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Australia to Host ‘Ramses and the Gold of the Pharaohs’ Exhibition

The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November. (Egypt’s Ministry of Tourism and Antiquities)
The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November. (Egypt’s Ministry of Tourism and Antiquities)
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Australia to Host ‘Ramses and the Gold of the Pharaohs’ Exhibition

The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November. (Egypt’s Ministry of Tourism and Antiquities)
The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November. (Egypt’s Ministry of Tourism and Antiquities)

The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November as part of its fourth international tour, following its successful stops in the French capital, Paris, and the American cities of Houston and San Francisco.

Mostafa Waziri, secretary-general of the Supreme Council of Antiquities of Egypt, inspected on Sunday the halls where the artifacts will be displayed.

In a press statement, Waziri said his visit to the Australian Museum “aims to ensure the readiness of the halls to host the exhibition, the implementation of security and precautionary measures, as well as the safety and civil protection measures in place, to guarantee the safety of the archaeological artifacts.”

The exhibition comprises 181 archaeological pieces from the collections of Cairo's Egyptian Museum dating back to the era of Pharaoh Ramses II, as well as some discoveries from the Egyptian mission in the Heliopolis area of Saqqara.

Additionally, it showcases artifacts from various Egyptian museums that highlight distinctive aspects of ancient Egyptian civilization. Among them are a collection of statues, jewelry, cosmetic tools, paintings, intricately decorated stone blocks, and colorful wooden sarcophagi.

“Organizing the exhibition in Australia is of great importance for tourism promotion, as it is a country that has rarely organized exhibitions of Egyptian artifacts,” Hussein Abdel-Basir, the Director of the Antiquities Museum at the Library of Alexandria, told Asharq Al-Awsat.

“Sydney was supposed to host an exhibition of Tutankhamun years ago, but it was canceled due to the coronavirus pandemic, and the artifacts returned from London without completing their international tour,” he added.

The Australian Museum has opened reservations for the highly anticipated exhibition.

It has invited the public to embark on a captivating journey that transports them back over 3,300 years, to delve into the pulsating heart of ancient Egypt and get acquainted with one of its most renowned pharaohs.

The all-new multisensory museum experience will provide visitors with a window into the life and accomplishments of Ramses II, more commonly known as Ramses the Great, who ruled Egypt for 67 years – the second longest reign for any pharaoh, living an astonishing 92 years.

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The Women behind Zimbabwe’s Striking Hut Painting Art

A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)
A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)
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The Women behind Zimbabwe’s Striking Hut Painting Art

A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)
A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)

The golden rays of the afternoon sun enhance the bold, hand-painted patterns on the mud walls of a round, thatched hut in Peggy Masuku's village of Matobo in southwestern Zimbabwe.

Outside, at a small table with two curved seats -- all fashioned out of mud -- Masuku shows visitors how she mixes soil pigments, charcoal and ash to create the earth tones that make the striking motifs.

The 54-year-old is admired as one of the best among hundreds of women who practice the traditional art of hut painting in the picturesque granite hills of Matobo, where the rocks hold spiritual value.

The art is gaining recognition beyond this part of rural Zimbabwe, with the bold patterns incorporated into fashion and designs that are finding a small market as far away as Europe and bringing income to its village artists.

For the self-effacing Masuku, it all started when her stepmother assigned her, as the youngest girl in the family, the duty of smearing a cow-dung paste onto the walls and floors of the family huts, a traditional technique to maintain the structures.

"My stepmother would oversee this chore and make sure I did it to perfection. Initially, I thought this was abuse but I later realized it was good training," Masuku told AFP.

"I graduated to doing the hut painting, which elderly women did, and over time became quite good at it."

- International interest -

Masuku's talent first found recognition through a competition called My Beautiful Home, in which she has featured among the winners several times since its launch in 2014.

The annual event is the brainchild of Veronique Attala, a French woman who stumbled on "a beautifully decorated hut" when lost while hiking in the Matobo Hills, a UNESCO heritage site that has one of the highest concentrations of rock paintings in Africa.

Attala, who has lived in Zimbabwe for more than 30 years, was inspired to nurture the tradition and support the women artists and their farming communities.

A new project headed by the German Embassy has also started testing out the commercial promise of these designs.

In collaboration with Zimbabwe's National Gallery and Fashion Council, it has launched the Matobo Collection featuring the work of selected artists reproduced on saleable items such as textiles, flowerpots and lampshades.

The project is helping to find markets in other parts of Zimbabwe and also abroad, mainly in Germany, with the artists receiving a license fee for their designs and royalties for every sale.

To help the women navigate issues of copyright and compensation, the embassy has also brought in intellectual property lawyers.

"The aim is to further promote the artistry of the ladies of Matobo and, subsequently, create greater awareness of this unique cultural heritage, nationally as well as internationally," the embassy's cultural attache Katrin Simon told AFP.

One of those selected for the Matobo Collection is Elgar Maphosa, who is impressed that the traditions of her community have "come this far".

"It is something that we do as routine," the 58-year-old villager said. "I never at any time imagined that I would one day get an income out of it while also learning new things."

- Younger generation -

Hut painting is an ancient Ndebele tradition in which the motifs were originally imbued with meaning.

It was a "mode of communicating the worldview or beliefs, as well as ideals and values of communities that lived long ago," said cultural historian Pathisa Nyathi.

"Over time the meanings got lost and, owing to the interaction with other cultures including Western, emphasis is now on aesthetics," Nyathi told AFP.

Emboldened by her success at My Beautiful Home, Masuku has been commissioned to paint buildings at Zimbabwe's top tourist resort town of Victoria Falls, which she hopes will lead to more projects.

Younger women are also learning the craft, including 26-year-old Nozipho, a development studies graduate and civil servant who is currently learning the art from her mother, and hopes to follow the steps of the older women in her community.