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Under Saudi Heritage Authority’s Microscope: Exploring Historical Souq Thul-Majaz

The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)
The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)
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Under Saudi Heritage Authority’s Microscope: Exploring Historical Souq Thul-Majaz

The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)
The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)

The Saudi Heritage Authority has shed light on the historical site of Souq Thul-Majaz, one of the most renowned pre-Islamic Arab markets.

The Authority's survey and excavation team successfully completed their inaugural season, aimed at uncovering the site’s archaeological treasures, unearthing findings, and revealing architectural remnants that bear witness to the market’s historical and cultural significance.

This bustling market was once frequented by Arabs and Muslims during the early days of Islam before they embarked on the annual Hajj pilgrimage season.

The Authority, in collaboration with a group of Saudi experts, has successfully concluded the first season of archaeological survey and excavation at the site of the market in the holy city of Makkah.

The endeavor aimed to unearth scientific and historical evidence related to the location as part of the Authority's efforts to explore national heritage sites, preserve their historical significance, and promote awareness about them.

Additionally, the initiative seeks to utilize these sites as valuable cultural and economic resources, enriching the experiences of both citizens and visitors to the holy city.

Saudi Arabia, with its vast geographical expanse and pivotal role in the region’s history, is home to numerous historical sites that have embraced the heritage and epics of Arab communities, nationalities, and neighboring cultures over the ages.

Among these renowned sites are the ancient markets that have flourished since pre-Islamic times, through the early Islamic eras, where societies gathered in their shops and stalls.

Notably, the markets of Okaz, Majnah, and Thul-Majaz stand out, known as the pilgrimage markets since they took place during the pilgrimage months.

These markets served as hubs for trade and commerce and witnessed the exchange of poetry, literature, and diverse intellectual endeavors.

Located in Wadi Al-Mughmas, Souq Thul-Majaz lies about 20 kilometers to the east of the city of Makkah. This market holds historical, cultural, and archaeological significance, being one of the renowned Arabian markets in the Arabian Peninsula from pre-Islamic times until the early Islamic era.

Souq Thul-Majaz was linked to overland trade routes through which Arabs and merchants from various regions arrived in Makkah.

On the other hand, it was connected to the historic port of Al-Shuaiba on the Red Sea coast, south of Jeddah.

The prominence of Souq Thul-Majaz continued to endure even beyond the year 129 AH in the Islamic calendar year.

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Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
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Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA

The Red Sea Museum in Historic Jeddah is hosting a contemporary artistic exhibition that explores the Red Sea’s marine richness by connecting its geological origins, dating back to the Eocene epoch, with natural history and artistic expression.

Through a series of sculptures and installations, the exhibition showcases the region's vast biodiversity, from microorganisms to large mammals, SPA reported.

The works emphasize the Red Sea’s resilient coral reefs, thriving in warm, high-salinity waters, while delivering powerful environmental messages on the urgency of reef protection and ecological sustainability.

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures.

These pieces complement the museum’s permanent collection of over 1,000 artifacts, reinforcing the Kingdom’s commitment to preserving its cultural and environmental heritage through modern, immersive displays.

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Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
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Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA

The Ministry of Islamic Affairs, Dawah and Guidance, represented by the King Fahd Cultural Center in Bosnia and Herzegovina, is participating in Saudi Arabia’s pavilion at the 37th Sarajevo International Book Fair held from April 22 to 27 at the Skenderija Center.

The fair is held under the theme "Book Path" and features 200 exhibitors from Bosnia and Herzegovina and around the world presenting their publications across an exhibition area of more than 10,000 square meters.

The pavilion, inaugurated in the presence of Saudi Ambassador to Bosnia and Herzegovina Anas Al-Wusaidi, showcases the center’s cultural programs, publications, and activities.

It includes a documentary highlighting the Kingdom’s civilizational progress and the achievements of Saudi Vision 2030, as well as films introducing Saudi cities and tourist landmarks.

The pavilion also features educational and training programs, a Saudi culture corner, a workshop on Saudi coffee preparation, an Arabic calligraphy corner, and a children’s area.

The ministry’s participation in the fair reflects Saudi Arabia’s leading role in serving Islam and Muslims inside and outside the Kingdom, its message of moderation and tolerance, and its commitment to strengthening cultural exchange.

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Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026
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Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026

The King Abdulaziz Center for World Culture (Ithra), an initiative of Aramco, is participating in Milan Design Week, one of the world’s most prominent annual design events, taking place during April 20-26, 2026. This participation reflects the center’s aspirations to strengthen the role of design within the cultural landscape. As part of its presence, Ithra is presenting key features of Ithra Design Week (IDW)—announced last year as a dedicated platform supporting the design sector and designers, aimed at fostering collaboration, nurturing creativity, and advancing design content from the Arab world on the global stage.

As part of its participation, Ithra is presenting the exhibition “Default is Not Universal” at the Isola Design Festival, within the framework of Milan Design Week 2026. The exhibition represents the first tangible realization of Ithra Design Week as a regional platform for designers, showcasing their creativity and cultural narratives to international audiences while opening channels for global dialogue on the future of design, SPA reported.

Manager of Programs at Ithra Nourh Al-Zamil said: “Ithra’s participation in Milan Design Week; one of the most important global events in the field of design, reflects the Center’s mission to empower creative talent, strengthen cultural exchange, and support the growth of the creative economy at both regional and international levels. It also highlights Ithra Design Week 2026, that announced last year as a platform dedicated to supporting and advancing the future of Arab design.”

Al-Zamil added that Ithra’s international participation in leading design and creativity forums serves as an important platform for attracting designers from across the Middle East. She noted that the “Default is Not Universal” exhibition, presented in collaboration with Isola Design; a partnership spanning four years; aims to empower creativity and connect designers from around the world. She emphasized that the exhibition reflects Ithra’s continued efforts to build a year-round integrated ecosystem enabling designers to collaborate, grow, and thrive.

The “Default is Not Universal” exhibition features works by eight designers from across the Middle East and North Africa (MENA) region and includes seven interactive stations. Through the use of artificial intelligence, the exhibition collects visitor interaction data and transforms it into a dynamic map illustrating how cognitive patterns are shaped by diverse cultural influences. In an innovative step, this data will later be used to commission a designer to produce an entirely new piece reflecting the exhibition’s insights and outcomes.

The exhibition represents a collaborative experience between Ithra and Isola Design and is the outcome of a four-year partnership. Following its debut, the exhibition will be expanded and travel to Saudi Arabia, where it will serve as the anchor international exhibition of the main Ithra Design Week event scheduled to take place later this year.

The exhibition’s seven interactive stations include “The Collective Sofa,” a white seating installation by Studio Oblique (UAE) that transforms through visitor interaction into a shared archive reflecting their contributions; “Moments of Absence,” a sculptural installation featuring miniature ceramic chairs by Fajr Al-Basri (Bahrain) that invites visitors to select and sketch the chair they most identify with; and “Body Blocks,” an interactive game by Davina Atteya (Lebanon) inspired by Mesopotamian figurative forms, enabling users to assemble hybrid characters through modular components.

Additional stations include “Attar Al-Balad,” a sensory installation composed of sculptural blocks formed from traditional Saudi herbs and spices that re-evokes memory through scent; “Reflections,” a collection of mirrors by designers from Egypt, the UAE, and Morocco exploring visitors’ perceptions of color, form, and identity; “Majma,” an interactive musical instrument by digital artist Samit Rohila enabling visitors to collaboratively compose spontaneous collective soundscapes; and finally “Daughters of Berythus,” an installation embedding traces of craft traditions and everyday life that invites visitors to explore material memory through touch.