Opera Diva Maria Callas Museum Opens in Athens on Centenary

Maria Callas at a recital in Paris on her farewell tour in 1973. AFP
Maria Callas at a recital in Paris on her farewell tour in 1973. AFP
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Opera Diva Maria Callas Museum Opens in Athens on Centenary

Maria Callas at a recital in Paris on her farewell tour in 1973. AFP
Maria Callas at a recital in Paris on her farewell tour in 1973. AFP

A quarter of a century in the making, Greece's capital Athens on Thursday opens a museum honoring legendary soprano Maria Callas, billed as the first of its kind in the world.

Designed to mark the centenary of her birth, the museum showcases over 1,300 exhibits including Callas's school scrapbook, inscribed books and sheet music, opera dresses and photographs, organizers said.

"The great diva, Maria Callas, returns home," Athens mayor Kostas Bakoyannis said Wednesday at a media tour of the venue, reported AFP.

"We are very proud of this first museum that combines technology and lived experience," he said.

A listed four-storey building from the 1920s that previously housed a hotel, the custard-coloured museum near central Syntagma Square took over a decade to complete at a cost of 1.5 million euros ($1.6 million).

The collection began 24 years ago, when the city acquired some Callas items at a Paris auction.

"This is a museum for all the senses," said Konstantinos Dedes, one of the project supervisors.

The tour begins on the second floor, where visitors step onto a forest scene as Callas -- silhouetted on a stage at the back wall -- sings an aria from Bellini's opera Norma.

It was one of the defining performances of an illustrious career spanning more than three decades which saw Callas dubbed "La Divina" -- the divine.

Another room recreates the night view from the diva's balcony in Paris, complete with flowing curtains.

There is also a recording of Callas giving a masterclass at the Juilliard School of music in New York in the early 1970s.

'Don't overact'
"You don't have to overact," she sternly tells students, urging them to make use of their face and eyes.

Among the collection's top exhibits are the soprano's personal photo album, her backstage mirror and her prescription glasses, which she almost never wore in public.

There are also monogrammed matchbooks given to her by airlines and hotels on her final world tour in 1973-74, and the menu of the fateful Venice party in 1957 where Callas met Greek tycoon Aristotle Onassis.

She ended up divorcing her Italian industrialist husband Giovanni Meneghini for Onassis, who later left her to marry former US first lady Jackie Kennedy.

Dozens of Greek institutions and private collectors, among them the late artists Alekos Fassianos, Dimitris Mytaras and Panayiotis Tetsis, have made contributions to the new museum, the city said.

Some of the items have been donated by Milan's La Scala, the Metropolitan Opera, the Teatro La Fenice in Venice and the Arena di Verona, where Callas made her Italian debut in 1947, it said.

"We aimed to charm those who don't know (Callas) and don't listen to opera... and help them understand what made her stand out," the museum's exhibition designer Erato Koutsoudaki told AFP.

Tickets cost 10 euros.

Born in New York to Greek emigre parents in 1923, Sophia Cecilia Anna Maria Kalogeropoulos lived in Athens from 1937 to 1945 after her parents separated.

"As soon as my mother realized my vocal qualities, she decided to turn me into a child prodigy," Callas later wrote. "But child prodigies never have a real, genuine childhood."

The building in Athens where Callas briefly lived with her mother and sister is to become a music academy, Bakoyannis said Wednesday.

After attending singing classes at the National Conservatory, she made her professional debut with the Royal Opera of Athens in 1941.

Callas retired after a final stage appearance in Sapporo, Japan in 1974. She died in Paris of a heart attack in 1977, aged 53.

Her ashes were scattered in the Aegean Sea two years later.

A biopic of Callas starring Angelina Jolie, titled Maria, is due to be released next year.



Cultural Activities of King Abdulaziz Camel Festival Conclude with Over 320 Competitive Rounds

The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo
The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo
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Cultural Activities of King Abdulaziz Camel Festival Conclude with Over 320 Competitive Rounds

The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo
The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo

The ninth edition of the King Abdulaziz Camel Festival concluded on Thursday with the Al-Fahl Al-Muntij competitions for the “Shaal,” “Safar,” and “Wadah” categories, marking the end of an exceptional event held under the theme “Pride of Its People.”

The festival aimed to elevate camels as a cornerstone of Saudi Arabia’s rich heritage and as a source of both local and global pride and interest.
Spanning more than 30 days, the festival featured over 320 competitive rounds, including Mazayen, Hajij, Tabaa, and camel races.

The event showcased a variety of camel types, such as Majahim, Wadah, Shaqah, Hamr, Safar, Shaal, Asayel, Sawahel, and hybrid camels, according to SPA.
Dedicated categories were organized for both individual and group competitions, drawing extensive participation from camel owners across the Gulf region, the Arab world, and beyond. Notably, the festival featured the Princess Nourah’s Round, exclusively for women, highlighting their contributions to camel heritage.
The final day was a cultural celebration, with diverse activities for attendees. The cultural tent hosted various programs, including Hanna Lahaa performances, camel owners’ celebrations, and vibrant camel processions entering the Rimat gates to be showcased before judging panels. Presentations on algorithm-based judging stages captivated audiences, culminating in the announcement of results, which drew enthusiastic reactions from the crowd.