Dutch Museums Will Return Art and Artifacts that Were Looted from Sri Lanka and Indonesia

FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)
FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)
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Dutch Museums Will Return Art and Artifacts that Were Looted from Sri Lanka and Indonesia

FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)
FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)

Two Dutch museums are handing hundreds of cultural artifacts back to Indonesia and Sri Lanka — from a richly decorated cannon to precious metals and jewelry — that were taken, often by force, in the colonial era.
The government announced the planned restitution of 478 “cultural objects” Thursday. Some Western nations are returning looted artifacts and other objects as part of a reckoning with their often brutal colonial histories, The Associated Press said.
A Berlin museum announced in January it is ready to return hundreds of human skulls from the former German colony of East Africa. In 2021, France said it was returning statues, royal thrones and sacred altars taken from the West African nation of Benin. And last year, Belgium returned a gold-capped tooth belonging to the slain Congolese independence hero Patrice Lumumba.
“This is a historic moment. It is the first time that, based on the advice of the Advisory Committee on the Return of Cultural Objects from Colonial Context, we are returning objects that should never have been in the Netherlands," said State Secretary for Culture and Media Gunay Uslu.
The committee was set up in 2022 to assess requests by countries for restitution of artifacts in state museums. It is considering more restitution requests from Indonesia, Sri Lanka and Nigeria.
One of the highlights of the looted objects being returned to Sri Lanka is the Cannon of Kandy, a ceremonial weapon made of bronze, silver and gold, and inlaid with rubies. The barrel is decorated with the symbols of the King of Kandy: a sun, a half-moon and a Sinhalese lion.
The cannon has been in the collection of the Rijksmuseum, the national museum of art and history, since 1800. The museum said it was looted by Dutch East India Company troops during the siege and plunder of Kandy in 1765.
The museum's director, Taco Dibbits, called the decision to return the cannon and five other pieces “a positive step in cooperation with Sri Lanka.”
A ceremony is planned for July 10 to officially hand over looted artifacts to Indonesia at the Museum Volkenkunde in Leiden, including a collection of jewels known as the Lombok Treasure looted from Lombok island.



Al-Ahsa Becomes Deputy Head at UNESCO Creative Cities Network in Crafts, Folk Arts

Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA
Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA
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Al-Ahsa Becomes Deputy Head at UNESCO Creative Cities Network in Crafts, Folk Arts

Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA
Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA

Represented by Dr. Ibrahim Al-Shabith, Saudi Arabia’s Al-Ahsa won the position of deputy head of the UNESCO Creative Cities Network in crafts and folk arts, a field that currently encompasses 66 cities from around the world.

This feat comes after Al-Ahsa became a member of the network in the creative field, following an initiative by Al-Ahsa Municipality in 2015.

This success is supported by national entities, represented by the municipality; Al-Ahsa Governorate; the Culinary Arts Commission; the Saudi National Commission for Education, Culture and Science; the Heritage Commission; and the Royal Institute for Traditional Arts.

Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts.

Al-Ahsa has worked on developing the general objectives of integrating and highlighting the connection between education and cultural and creative activities to enhance the sustainability of handicrafts and folk arts.

Over the past years, Al-Ahsa has shared expertise in preserving handicrafts and folk arts with creative cities worldwide through numerous international meetings and conferences in South Korea, Poland, France, the United States, Australia, and Brazil.

Al-Ahsa became the first Gulf city and the third in the Arab world to join the network in the creative field. It has achieved close cooperation in development programs among creative cities, with a focus on sustainable development and heritage preservation.