Phantom of Nuclear Disasters Hunts the World

The book cover
The book cover
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Phantom of Nuclear Disasters Hunts the World

The book cover
The book cover

“Fukushima – The Nuclear Disaster and the Other Face of Japan” is a book that explores the backgrounds of the nuclear disaster in Fukushima, and the looming phantom of such catastrophes.

Recently released by Al Arabi Publishing and Distribution, Cairo, the book is written by British researcher Andrew Letherbarrow, and translated into Arabic by Rania Sabri Ali.

On March 11, 2011, a quake hit the depth of the Pacific Ocean with a power that redistributed the land masses, and shifted the main axes of the Earth, shortening the day/night cycle. A massive, unstoppable tsunami emerged from the epicenter of the quake, 57 kilometers to the east of Japan, and reached the Japanese coastline in 40 minutes, hitting the Onagawa Nuclear Power Plant, the closest nuclear facility to the quake center, with 14-meter-high waves.

The earthquakes shook the foundations of the facility, but it managed to survive and became a refuge for those who lost their homes. After around 90 minutes, another tsunami hit another nuclear facility, the Fukushima Daiichi Nuclear Power Plant, one of the largest and most impactful worldwide. At the time, the Tokyo Electric Power Company, and owner of the Fukushima Daiichi, claimed that they took all the necessary measures to prepare for such an event. However, these measures weren’t sufficient, the weak coastal defenses of Fukushima drowned easily, which prevented the plant from cooling its six reactors, and led to the most horrifying nuclear crisis in the past 25 years.

The writer sees that the 2011 eastern Japan quake was perhaps a natural disaster, but the collapse of Fukushima Daiichi is a man-made event, and could have been prepared for and prevented.

Letherbarrow quotes the editorial of the Japan Times newspaper seven years before the catastrophe, which reads: “It is one of the places that no sane man would dare choose to build nuclear power plants, which are so many in Japan.”

The Japanese people have always rejected nuclear power, especially after the second world war, but a western campaign driven by economic and political interests managed to convince them to be more accepting in this field. However, the nuclear power industry failed to provide the safety and security measures needed to cope with a tsunami. There were also obstacles that hindered a real independent censure on such sensitive facilities. In 2018, Japanese researchers from the Kyushu and Tohoku institutes found that “the threat of nuclear power accidents in Japan has outweighed that of other countries.”

According to the writer, with time, under the public pressure and the threats caused by the nuclear leakage and pollution, some countries had to slow down the construction of further nuclear plants. However, Japan didn’t, why? It’s simple, because it consists of several islands and suffers from a serious shortage of natural energy resources, which forced it to import 96% of its fuel needs in 2011. Unlike wood and copper, coal, which is very abundant in Japan, could have been a safety net, but its impact on the environment forced the country to abandon it, which led to more crises and threatened the national security.

The Miike coal mine, the largest and oldest in the history of Japan, operated until 1997. Its closure caused a collapse in the domestic economy, and urged the country to seek a sustainable alternative, the nuclear power. One kilogram of coal generates 12 kw of electricity, while the same amount of uranium could generate 24 million kw of electricity after being processed in nuclear plants. Here, Letherbarrow acknowledges the importance of the peaceful uses of nuclear power, but warns from the lack of security and safety measures, which could be caused by administrative failure, lack of qualification, or expenditure reductions.

Andrew Letherbarrow has another book about nuclear disasters based on the Chernobyl accident. He visited the town and spent five years there for research and investigation. The book was a best seller after its release.



Hadrami Dan Added to UNESCO’s Intangible Cultural Heritage of Humanity List

The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X
The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X
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Hadrami Dan Added to UNESCO’s Intangible Cultural Heritage of Humanity List

The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X
The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X

The Intangible Cultural Heritage Committee of UNESCO, during its ongoing 20th session in New Delhi, included the Hadrami Dan on the Representative List of the Intangible Cultural Heritage of Humanity.

