Dutch Museums Will Return Art and Artifacts that Were Looted from Sri Lanka and Indonesia

FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)
FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)
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Dutch Museums Will Return Art and Artifacts that Were Looted from Sri Lanka and Indonesia

FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)
FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)

Two Dutch museums are handing hundreds of cultural artifacts back to Indonesia and Sri Lanka — from a richly decorated cannon to precious metals and jewelry — that were taken, often by force, in the colonial era.
The government announced the planned restitution of 478 “cultural objects” Thursday. Some Western nations are returning looted artifacts and other objects as part of a reckoning with their often brutal colonial histories, The Associated Press said.
A Berlin museum announced in January it is ready to return hundreds of human skulls from the former German colony of East Africa. In 2021, France said it was returning statues, royal thrones and sacred altars taken from the West African nation of Benin. And last year, Belgium returned a gold-capped tooth belonging to the slain Congolese independence hero Patrice Lumumba.
“This is a historic moment. It is the first time that, based on the advice of the Advisory Committee on the Return of Cultural Objects from Colonial Context, we are returning objects that should never have been in the Netherlands," said State Secretary for Culture and Media Gunay Uslu.
The committee was set up in 2022 to assess requests by countries for restitution of artifacts in state museums. It is considering more restitution requests from Indonesia, Sri Lanka and Nigeria.
One of the highlights of the looted objects being returned to Sri Lanka is the Cannon of Kandy, a ceremonial weapon made of bronze, silver and gold, and inlaid with rubies. The barrel is decorated with the symbols of the King of Kandy: a sun, a half-moon and a Sinhalese lion.
The cannon has been in the collection of the Rijksmuseum, the national museum of art and history, since 1800. The museum said it was looted by Dutch East India Company troops during the siege and plunder of Kandy in 1765.
The museum's director, Taco Dibbits, called the decision to return the cannon and five other pieces “a positive step in cooperation with Sri Lanka.”
A ceremony is planned for July 10 to officially hand over looted artifacts to Indonesia at the Museum Volkenkunde in Leiden, including a collection of jewels known as the Lombok Treasure looted from Lombok island.



Saudi Film Commission Joins Asian Film Commissions Network

Saudi Film Commission Joins Asian Film Commissions Network
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Saudi Film Commission Joins Asian Film Commissions Network

Saudi Film Commission Joins Asian Film Commissions Network

The Saudi Film Commission has joined the Asian Film Commissions Network (AFCNet), a non-profit organization established in 2004. The network represents over 50 members across 19 countries and regions in Asia, including film commissions, production offices, and other related organizations. This strategic move aims to foster collaboration with international partners and build partnerships that drive the exchange of knowledge and expertise.
The Saudi Film Commission’s membership in AFCNet is a key milestone in its mission to develop the film industry by supporting local and regional film projects and encouraging co-productions.
This step underscores the commission’s commitment to advancing the Kingdom’s film industry, fostering cultural exchange within the global cinematic community, and contributing to the overall growth of the region’s film industry, SPA reported.
The commission is committed to creating new opportunities for filmmakers and other creatives by providing innovative platforms to showcase their work, supporting distribution channels, promoting the Kingdom as a premier filming destination, and offering competitive incentive programs. These initiatives are designed to accelerate the production of high-quality cinematic content and position Saudi Arabia as a hub for creative excellence.
Joining AFCNet not only reinforces the commission's standing on the global cinematic map but also complements its recent membership of the Association of Film Commissioners International (AFCI), announced in June 2024, aimed at enhancing Saudi Arabia’s presence in the global film industry and facilitating collaboration between national production companies, local talents, and international counterparts.