Statue Believed to Depict Marcus Aurelius Seized from Cleveland Museum in Looting Investigation 

The Emperor as Philosopher," a Roman-era statue, thought to represent Marcus Aurelius, stands in a gallery at the Cleveland Museum of Art in Cleveland, Ohio, June 25, 2010. (AP)
The Emperor as Philosopher," a Roman-era statue, thought to represent Marcus Aurelius, stands in a gallery at the Cleveland Museum of Art in Cleveland, Ohio, June 25, 2010. (AP)
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Statue Believed to Depict Marcus Aurelius Seized from Cleveland Museum in Looting Investigation 

The Emperor as Philosopher," a Roman-era statue, thought to represent Marcus Aurelius, stands in a gallery at the Cleveland Museum of Art in Cleveland, Ohio, June 25, 2010. (AP)
The Emperor as Philosopher," a Roman-era statue, thought to represent Marcus Aurelius, stands in a gallery at the Cleveland Museum of Art in Cleveland, Ohio, June 25, 2010. (AP)

A headless bronze statue believed to depict the Roman emperor and philosopher Marcus Aurelius was ordered seized from the Cleveland Museum of Art by New York authorities investigating antiquities looted from Türkiye.

A warrant signed by a judge in Manhattan on Aug. 14 ordered the seizure of the statue, which the museum acquired in 1986 and had been a highlight of its collection of ancient Roman art.

The warrant was secured as part of an ongoing investigation into a smuggling network involving antiquities looted from Bubon in southwestern Turkey and trafficked through Manhattan, a spokesperson for Manhattan District Attorney Alvin Bragg said. No details of the investigation were provided.

The 76-inch (1.9-meter) statue dates from A.D. 180 to 200 and is worth $20 million, according to the district attorney's office.

The Plain Dealer of Cleveland reported that the statue was removed from view more than two months ago and that the museum changed the description of the piece on its website, where it now calls the statue a "Draped Male Figure " instead of indicating a connection to Marcus Aurelius.

Türkiye first made claims about the statue in 2012 when it released a list of nearly two dozen objects in the Cleveland museum’s collection that it said had been looted from Bubon and other locations. Museum officials said at the time that Türkiye had provided no hard evidence of looting.

"The enduring dispute surrounding this matter has kept him separated from his hometown," Zeynep Boz of Türkiye’s Ministry of Culture and Tourism said of the statue.

In an emailed statement, Boz said the seizure "provides a strong sense of hope, long-awaited, for the rectification of a willing wrongdoing."

Todd Mesek, a spokesperson for the museum, said in a statement Thursday that the museum could not comment on the Marcus Aurelius statue while it is the subject of litigation.

Mesek said the museum "takes provenance issues very seriously and reviews claims to objects in the collection carefully and responsibly."

The Manhattan district attorney's office has worked in recent years to repatriate hundreds of objects looted from countries including Türkiye, Greece, Israel and Italy. It was unclear who might be targeted in the investigation of the statue seized in Cleveland.

Marcus Aurelius ruled as Roman emperor from A.D. 161 to 180 and was a Stoic philosopher whose "Meditations" have been studied over the centuries.

The seized statue shows a man in flowing robes holding one hand in front of him in a regal pose.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."