Saudi Heritage Commission Unearths Neolithic Human Activity Traces in Jabal Irf

The results of laboratory analyses of radiocarbon (C14) indicate that the peak of human settlement at the site was during the sixth and early fifth millennium BC. SPA
The results of laboratory analyses of radiocarbon (C14) indicate that the peak of human settlement at the site was during the sixth and early fifth millennium BC. SPA
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Saudi Heritage Commission Unearths Neolithic Human Activity Traces in Jabal Irf

The results of laboratory analyses of radiocarbon (C14) indicate that the peak of human settlement at the site was during the sixth and early fifth millennium BC. SPA
The results of laboratory analyses of radiocarbon (C14) indicate that the peak of human settlement at the site was during the sixth and early fifth millennium BC. SPA

The Saudi Heritage Commission, in cooperation with the German Max Planck Institute (MPI) of Geoanthropology in the Green Arabia Project, revealed one of the most significant sites of the prehistoric period near Jabal Irf in Hail region. The site study was published in an article in PLOS ONE magazine.

A scientific team that participated in the project—including researchers and specialists from the Kingdom, Australia, Britain, Italy, and the United States in various specializations of the prehistoric period—is studying numerous archaeological materials from different sites dating back to the Neolithic period.

Jabal Irf is located in a lake basin within the Jubbah Oasis, north of the city of Hail and south of the Nafud Desert.

The site was found to date back to the Neolithic, through archaeological evidence, the results of laboratory and comparative analyses that showed a little bit about the role of this period and its cultural connotations.

The site is also a unique natural landscape from the Neolithic, containing evidence of stone manufacturing where there was a rock shelter and an open site containing traces of settlement and seasonal human activity dating from the middle and late Holocene era.

The results of laboratory analyses of radiocarbon (C14) indicate that the peak of human settlement at the site was during the sixth and early fifth millennium BC.

Excavation work revealed that humans in this place used stone pestles and mills in daily activities even after they were broken due to frequent use.

A group of them was found inside many fire stoves, covered with small stones and fragments of the broken pestles, which were proven to be used in preparing plants and grinding bones, based on the results of analyzes using microscopic examination of a group of these grinders, to determine the methods of use and dietary habits of humans in that period.

The results of the study of stone mills also showed the dietary habits and economic life of humans in that period, and their uses in preparing plant and animal food, which gave certain indications of the beginnings of economic transformation, from hunting to food production according to the available resources.

Man used these simple stone mills to prepare plants as food and extract marrow from animal bones, which was an important food source in the Neolithic environment, where there were different types of wild animals living in the Arabian Peninsula that humans consumed for food, including cows, deer, sheep, oryx, goats, and ostriches.

The grinding tools were used in the production of pigments for art, as they are a distinctive feature of the colored rock art that was common in the northern Arabian Peninsula in the Neolithic. It is possible that these pigments were also used as cosmetics.
The use of stone grinders formed an important part of the life of human societies in the Arabian Peninsula, and their use has not stopped. Ethno-archaeological studies have shown the presence of stone grinders in many villages in rural areas that depend on agriculture as a main food source.

These distinctive discoveries shed light on some unknown aspects of human activities in prehistoric periods, which preceded the discovery of writing and the emergence of history. They give an indication of human adaptation to this region, and ways of exploitation of available environmental resources.

They also reflect artistic aspects through the use of these tools to produce materials through which these ancient individuals and communities expressed their lifestyle and livelihood during the various prehistoric periods.

This discovery comes within the framework of the Heritage Commission's efforts in the archaeological survey and excavation work that it conducts periodically, and continuing discoveries and scientific studies of national archaeological sites across all the Kingdom's regions that are to be introduced and benefitted from as an important cultural and economic resource within the national strategy for emerging culture from Saudi Vision 2030.



Has a Waltz Written by Composer Frederic Chopin Been Discovered in an NYC Museum?

A previously unknown musical manuscript, possibly by Frederic Chopin, rests in a display case after it was discovered at The Morgan Library & Museum, Wednesday, Nov. 13, 2024, in New York. (AP)
A previously unknown musical manuscript, possibly by Frederic Chopin, rests in a display case after it was discovered at The Morgan Library & Museum, Wednesday, Nov. 13, 2024, in New York. (AP)
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Has a Waltz Written by Composer Frederic Chopin Been Discovered in an NYC Museum?

