‘House of Arabic Singing’ … Cultural Tourism Destination in Egypt

Prince Bashtak Palace (Cultural Development Fund).
Prince Bashtak Palace (Cultural Development Fund).
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‘House of Arabic Singing’ … Cultural Tourism Destination in Egypt

Prince Bashtak Palace (Cultural Development Fund).
Prince Bashtak Palace (Cultural Development Fund).

It is a trip in the world of classic art, and not only a visit to an ancient palace or a unique architectural model from the Mamluk era in Egypt. Cairo’s Prince Bashtak Palace embraces a hub of creativity that truly pleases its visitors: it is the “House of Arabic Singing”, which presents charming voices and great Arabic songs.

While in Egypt, you can satisfy your crooning cravings in many prestigious places such as the Cairo Opera House and the Institute of Arabic music, yet, at the Bashtak Palace, it is a different experience, where delight goes beyond the limits, and music and singing meet civilization and history.

The connection between music and historic landmarks in Egypt is not nascent. While touring the Bashtak Palace before attending a concert, you can see engravings of cemeteries and temples on a varied collection of instruments. And if a touristic guide accompanies you on the tour, they will definitely link the palace to Egyptian musical history.

During my last visit to the “House of Arabic Singing”, guide Ahmad Abdul Samih told me: “Music was an integral part of the ancient Egyptian civilization. Many dead were buried with instruments, which indicates that music was a major aspect of the ancients’ daily life, as well as religious rituals.” Abdul Samih describes this cultural center specialized in singing as a “touristic destination boasting the Arabic musical heritage and a vital tool to preserve it.”

It offers an insight into the restoration and exploitation of the historic houses around old Cairo, which transformed the area into a special destination for cultural tourism. The palace also hosts concerts and workshops that aim to preserve the artistic identity and elevate the musical taste of visitors.

The House of Arabic Singing offers a monthly program of concerts that entertain visitors with diverse music colors including poems, religious chants, and crooning.

It also hosts emerging, highly-skilled talents who sing some of the greatest Arabic songs, as well as concerts that recall the masterpieces of Arab legends including Umm Kulthum, Mohammed Abdel Wahab, Farid al-Atrash, Abdel Halim Hafez, Wadih el-Safi, and Fairuz.

All you have to do before visiting is to check the concert program on the website of the Cultural Development Fund. You will be so lucky if you get the chance to attend a special concert that commemorates an esteemed singer, or if your visit overlaps with the monthly event, the “Maqamat Salon”.

You are also advised to inquire about the workshops held by the palace to preserve the musical heritage, which allow you to study music with some of the best young musicians, and get the chance to explore different music genres and rare oriental instruments. And if you are a fan of paintings, you will be delighted to visit the art gallery.

You might be surprised to see such an artistic momentum in the old, popular region known as “Darb Kormoz”, but it is not a coincidence. The Egyptian culture ministry wanted to introduce the popular Arabic singing in a way that brings it closer to the mainstream audience, and upscale their musical taste.

Before leaving the place, don’t forget to stop by the library which includes rare books and valuable encyclopedias on Arabic music and singing, or you can pass by the recording store to buy some rare releases.

From the magic of music, the palace, described by Al-Maqrizi as “one of the greatest establishments in Cairo,” takes you on a trip in history. Located in Al-Muizz li-Din Allah al-Fatimi Street, the palace was built by Prince Sayf al-Din Bashtak al-Nasiri on a part of the “Grand Eastern Palace Land”, between 1334-1339 AD.

When you wander in it, the palace triggers your imagination and prompts so many questions about it and its owner, especially when you hear some of the relevant anecdotes, such as what Al-Maqrizi said about “Prince Bashtak who never lived in this palace despite its breathtaking beauty, and that he felt horrible every time he visited it, until he sold it.”

Tickets of concerts at the House of Arabic Singing sell for 65-100 Egyptian pounds ($1=31 Egyptian pounds).



'Hidden Treasure': Rare Gandhi Portrait Up for UK Sale

Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP
Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP
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'Hidden Treasure': Rare Gandhi Portrait Up for UK Sale

Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP
Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP

A rare oil painting of Indian independence leader Mahatma Gandhi, which is believed to have been damaged by a Hindu nationalist activist, is to be auctioned in London in July.

Gandhi, one of the most influential figures in India's history, led a non-violent movement against British rule and inspired similar resistance campaigns across the world.

He is the subject of tens of thousands of artworks, books and films.

But a 1931 painting by British-American artist Clare Leighton is believed to be the only oil portrait he sat for, according to the painter's family and Bonhams, where it will be auctioned online from July 7 to 15.

"Not only is this a rare work by Clare Leighton, who is mainly known for her wood engravings, it is also thought to be the only oil painting of Mahatma Gandhi which he sat for," said Rhyanon Demery, Bonhams Head of Sale for Travel and Exploration.

The painting is a "likely hidden treasure", Caspar Leighton, the artist's great-nephew, told AFP.

Going under the hammer for the first time next month, the painting is estimated to sell for between £50,000 and £70,000 ($68,000 and $95,000).

Clare Leighton met Gandhi in 1931, when he was in London for talks with the British government on India's political future.

She was part of London's left-wing artistic circles and was introduced to Gandhi by her partner, journalist Henry Noel Brailsford.

"I think there was clearly a bit of artistic intellectual courtship that went on," said Caspar, pointing out that his great-aunt and Gandhi shared a "sense of social justice".

Painting attacked

The portrait, painted at a crucial time for India's independence struggle, "shows Gandhi at the height of his power", added Caspar.

It was exhibited in London in November 1931, following which Gandhi's personal secretary, Mahadev Desai, wrote to Clare: "It was such a pleasure to have had you here for many mornings doing Mr Gandhi's portrait."

"Many of my friends who saw it in the Albany Gallery said to me that it was a good likeness," reads a copy of the letter attached to the painting's backing board.

The painting intimately captures Gandhi's likeness but it also bears reminders of his violent death.

Gandhi was shot at point-blank range in 1948 by disgruntled Hindu nationalist activist Nathuram Godse, once closely associated with the right-wing paramilitary organization RSS.

Godse and some other Hindu nationalist figures accused Gandhi of betraying Hindus by agreeing to the partition of India and the creation of Muslim-majority Pakistan.

According to Leighton's family, the painting was attacked with a knife by a "Hindu extremist" believed to be an RSS activist, in the early 1970s.

Although there is no documentation of the attack, a label on the back of the painting confirms that it was restored in the United States in 1974.

Under UV light, Demery pointed out the shadow of a deep gash running across Gandhi's face where the now-restored painting was damaged.

"It feels very deliberate," she said.

'Real home'

The repairs "add to the value of the picture in a sense... to its place in history, that Gandhi was again attacked figuratively many decades after his death", said Caspar.

The only other recorded public display of the painting was in 1978 at a Boston Public Library exhibition of Clare Leighton's work.

After Clare's death, the artwork passed down to Caspar's father and then to him.

"There's my family's story but the story in this portrait is so much greater," he said.

"It's a story for millions of people across the world," he added.

"I think it'd be great if it got seen by more people. Maybe it should go back to India -- maybe that's its real home."

Unlike countless depictions of the man known in India as the "father of the nation" -- in stamps, busts, paraphernalia and recreated artwork -- "this is actually from the time", said Caspar.

"This might be really the last truly significant picture of Gandhi to emerge from that time."