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Saudi Arabia Takes Part in Conference of Ministers of Culture in Islamic World in Qatar

Saudi Assistant Minister of Culture Rakan bin Ibrahim Al-Touq speaks at the event. (SPA)
Saudi Assistant Minister of Culture Rakan bin Ibrahim Al-Touq speaks at the event. (SPA)
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Saudi Arabia Takes Part in Conference of Ministers of Culture in Islamic World in Qatar

Saudi Assistant Minister of Culture Rakan bin Ibrahim Al-Touq speaks at the event. (SPA)
Saudi Assistant Minister of Culture Rakan bin Ibrahim Al-Touq speaks at the event. (SPA)

Saudi Assistant Minister of Culture Rakan bin Ibrahim Al-Touq participated in the 12th Conference of Ministers of Culture in the Islamic World, which was held by the Islamic World Educational, Scientific and Cultural Organization (ICESCO) in Qatar between September 25 and 26.

The event, organized by the Qatari Ministry of Culture under the theme "Renewing Cultural Work in the Islamic World", brought together ministers of culture, members of the organization from Islamic countries, and representatives of regional and international organizations concerned with cultural affairs.

Al-Touq, who was attending on behalf of Minister of Culture Prince Badr bin Abdullah bin Farhan Al Saud, said Saudi Arabia has mobilized all its potential to boost the Islamic cultural sector and maintain its place on the world's cultural map.

It has sought to deepen the debate on the main characteristics of the Islamic world, which are not limited to its culture and enlightening values, its history and civilization, and its contribution to the heritage of humanity, but include academic and economic features, he remarked.

He stressed that the initiatives and programs announced by Saudi Arabia emphasize the keenness of the government of Custodian of the Two Holy Mosques King Salman bin Abdulaziz and Prince Mohammed bin Salman bin Abdulaziz, Crown Prince and Prime Minister, to lend support to all efforts that serve the Islamic world and help preserve its culture.

Speaking at the conference, Al-Touq revealed the launch of the Culture Index in the Islamic World project, in cooperation with ICESCO, which will activate a memorandum of understanding signed by the Ministry of Culture and ICESCO on the sidelines of the 23rd session of the Conference of Arab Culture Ministers.

He said through the project, the Ministry of Culture seeks to monitor the transformation and evolution of the cultural scene and document its achievements. It will enrich it through cultural indicators: culture for economic development, culture for environment, climate and resilience, culture for social development, and culture for openness and diversity.

Al-Touq also unveiled the Paths of Hajj program that will focus on building files and databases to identify and classify mosques, and heritage and historical sites on Hajj routes, help efforts aimed at preserving and protecting them, and support all sectors associated with the performance of the holy pilgrimage.

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A Mix of Science and Tradition Helps Restore Relics in China's Forbidden City

Visitors look at elaborate antique clocks displayed on the sprawling compound of the Forbidden City also known as the Palace Museum in Beijing, Friday, Feb. 21, 2025. (AP Photo/Ng Han Guan)
Visitors look at elaborate antique clocks displayed on the sprawling compound of the Forbidden City also known as the Palace Museum in Beijing, Friday, Feb. 21, 2025. (AP Photo/Ng Han Guan)
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A Mix of Science and Tradition Helps Restore Relics in China's Forbidden City

Visitors look at elaborate antique clocks displayed on the sprawling compound of the Forbidden City also known as the Palace Museum in Beijing, Friday, Feb. 21, 2025. (AP Photo/Ng Han Guan)
Visitors look at elaborate antique clocks displayed on the sprawling compound of the Forbidden City also known as the Palace Museum in Beijing, Friday, Feb. 21, 2025. (AP Photo/Ng Han Guan)

It's highly technical work in what looks more like a lab than a museum: A fragment of a glazed roof tile from Beijing’s Forbidden City is analyzed in a state-of-the-art X-ray diffraction machine that produces images, which are then projected onto computer screens.
The fragment being examined has a dark area on its surface that restorers want to understand. Their objective is to better preserve the artifacts at the sprawling imperial palace, the former home of China’s emperors and its seat of power for hundreds of years, The Associated Press reported.
“We want to learn what the black material is," said Kang Baoqiang, one of the restorers at the complex, today a museum that attracts tourists from all over the world. “Whether it’s atmospheric sediment or the result of substantial change from within.”
About 150 workers on the team fuse scientific analysis and traditional techniques to clean, patch up and otherwise revive the more than 1.8 million relics in the museum's collection.
They include scroll paintings, calligraphy, bronzes, ceramics — and, somewhat unexpectedly, ornate antique clocks that were gifted to emperors by early European visitors.
Down the hall from the X-ray room, two other restorers patch up holes on a panel of patterned green silk with the Chinese character for “longevity” sewn into it, carefully adding color in a process called “inpainting.”
The piece is believed to have been a birthday gift to Empress Dowager Cixi, the power behind the throne in the late 19th and early 20th century.
Much of the work is laborious and monotonous — and takes months to complete.
“I don’t have the big dreams of protecting traditional cultural heritage that people talk about," said Wang Nan, one of the restorers. "I simply enjoy the sense of achievement when an antique piece is fixed.”
Now a major tourist site in the heart of Beijing, the Forbidden City is the name that was given to the sprawling compound by foreigners in imperial times because entry was forbidden to most outsiders. It's formally known as the Palace Museum.
Many of its treasures were hurriedly taken away during World War II to keep them from falling into the hands of the invading Japanese army. During a civil war that brought the Communist Party to power in 1949, the defeated Nationalists took many of the most prized pieces to Taiwan, where they are now housed in the National Palace Museum.
Beijing's Palace Museum has since rebuilt its collection.
Restoration techniques have also evolved, said Qu Feng, head of the museum’s Conservation Department, though the old ways remain the foundation of the work.
When we preserve an antique piece, we “protect the cultural values it carries,” Qu said. "And that is our ultimate goal.”