RCRC Shares Kingdom’s World Expo Vision with UNESCO World Heritage Committee

The logo of the Royal Commission for Riyadh City (RCRC)
The logo of the Royal Commission for Riyadh City (RCRC)
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RCRC Shares Kingdom’s World Expo Vision with UNESCO World Heritage Committee

The logo of the Royal Commission for Riyadh City (RCRC)
The logo of the Royal Commission for Riyadh City (RCRC)

Saudi Arabia’s Royal Commission for Riyadh City (RCRC) has held a reception for members of the UN Educational, Scientific, and Cultural Organization (UNESCO) World Heritage Committee and briefed them on the Kingdom’s bid to host World Expo 2030 in the capital Riyadh.

“Riyadh Expo 2030 is part of the Kingdom’s endeavor to enable all countries to make an impact on the international scale, with the aim of creating a bright future for the planet under the theme ‘Together for a Foresighted Tomorrow’,” said Eng. Abdulaziz Alghannam, the Technical Director of the Riyadh Expo 2030 bid, at the reception on Friday.

“The three sub-themes of Riyadh Expo 2030 represent the Kingdom’s vision to present the most impactful World Expo ever, collaborating for a better future, where ‘Prosperity for All’ seeks to achieve a prosperous and a peaceful planet in which science and innovation are accessible to all. Also, ‘Climate Action’ promotes creative solutions to climate change by uniting international efforts, and ‘A Different Tomorrow’ seeks to harness science, innovations, and technologies to develop new tools for individuals and societies,” he said.

Alghannam added: “Inspired by Saudi Vision 2030, Riyadh Expo 2030 pays great attention to the Kingdom’s civilization, rich heritage, ancient traditions, and cultural treasures, which we would be proud to showcase to the Riyadh Expo 2030 visitors through immersive experiences.”

He stressed that the capital city is fully prepared to host this international exhibition and present the most impactful and unprecedented edition in the history of World Expo.

The members of the UNESCO World Heritage Committee were briefed about the Kingdom's ambitious goals for Riyadh Expo 2030 and the major ongoing development projects which will be ready by 2030.

They were also briefed on Riyadh Expo 2030’s sustainability plans, including clean energy, high standards of resource efficiencies and detailed strategies to enhance and conserve biodiversity, eliminate food wastage, and green waste management and recycling.

The reception by RCRC was held on the sidelines of the Kingdom’s hosting of the meeting of the World Heritage Committee in Riyadh from September 10 to 25, in its capacity as the current chair of the UNESCO World Heritage Committee.



Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
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Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)

In his seaside workshop on the Greek island of Lesbos, Nikos Kouvdis uses ancient techniques to create pottery pieces that have recently been honored with inclusion in UNESCO's National Inventory of Intangible Cultural Heritage.

Kouvdis, 70, and his family have kept an old technique alive near the once humming pottery hub of Mandamados, just as the slow and careful methods of the past have been largely eclipsed by factory machines.

Their pottery is among the last in the Mediterranean to be produced from clay in local soil, using a traditional kiln with olive pits as fuel, with the pieces painted with natural lime.

"It's an honor for me," Kouvdis said with regard to the UNESCO recognition of his work.

He said a mechanized press can work at 10 times the speed of an individual potter. "There’s no continuity. There’s no space for (our) method to continue."

Still, he continues to produce individual pots on an outcrop of land overlooking the Aegean Sea.

"Above all, it’s a passion - trying to create something that fulfils you," he said.