been largely eclipsed by factory machines.

Their pottery is among the last in the Mediterranean to be produced from clay in local soil, using a traditional kiln with olive pits as fuel, with the pieces painted with natural lime.

"It's an honor for me," Kouvdis said with regard to the UNESCO recognition of his work.

He said a mechanized press can work at 10 times the speed of an individual potter. "There’s no continuity. There’s no space for (our) method to continue."

Still, he continues to produce individual pots on an outcrop of land overlooking the Aegean Sea.

"Above all, it’s a passion - trying to create something that fulfils you," he said.