A previously unknown musical manuscript, possibly by Frederic Chopin, rests in a display case after it was discovered at The Morgan Library & Museum, Wednesday, Nov. 13, 2024, in New York. (AP)
A previously unknown musical manuscript, possibly by Frederic Chopin, rests in a display case after it was discovered at The Morgan Library & Museum, Wednesday, Nov. 13, 2024, in New York. (AP)

The brooding waltz was carefully composed on a sheet of music roughly the size of an index card. The brief, moody number also bore an intriguing name, written at the top in cursive: “Chopin.”

A previously unknown work of music penned by the European master Frederic Chopin appears to have been found at the Morgan Library & Museum in Manhattan.

The untitled and unsigned piece is on display this month at the opulently appointed institution, which had once been the private library of financier J. P. Morgan.

Robinson McClellan, the museum curator who uncovered the manuscript, said it's the first new work associated with the Romantic era composer to be discovered in nearly a century.

But McClellan concedes that it may never be known whether it is an original Chopin work or merely one written in his hand.

The piece, set in the key of A minor, stands out for its “very stormy, brooding opening section” before transitioning to a melancholy melody more characteristic of Chopin, McClellan explained.

“This is his style. This is his essence,” he said during a recent visit to the museum. “It really feels like him.”

McClellan said he came across the work in May as he was going through a collection from the late Arthur Satz, a former president of the New York School of Interior Design. Satz had acquired it from A. Sherrill Whiton Jr., an avid autograph collector who had been director of the school.

McClellan then worked with experts to verify its authenticity.

The paper was found to be consistent with what Chopin favored for manuscripts, and the ink matched a kind typical in the early 19th century when Chopin lived, according to the museum. But a handwriting analysis determined the name “Chopin” written at the top of the sheet was penned by someone else.

Born in Poland, Chopin was considered a musical genius from an early age. He lived in Warsaw and Vienna before settling in Paris, where he died in 1849 at the age of 39, likely of tuberculosis.

He’s buried among a pantheon of artists at the city’s famed Père Lachaise Cemetery, but his heart, pickled in a jar of alcohol, is housed in a church in Warsaw, in keeping with his deathbed wish for the organ to return to his homeland.

Artur Szklener, director of the Fryderyk Chopin Institute in Warsaw, the Polish capital city where the composer grew up, agreed that the document is consistent with the kinds of ink and paper Chopin used during his early years in Paris.

Musically, the piece evokes the “brilliant style” that made Chopin a luminary in his time, but it also has features unusual for his compositions, Szklener said.

“First of all, it is not a complete work, but rather a certain musical gesture, a theme laced with rather simple piano tricks alluding to a virtuoso style,” Szklener explained in a lengthy statement released after the document was revealed last month.

He and other experts conjecture the piece could have been a work in progress. It may have also been a copy of another's work, or even co-written with someone else, perhaps a student for a musical exercise.

Jeffrey Kallberg, a University of Pennsylvania music professor and Chopin expert who helped authenticate the document, called the piece a “little gem” that Chopin likely intended as a gift for a friend or wealthy acquaintance.

“Many of the pieces that he gave as gifts were short – kind of like ‘appetizers’ to a full-blown work,” Kallberg said in an email. “And we don’t know for sure whether he intended the piece to see the light of day because he often wrote out the same waltz more than once as a gift.”

David Ludwig, dean of music at The Juilliard School, a performing arts conservatory in Manhattan, agreed the piece has many of the hallmarks of the composer’s style.

“It has the Chopin character of something very lyrical and it has a little bit of darkness as well,” said Ludwig, who was not involved in authenticating the document.

But Ludwig noted that, if it's authentic, the tightly composed score would be one of Chopin’s shortest known pieces. The waltz clocks in at under a minute long when played on piano, as many of Chopin’s works were intended.

“In terms of the authenticity of it, in a way it doesn’t matter because it sparks our imaginations,” Ludwig said. “A discovery like this highlights the fact that classical music is very much a living art form.”

The Chopin reveal comes after the Leipzig Municipal Libraries in Germany announced in September that it had uncovered a previously unknown piece likely composed by a young Wolfgang Amadeus Mozart in its collections.