Opera Diva Maria Callas Museum Opens in Athens on Centenary

Maria Callas at a recital in Paris on her farewell tour in 1973. AFP
Maria Callas at a recital in Paris on her farewell tour in 1973. AFP
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Opera Diva Maria Callas Museum Opens in Athens on Centenary

Maria Callas at a recital in Paris on her farewell tour in 1973. AFP
Maria Callas at a recital in Paris on her farewell tour in 1973. AFP

A quarter of a century in the making, Greece's capital Athens on Thursday opens a museum honoring legendary soprano Maria Callas, billed as the first of its kind in the world.

Designed to mark the centenary of her birth, the museum showcases over 1,300 exhibits including Callas's school scrapbook, inscribed books and sheet music, opera dresses and photographs, organizers said.

"The great diva, Maria Callas, returns home," Athens mayor Kostas Bakoyannis said Wednesday at a media tour of the venue, reported AFP.

"We are very proud of this first museum that combines technology and lived experience," he said.

A listed four-storey building from the 1920s that previously housed a hotel, the custard-coloured museum near central Syntagma Square took over a decade to complete at a cost of 1.5 million euros ($1.6 million).

The collection began 24 years ago, when the city acquired some Callas items at a Paris auction.

"This is a museum for all the senses," said Konstantinos Dedes, one of the project supervisors.

The tour begins on the second floor, where visitors step onto a forest scene as Callas -- silhouetted on a stage at the back wall -- sings an aria from Bellini's opera Norma.

It was one of the defining performances of an illustrious career spanning more than three decades which saw Callas dubbed "La Divina" -- the divine.

Another room recreates the night view from the diva's balcony in Paris, complete with flowing curtains.

There is also a recording of Callas giving a masterclass at the Juilliard School of music in New York in the early 1970s.

'Don't overact'
"You don't have to overact," she sternly tells students, urging them to make use of their face and eyes.

Among the collection's top exhibits are the soprano's personal photo album, her backstage mirror and her prescription glasses, which she almost never wore in public.

There are also monogrammed matchbooks given to her by airlines and hotels on her final world tour in 1973-74, and the menu of the fateful Venice party in 1957 where Callas met Greek tycoon Aristotle Onassis.

She ended up divorcing her Italian industrialist husband Giovanni Meneghini for Onassis, who later left her to marry former US first lady Jackie Kennedy.

Dozens of Greek institutions and private collectors, among them the late artists Alekos Fassianos, Dimitris Mytaras and Panayiotis Tetsis, have made contributions to the new museum, the city said.

Some of the items have been donated by Milan's La Scala, the Metropolitan Opera, the Teatro La Fenice in Venice and the Arena di Verona, where Callas made her Italian debut in 1947, it said.

"We aimed to charm those who don't know (Callas) and don't listen to opera... and help them understand what made her stand out," the museum's exhibition designer Erato Koutsoudaki told AFP.

Tickets cost 10 euros.

Born in New York to Greek emigre parents in 1923, Sophia Cecilia Anna Maria Kalogeropoulos lived in Athens from 1937 to 1945 after her parents separated.

"As soon as my mother realized my vocal qualities, she decided to turn me into a child prodigy," Callas later wrote. "But child prodigies never have a real, genuine childhood."

The building in Athens where Callas briefly lived with her mother and sister is to become a music academy, Bakoyannis said Wednesday.

After attending singing classes at the National Conservatory, she made her professional debut with the Royal Opera of Athens in 1941.

Callas retired after a final stage appearance in Sapporo, Japan in 1974. She died in Paris of a heart attack in 1977, aged 53.

Her ashes were scattered in the Aegean Sea two years later.

A biopic of Callas starring Angelina Jolie, titled Maria, is due to be released next year.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.