That’s No Pizza: A Wall Painting Found in Pompeii Doesn’t Depict Italy’s Iconic Dish

This handout photo taken and released on 25 June by Parco Archeologico di Pompei (Archaeological Park of Pompeii), shows a 2,000-year-old Pompeian painting, a still life, found by the new Regio IX excavations, depicted on the wall of an ancient Pompeian house that could be a distant ancestor of modern pizza. (Handout / Parco Archeologico di Pompei press office / AFP)
This handout photo taken and released on 25 June by Parco Archeologico di Pompei (Archaeological Park of Pompeii), shows a 2,000-year-old Pompeian painting, a still life, found by the new Regio IX excavations, depicted on the wall of an ancient Pompeian house that could be a distant ancestor of modern pizza. (Handout / Parco Archeologico di Pompei press office / AFP)
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That’s No Pizza: A Wall Painting Found in Pompeii Doesn’t Depict Italy’s Iconic Dish

This handout photo taken and released on 25 June by Parco Archeologico di Pompei (Archaeological Park of Pompeii), shows a 2,000-year-old Pompeian painting, a still life, found by the new Regio IX excavations, depicted on the wall of an ancient Pompeian house that could be a distant ancestor of modern pizza. (Handout / Parco Archeologico di Pompei press office / AFP)
This handout photo taken and released on 25 June by Parco Archeologico di Pompei (Archaeological Park of Pompeii), shows a 2,000-year-old Pompeian painting, a still life, found by the new Regio IX excavations, depicted on the wall of an ancient Pompeian house that could be a distant ancestor of modern pizza. (Handout / Parco Archeologico di Pompei press office / AFP)

A still-life fresco discovered recently in the Pompeii archaeological site looks like a pizza, but it's not, experts at the archaeological site said Tuesday.

They noted that key ingredients needed to make Italy's iconic dish — tomatoes and mozzarella — were not available when the fresco was painted some 2,000 years ago.

Tomatoes were only introduced to Europe from the Americas a few centuries ago, and some histories have it that the discovery of mozzarella led directly to the invention of pizza in nearby Naples in the 1700s.

The image is instead believed to be a focaccia covered with fruit, including pomegranate and possibly dates, finished with spices or a type of pesto, experts said. In the fresco, it is served on a silver plate and a wine chalice stands next to it.

The contrast of the frugal meal served in a luxurious setting, denoted by the silver tray, is not unlike modern-day pizza, “born as a poor-man’s dish in southern Italy, which has won over the world and is served even in starred restaurants," said Gabriel Zuchtriegel, director of the Pompeii archaeological site.

The ancient Roman city of Pompeii was destroyed in the eruption of nearby Mount Vesuvius in 79 A.D. The sudden and deadly event left much of the structure intact, embalmed in volcanic ash, and the site is now a major archaeological project and tourist attraction.

The Coldiretti ag lobby immediately seized on the discovery of the fresco to promote pizza — invented as a quick meal for the working poor — as a national treasure. Today, pizza represents one-third of the food budget of foreign visitors and generates total annual revenues of 15 billion euros ($16.4 billion) in Italy.

The art of the Neapolitan pizzamaker was put on UNESCO’s intangible cultural heritage list in 2017, recognized for its four phases of dough preparation and for being baked exclusively in a wood oven at 485 degrees Celsius (905 degrees Fahrenheit).



Saudi Ministry of Culture Selects 20 Research Proposals for Camel Studies Grant

Saudi Ministry of Culture Selects 20 Research Proposals for Camel Studies Grant
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Saudi Ministry of Culture Selects 20 Research Proposals for Camel Studies Grant

Saudi Ministry of Culture Selects 20 Research Proposals for Camel Studies Grant

The Saudi Ministry of Culture has completed the assessment and selection process for the Camel Studies Grant, which was introduced last June in collaboration with the Ministry of Environment, Water, and Agriculture, along with King Faisal University.

The grant targets researchers interested in camel-related studies, with a focus on boosting cultural research output in areas connected to cultural, social, and economic aspects through scientific exploration across diverse specialized fields in the camel sector.

Out of 405 applications from 15 countries, the ministry has chosen 20 research proposals that met the necessary criteria. The selected researchers will receive financial and scientific assistance throughout their research endeavors that will eventually lead to the publication of scientific papers, reported the Saudi Press Agency on Wednesday.

The grant covers six key areas: historical, cultural, social, economic, environmental, and health dimensions; the objective is to examine relevant subjects with modern concepts, theories, and methodologies.

The grant is part of the activities carried out under the "2024, The Year of the Camel" initiative, which coincides with the United Nations General Assembly declaring 2024 as the International Year of Camelids.

The grant seeks to encourage the study of the camel as a symbol of Saudi culture, preserve the national heritage, highlight the intangible heritage linked to camels in the Kingdom, strengthen national identity, and promote Saudi culture on the global stage.