UNESCO Puts Rwanda Genocide Memorials on World Heritage List

A picture taken on March 21, 2019 shows the entrance of the Nyamata Genocide Memorial. (AFP)
A picture taken on March 21, 2019 shows the entrance of the Nyamata Genocide Memorial. (AFP)
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UNESCO Puts Rwanda Genocide Memorials on World Heritage List

A picture taken on March 21, 2019 shows the entrance of the Nyamata Genocide Memorial. (AFP)
A picture taken on March 21, 2019 shows the entrance of the Nyamata Genocide Memorial. (AFP)

Four memorials to the 1994 genocide in Rwanda of more than 800,000 people, mainly Tutsi, were added to UNESCO's World Heritage list on Wednesday, the UN cultural body said.

The sites at Nyamata, Murambi, Gisozi and Bisesero commemorating the mass killings were "just inscribed on the UNESCO World Heritage list", the organization posted on X (formerly Twitter).

The four sites commemorate the genocide that targeted the Tutsi minority in large part but also moderate Hutus who were shot, beaten or hacked to death by Hutu extremists between April and July 1994.

"This historic decision will help safeguard memory, counter denial and strengthen genocide prevention efforts globally. #NeverAgain," Rwandan government spokeswoman Yolande Makolo posted on X.

The UNESCO move was also welcomed by Naphthali Ahishakiye, executive secretary of Ibuka, the association representing survivors of the genocide.

"This will make the genocide that was committed in Rwanda against the Tutsi more known across the world," he told AFP in Kigali.

Skulls, bone fragments, torn clothing and images of piled up corpses confront visitors to the Kigali Genocide Memorial in Gisozi, the final resting place of around 250,000 victims.

Each year more are buried as new graves are uncovered around the country, with remains also housed at a former Catholic church at Nyamata, a school complex at Murambi and a memorial at Bisesero built in 1998.

In addition to human remains, the sites also feature material evidence of the 100-day killing spree by Hutu extremist forces -- spears, machetes, clubs and bladed weapons.

Three of the sites were themselves the scene of massacres.

At Nyamata, more than 45,000 people who had sought shelter in the church were slaughtered in one day, according to UNESCO.

Its chapel now houses the clothing and rosaries worn by the victims along with the weapons used by the perpetrators of the killings.

Mass graves are situated behind the church, with a vault that houses the skulls of victims and other human remains, according to the memorial's website.

At Murambi, tens of thousands of people who were encouraged to take refuge in the technical school on the pretext of ensuring their safety were executed in one of the genocide's bloodiest episodes.

At Bisesero, a "resistance memorial" pays tribute to Tutsis who fought back with spears and stones as Hutu extremists murdered hundreds of people in the surrounding hills.

The genocide was unleashed shortly after the ethnic Hutu president was killed when his plane was shot down in an attack blamed by the government on Tutsi rebels.

The killing ended only when the Tutsi-led Rwandan Patriotic Front (RPF) took over in July 1994, having defeated the Hutu extremists.

Trials of genocide suspects have been held in Rwanda, at a UN tribunal in the Tanzanian city of Arusha, as well as in France, Belgium and the United States among others.



Morocco's Women Rug Weavers Battle to Save Age-old Craft

Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
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Morocco's Women Rug Weavers Battle to Save Age-old Craft

Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP

In southern Morocco, women are the guardians of the age-old craft of carpet weaving, an intricate art form that often leaves them with meagre earnings.

Women like Ijja Benchri, who creates carpets on a wooden weaving loom outside her small home in the village of Taznakht, follows traditions going back many generations.

"I started when I was 11 or 12, imitating the women I saw weaving," said Benchri, 60.

Known for their bold geometric patterns and vibrant colors, the handwoven rugs are a fixture in local markets and a favorite among tourists.

In 2022, traditional carpets accounted for nearly 22 percent of the kingdom's artisan exports, according to government data, AFP reported.

The mountain villages around Taznakht are famous for their Ait Ouaouzguite carpets, named after a native Amazigh tribe, one among a grouping of several communities indigenous to North Africa long referred to as Berbers.

The carpets are woven by the women on small traditional looms, either at home or in specialised workshops.

They are then categorized into various styles, depending on their region of origin and their designs.

Some of Morocco's finest rugs are crafted from high-quality sheep wool in Jbel Sirwa just south of the Atlas Mountains, and dyed using natural pigments from plants like henna, pomegranate peels, or indigo.

Though industrial dyes have replaced natural ones for most weavers because they are cheaper and can be produced more quickly.

"This tradition has been handed down for centuries, from mothers to daughters," said Safia Imnoutres, who leads a local women's weaving cooperative.

She was one of the women showcasing their creations at a recent festival in Taznakht dedicated to safeguarding the heritage.

- 'Comes from within' -

Creating a single carpet can take two to four weeks depending on its size, said Benchri, speaking in Tamazight, the community's language recognized as an official language alongside Arabic in Morocco.

"I choose the colors as I go, according to my feelings," she added.

Imnoutres also described the process as "instinctive", guided by emotion rather than a predetermined design.

"Weaving is an expression of the women's feelings, when they are joyful, when they are melancholic," she added. "It's an art that comes from within."

But beyond its artistic value, weaving is a vital source of income.

Every Thursday, many travel to a weekly market to sell their rugs, often to middlemen who set the prices.

On average, a large rug sells for just 250 Moroccan dirhams (around $24), with its final price later raking astronomical profits.

In cities like Marrakech, some 250 kilometres (160 miles) north of Taznakht, they are sold in bazaars for up to ten times the original price.

Other rugs are listed at up to $6,000 on online platforms.

"We earn very little," said Benchri. "The intermediaries decide the price, and we have no choice but to accept it because this is our livelihood."

These diminishing returns, she added, have contributed to making the craft less attractive for younger women and jeopardising the handcraft tradition.

Additionally, the influx of cheaper, machine-made rugs has deepened competition.

To address these challenges, a new exhibition space in Taznakht allows some weavers to sell their work directly to buyers, cutting out middlemen.

The center also tries to open new avenues for these women to sell their products independently through courses in digital marketing.

"If this heritage isn't made financially viable, we risk losing it," Imnoutres warned.