That’s No Pizza: A Wall Painting Found in Pompeii Doesn’t Depict Italy’s Iconic Dish

This handout photo taken and released on 25 June by Parco Archeologico di Pompei (Archaeological Park of Pompeii), shows a 2,000-year-old Pompeian painting, a still life, found by the new Regio IX excavations, depicted on the wall of an ancient Pompeian house that could be a distant ancestor of modern pizza. (Handout / Parco Archeologico di Pompei press office / AFP)
This handout photo taken and released on 25 June by Parco Archeologico di Pompei (Archaeological Park of Pompeii), shows a 2,000-year-old Pompeian painting, a still life, found by the new Regio IX excavations, depicted on the wall of an ancient Pompeian house that could be a distant ancestor of modern pizza. (Handout / Parco Archeologico di Pompei press office / AFP)
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That’s No Pizza: A Wall Painting Found in Pompeii Doesn’t Depict Italy’s Iconic Dish

This handout photo taken and released on 25 June by Parco Archeologico di Pompei (Archaeological Park of Pompeii), shows a 2,000-year-old Pompeian painting, a still life, found by the new Regio IX excavations, depicted on the wall of an ancient Pompeian house that could be a distant ancestor of modern pizza. (Handout / Parco Archeologico di Pompei press office / AFP)
This handout photo taken and released on 25 June by Parco Archeologico di Pompei (Archaeological Park of Pompeii), shows a 2,000-year-old Pompeian painting, a still life, found by the new Regio IX excavations, depicted on the wall of an ancient Pompeian house that could be a distant ancestor of modern pizza. (Handout / Parco Archeologico di Pompei press office / AFP)

A still-life fresco discovered recently in the Pompeii archaeological site looks like a pizza, but it's not, experts at the archaeological site said Tuesday.

They noted that key ingredients needed to make Italy's iconic dish — tomatoes and mozzarella — were not available when the fresco was painted some 2,000 years ago.

Tomatoes were only introduced to Europe from the Americas a few centuries ago, and some histories have it that the discovery of mozzarella led directly to the invention of pizza in nearby Naples in the 1700s.

The image is instead believed to be a focaccia covered with fruit, including pomegranate and possibly dates, finished with spices or a type of pesto, experts said. In the fresco, it is served on a silver plate and a wine chalice stands next to it.

The contrast of the frugal meal served in a luxurious setting, denoted by the silver tray, is not unlike modern-day pizza, “born as a poor-man’s dish in southern Italy, which has won over the world and is served even in starred restaurants," said Gabriel Zuchtriegel, director of the Pompeii archaeological site.

The ancient Roman city of Pompeii was destroyed in the eruption of nearby Mount Vesuvius in 79 A.D. The sudden and deadly event left much of the structure intact, embalmed in volcanic ash, and the site is now a major archaeological project and tourist attraction.

The Coldiretti ag lobby immediately seized on the discovery of the fresco to promote pizza — invented as a quick meal for the working poor — as a national treasure. Today, pizza represents one-third of the food budget of foreign visitors and generates total annual revenues of 15 billion euros ($16.4 billion) in Italy.

The art of the Neapolitan pizzamaker was put on UNESCO’s intangible cultural heritage list in 2017, recognized for its four phases of dough preparation and for being baked exclusively in a wood oven at 485 degrees Celsius (905 degrees Fahrenheit).



Riyadh Cultural House Marks Founding Day with Creative Heritage Programs

The celebration underscored the role of cultural houses in strengthening national identity - SPA
The celebration underscored the role of cultural houses in strengthening national identity - SPA
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Riyadh Cultural House Marks Founding Day with Creative Heritage Programs

The celebration underscored the role of cultural houses in strengthening national identity - SPA
The celebration underscored the role of cultural houses in strengthening national identity - SPA

The Riyadh Cultural House celebrated the Kingdom’s Founding Day with a range of cultural programs that highlighted national values and showcased the nation’s heritage in a modern, creative spirit.

