Fears for Ancient Cyrene after Libya Floods

This picture released on the X platform (formerly Twitter) on September 17, 2023 shows a view of ruins at the site of the ancient Greco-Roman city of Cyrene (Shahhat) in eastern Libya, about 60 kilometers west of Derna and 226 kilometers east of Benghazi, in the aftermath of the devastation brought about the previous week by the Mediterranean Storm Daniel. (UGC / AFP)
This picture released on the X platform (formerly Twitter) on September 17, 2023 shows a view of ruins at the site of the ancient Greco-Roman city of Cyrene (Shahhat) in eastern Libya, about 60 kilometers west of Derna and 226 kilometers east of Benghazi, in the aftermath of the devastation brought about the previous week by the Mediterranean Storm Daniel. (UGC / AFP)
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Fears for Ancient Cyrene after Libya Floods

This picture released on the X platform (formerly Twitter) on September 17, 2023 shows a view of ruins at the site of the ancient Greco-Roman city of Cyrene (Shahhat) in eastern Libya, about 60 kilometers west of Derna and 226 kilometers east of Benghazi, in the aftermath of the devastation brought about the previous week by the Mediterranean Storm Daniel. (UGC / AFP)
This picture released on the X platform (formerly Twitter) on September 17, 2023 shows a view of ruins at the site of the ancient Greco-Roman city of Cyrene (Shahhat) in eastern Libya, about 60 kilometers west of Derna and 226 kilometers east of Benghazi, in the aftermath of the devastation brought about the previous week by the Mediterranean Storm Daniel. (UGC / AFP)

Floods that killed thousands in the Libyan city of Derna also inundated one of the country's premier ancient sites, threatening its UNESCO-listed monuments with collapse, a recent visitor and a leading archaeologist said.

The immediate damage to the monuments of Cyrene, which include the second century AD Temple of Zeus, bigger than the Parthenon in Athens, is relatively minor but the water circulating around their foundations threatens future collapses, the head of the French archaeological mission in Libya, Vincent Michel, told AFP.

Settled from the Greek island of Santorini around 600 BC, Cyrene was one of the leading centers of the Classical world for nearly a millennium before being largely abandoned following a major earthquake in 365 AD.

Its name lives on in Cyrenaica, the historical name for eastern Libya.

UNESCO declared its surviving monuments a World Heritage Site in 1982. When the overthrow of longtime ruler Moammar al-Gaddafi in a NATO-backed uprising ushered in years of conflict and neglect, UNESCO added the site to its World Heritage in Danger list in 2016.

According to Claudia Gazzini, Libya specialist at the International Crisis Group think tank, who recently visited the site, much of it remains waterlogged days after the torrential rains triggered by Storm Daniel on September 10 to 11.

In places, ancient walls have collapsed, blocking the water courses that would normally drain the sprawling site, which also boasts a necropolis outside its walls as large as the city itself.

"There's a street lined by ancient walls that connects the upper and lower levels down which rainwater would normally escape but large boulders have fallen in, blocking the flow," Gazzini told AFP by telephone from Libya's main eastern city of Benghazi.

"On the lower level, there's also dirty water continuously bubbling out of the ground in the middle of the ruins," she said, adding that neither residents of the adjacent village of Shahat nor an official from local antiquities division that she met there, could tell her where it was coming from.

"If water continues to flow in and remains trapped in the site, the retaining wall could collapse, taking with it a large chunk of the ruins," she said.

Foundations weakened

French archaeologist Michel, who knows the site well having worked 10 years in another part of the area, said he had been able to analyze pictures of the monuments taken after the floods.

"For the moment, there's no major destruction at Cyrene -- the monuments are still standing," he said.

"But the torrents of water, earth and rock have created gullies in the ancient streets, particularly the Royal Road, and the main damage is still to come as the water has spread over a wide area and has weakened the foundations of the monuments.

"Since the stone in the region is of poor quality, the monuments risk falling apart due to lack of good foundations," he added.

The adjacent necropolis has been inundated by "hundreds of cubic meters of water which has shifted and submerged some of the tombs," he added.

Michel said he was also concerned about the risks of looting in the aftermath of the floods, which killed more than 3,000 people and left tens of thousands homeless.

The site in the Jebel al-Ahkdar mountains, inland from the Mediterranean coast, is normally popular with visitors for its panoramic views. But Libyans have more pressing worries after the deadly floods.

Michel said his concerns had been partially allayed by the rapid mobilization of Libya's antiquities department, which had already sought help from the Italian archaeological mission in protecting Cyrene and from the French mission he heads in protecting two nearby sites.

The aim is to "join forces with the local authorities in coordination with UNESCO to raise the main points of weakness in the monuments and record any deterioration," Michel said.

Actions should then be taken to repair the drainage of the site and shore up the monuments' foundations.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.