Hadrami Dan is a traditional performance and community gathering that combines spontaneous poetry, music and dance, widespread practiced across Hadhramaut Governorate. A typical Hadrami Dan gathering includes at least one singer and poet, with the audience seated in rows or circles.

Yemen’s Ambassador to UNESCO Mohammed Jumaih said the Hadrami Dan deserves this recognition, following a long and diligent process to reach this goal.

Jumaih thanked the Ministry of Culture and its staff, and the National Commission for Education, Culture, and Science.

He offered special gratitude to the Hadhramaut Foundation for Culture, which undertook the preparation and financing of the nomination file.

He also expressed his appreciation to the Intangible Cultural Heritage Committee, its Chairperson (India’s Ambassador to UNESCO, Vishal Sharma), the committee members, its secretariat, and the Evaluation Body experts for their efforts.

Minister of Information, Culture, and Tourism Muammar Al-Eryani in the Yemeni government said this achievement represents “a well-deserved international recognition of one of the most important creative expressions in Hadhramaut and Yemen in general.”

The Hadrami Dan embodies the depth of Yemeni cultural identity, which successive generations have preserved despite the harsh transformations the country has undergone, he said.

Al-Eryani added that it is the result of a joint national effort involving the Ministry of Culture and the Hadhramaut Foundation for Culture, alongside the prominent role played by Jumaih in following up on the issue within UNESCO.


Saudi Arabia: Najran Cultural Tent Contributes to Passing Cultural Heritage Across Generations

As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage. SPA
As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage. SPA
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Saudi Arabia: Najran Cultural Tent Contributes to Passing Cultural Heritage Across Generations

As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage. SPA
As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage. SPA

The cultural tent at Najran Al-Ruqsh Festival has emerged as one of the event’s most prominent attractions, drawing visitors of all ages, particularly those interested in the region’s rich cultural heritage and historical legacy, the Saudi Press Agency reported.

The tent featured a dedicated corner for activities, stories, and traditional narratives, where elderly community members shared their experiences and memories with younger generations, SPA said on Saturday.

Through these interactions, they highlighted aspects of local heritage and recounted stories from the past that reflected daily life, social values, and inherited customs that have shaped Najran’s identity over generations.

As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage, strengthen its presence in the community’s collective memory, and present it to current and future generations in a manner that balances authenticity with modernity, thereby promoting the region’s cultural identity.


Jeddah Book Fair Highlights Saudi Manga and Comics’ Rise from Hobby to Professionalism

Manga zone at Jeddah Book Fair captivates visitors with creative content, comics. (SPA)
Manga zone at Jeddah Book Fair captivates visitors with creative content, comics. (SPA)
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Jeddah Book Fair Highlights Saudi Manga and Comics’ Rise from Hobby to Professionalism

Manga zone at Jeddah Book Fair captivates visitors with creative content, comics. (SPA)
Manga zone at Jeddah Book Fair captivates visitors with creative content, comics. (SPA)

A dialogue session held on the main stage of the Jeddah Book Fair 2025, organized by the Literature, Publishing and Translation Commission, discussed the rapid transformations taking place in the manga and comics sector in the Kingdom of Saudi Arabia, under the title "The Saudi Manga and Comics Wave: From Hobby to Professionalism."

The session began by outlining the features of the creative renaissance in these art forms, explaining how they evolved in just a few years from individual initiatives and youthful hobbies to a mature artistic movement and a cultural vision embraced by institutions, the Saudi Press Agency reported.

The session highlighted the development of manga and comics in Saudi Arabia and the challenges and opportunities artists face as they transition from hobby to professional practice. It reviewed the local scene, which has seen a broad presence, bolstered by media platforms that support Saudi productions and help spread this art form among the public.

The session explained that manga and comics in Saudi Arabia have developed a clear artistic identity that reflects Saudi cultural values such as generosity, courage, and humanity. It emphasized that professionalism depends on an integrated system encompassing concept, story writing, illustration, and design.

The session concluded by highlighting the most prominent professional challenges in this field, while stressing that human creativity remains the key factor of manga and comics production and the true engine of this art form's development.