Carlos Ghosn’s Escape Adventure Depicted in French Comic Book

“Escape Ghosn” will be published by Samir Editions.
“Escape Ghosn” will be published by Samir Editions.
TT

Carlos Ghosn’s Escape Adventure Depicted in French Comic Book

“Escape Ghosn” will be published by Samir Editions.
“Escape Ghosn” will be published by Samir Editions.

The story of the escape of Lebanese businessman Carlos Ghosn from Japan has captured the imagination of filmmakers and writers.

"Escape Ghosn", a comic book, by French author Michele Standjofski and Mohamad Kraytem, depicting Ghosn’s story will be published in French by Samir Editeurs in Lebanon on Tuesday.

Two days before the end of 2019, after 110 days of house arrest in Japan and prosecution over financial charges, Ghosn, General Manager and President of the Nissan and Renault automobile companies, managed to escape and reach Beirut, hidden in a case of musical equipment.

Four years after the incident that made international media, Standjofski and a Lebanese work team met Ghosn four times, spending eight hours in total as he recounted the amazing details of the escape.

Standjofski teaches at the Academy of Fine Arts in Lebanon. In an interview with Madame Figaro newspaper, she said that she was not enthusiastic about the book when the publisher contacted her and proposed the idea.

The topic was different from what she usually covers, and she did not sympathize with the fugitive businessman. However, she agreed to the project when she learned that the book was the kind that mixed fact and fiction, with a sarcastic tone that did not aim to prosecute Ghosn or defend him, but rather focused on the details of the operation: a man in a musical instrument case.

The stages of work were carried out with the help of a research team under the supervision of the Lebanese publishing house that the author had previously worked with. Journalist Anthony Samrani, editor-in-chief of L'Orient Le Jour, led the interviews with Ghosn. As for the drawings, Standjofski chose her former student, Mohamad Kraytem, because he combines elegance and humor in his work.

She said she would jump in the interview to ask questions that seemed naive, but which helped her in building the character. She asked Ghosn what he had for breakfast and what kind of shoes he wore. Her questions helped ease the tension that prevailed during the meetings that were held at his home.

“Ghosn could have refused to meet with us, but he agreed to play the game because the topic seemed light or amusing to him. Lebanon is a beautiful country, but it remains small for those who are accustomed to traveling the world on a private jet. He lives in a golden prison, and he is also a prisoner of the person he has become, and he would like to leave it for a little while. In our last meeting... I told him that we might address the issue in a way that would not satisfy him. This style is what gave the book its tone,” Standjofski said.



Warsaw Opens a New Modern Art Museum as It Tries to Leave Poland’s Communist Legacy Behind

The Museum of Modern Art in the Polish capital is seen on Thursday, Oct. 24, 2024, in Warsaw, Poland. (AP)
The Museum of Modern Art in the Polish capital is seen on Thursday, Oct. 24, 2024, in Warsaw, Poland. (AP)
TT

Warsaw Opens a New Modern Art Museum as It Tries to Leave Poland’s Communist Legacy Behind

The Museum of Modern Art in the Polish capital is seen on Thursday, Oct. 24, 2024, in Warsaw, Poland. (AP)
The Museum of Modern Art in the Polish capital is seen on Thursday, Oct. 24, 2024, in Warsaw, Poland. (AP)

A modern art museum designed by American architect Thomas Phifer opens its doors in the Polish capital Friday — a minimalist, light-filled structure that is meant to be a symbol of openness and tolerance as the city tries to free itself from its communist legacy.

The Museum of Modern Art in Warsaw sits like a bright white box on a major city street. Inside, a monumental staircase with geometric lines rises to upper floors, where large windows flood the gallery rooms with light.

City and museum officials say the light and open spaces are meant to attract meetings and debate — and become a symbol of the democratic era that Poland embraced when it threw off authoritarian communist rule 35 years ago.

Warsaw Mayor Rafał Trzaskowski said the museum's opening is a "historic moment for Warsaw" and that the project, which will later include a theater, will help to create a new city center no longer dominated by a communist symbol.

"This place will change beyond recognition, it will be a completely new center," he said Thursday. "There has not been a place like this in Warsaw for decades, a place that would be created from scratch precisely to promote Polish art, which is spectacular in itself."

Warsaw was turned to rubble by occupying German forces during World War II and was rebuilt in the gray, sometimes drab, style of communist regimes across Eastern Europe. But years of economic growth in the post-communist era have produced modern glass architecture, cutting-edge museums and revitalized historic buildings.

The museum was built on the site of a former parking lot near the Palace of Culture and Science, a dominating Stalinist skyscraper. Though long hated by many who saw in it as a symbol of Moscow's oppression, the ornate palace remains an icon of the city today — perhaps even the city's most recognized building.

The museum responds with its bright white minimalism and smaller scale.

"It is very important that this building is located opposite the Palace of Culture and Science and symbolically changes the center," museum director Joanna Mytkowska said. "This is a building dedicated to open, equal and democratic culture."

American and other Western architects are putting their mark on Warsaw. The city skyline includes a soaring luxury tower created by Daniel Libeskind, the renowned Polish American architect. The firm of British designer Norman Foster created the Varso Tower, which at 310 meters (1,017 feet) is the tallest skyscraper in the European Union. A Finnish architectural team designed the city's landmark Jewish history museum.

Phifer's New York-based practice is known in the United States for projects including the North Carolina Museum of Art, the Corning Museum of Glass and the Glenstone Museum expansion in Potomac, Maryland.

Asked by a reporter if he viewed the Warsaw museum as his masterpiece, the 71-year-old did not hesitate with his answer. "Of course," he said.

He said from the time he began working on the museum 10 years ago, he was aware that his work was part of Warsaw's "remarkable renaissance."

The city financed the 700,000 million zloty ($175 million) project. In the first weeks it will hold performances and present several large-scale sculptures and installation pieces by female artists, including Magdalena Abakanowicz, Alina Szapocznikow, Sandra Mujinga and Cecilia Vicuña. The full opening with its larger collection is scheduled for February.

The area around the building is still under construction and will eventually become what the architect calls a "forum space," including a garden and a theater with a black facade, also designed by Phifer.

Not everyone loves the new museum's austerity, and some residents have compared it to a concrete bunker.

Phifer said he believes the critics will feel differently when they enter the building and see its design and how the white background gives space for the art "to come alive."

"The museum is what I would call a magic box. There is a bit of mystery to it," he said. "You don't really understand this work until you come inside and experience it with the art."

Trzaskowski, the mayor, said all ambitious architectural projects are bound to stir up emotions.

"Every large project that has been built from scratch in the world, such as the Pompidou Centre in Paris, the Guggenheim in Bilbao or the pyramid in the Louvre, has stirred up controversy," Trzaskowski said. The real controversies, he added, are yet to come when the avant-garde museum starts staging its exhibitions.