The events included poetry evenings, dialogue sessions, cultural performances, and interactive workshops, all emphasizing the history and principles on which the Saudi state was founded, SPA reported.

The celebration underscored the role of cultural houses in strengthening national identity, fostering pride in the Kingdom’s history, and preserving its cultural legacy for future generations.


Riyadh Cultural House Marks Founding Day with Creative Heritage Programs

The events included poetry evenings, dialogue sessions, cultural performances, and interactive workshops. SPA
The events included poetry evenings, dialogue sessions, cultural performances, and interactive workshops. SPA
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Riyadh Cultural House Marks Founding Day with Creative Heritage Programs

The events included poetry evenings, dialogue sessions, cultural performances, and interactive workshops. SPA
The events included poetry evenings, dialogue sessions, cultural performances, and interactive workshops. SPA

The Riyadh Cultural House celebrated the Kingdom’s Founding Day with a range of cultural programs that highlighted national values and showcased the nation’s heritage in a modern, creative spirit.

The events included poetry evenings, dialogue sessions, cultural performances, and interactive workshops, all emphasizing the history and principles on which the Saudi state was founded.

The celebration underscored the role of cultural houses in strengthening national identity, fostering pride in the Kingdom’s history, and preserving its cultural legacy for future generations.


Prince Mohammed bin Salman Project Renovates Historic Al-Qibli Mosque in Riyadh

Al-Qibli Mosque is named for its location west of Manfuha and near the Principality Palace - SPA
Al-Qibli Mosque is named for its location west of Manfuha and near the Principality Palace - SPA
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Prince Mohammed bin Salman Project Renovates Historic Al-Qibli Mosque in Riyadh

Al-Qibli Mosque is named for its location west of Manfuha and near the Principality Palace - SPA
Al-Qibli Mosque is named for its location west of Manfuha and near the Principality Palace - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques continues efforts to preserve the Kingdom’s authentic architectural identity.

One of its recent projects is the comprehensive renovation of Al-Qibli Mosque in the old neighborhood of Manfuha in Riyadh. The restoration reflects traditional Najdi architecture and highlights the mosque’s connection to the town’s administrative and social history, SPA reported.

Al-Qibli Mosque is named for its location west of Manfuha and near the Principality Palace. It was historically the closest mosque to the town’s seat of government and was frequented by princes and prominent figures. The mosque spans approximately 500 square meters. It includes an outer courtyard, an inner prayer hall, and a lower prayer room of equal size that dates back to the original construction. Square, plaster-lined windows on the north and south sides provide natural ventilation.

These were added during the mosque’s second reconstruction around 1364 AH (1945 AD).

The covered inner prayer hall measures 15 by 8 meters and rests on 33 columns arranged in three rows. It was built by architect Abdullah bin Masoud upon the order of King Abdulaziz bin Abdulrahman. The roof is constructed using tamarisk and palm trunks, and a minaret stands at the center of the northern façade. Following earlier renovations in 1414 AH (1993 AD), the mosque remains the last mud-brick mosque in old Manfuha.

According to SPA, its design creates a visual connection between the courtyard and the inner hall, alongside a secluded lower prayer room. The site also includes the historic water fountain of Faris bin Abdullah bin Shaalan, who died in 1175 AH (1762 AD), and an old ablution area.

The current renovation uses the same local materials as the original construction, including mud, plaster, tamarisk wood, and palm fronds. Specialized Saudi heritage companies and engineers are overseeing the work to ensure preservation of historical authenticity while meeting modern sustainability standards.

The restoration aligns with the project’s four objectives: preparing historical mosques for worship, restoring architectural authenticity, highlighting the Kingdom’s cultural dimension, and enhancing religious significance. The project supports the cultural and civilizational goals of Saudi Vision 2030 and contributes to preserving the Kingdom’s architectural heritage for future generations.