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Royal Institute of Traditional Arts Launches the 'Confluence of Saudi-Korean Culture' Show

The show takes place at the Red Hall of the Princess Noura University Theater in Riyadh - SPA  
The show takes place at the Red Hall of the Princess Noura University Theater in Riyadh - SPA  
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Royal Institute of Traditional Arts Launches the 'Confluence of Saudi-Korean Culture' Show

The show takes place at the Red Hall of the Princess Noura University Theater in Riyadh - SPA  
The show takes place at the Red Hall of the Princess Noura University Theater in Riyadh - SPA  

The Royal Institute of Traditional Arts, in partnership with the Korean National University of Arts, launched on Monday the “Confluence of Saudi-Korean Culture” show.
The show, the first of its kind in the Kingdom, takes place at the Red Hall of the Princess Noura University Theater in Riyadh and will run for three days, SPA reported.
The show provides attendees with the opportunity to delve into the richness of Saudi and Korean arts. It features a range of combined theatrical and performance shows, highlighting five Saudi performing arts alongside five Korean counterparts.
This presentation aims to deepen the cultural and artistic understanding of both sides.
The event concludes with an integrated performing art that combines steps and rhythms derived from both cultures. Additionally, there is an accompanying art exhibition featuring traditional arts in various fields such as metals, pottery, wooden crafts, and hand embroidery.
These artistic works narrate the story of the confluence between art and artists.
Visitors of the show will watch 50 performers from Saudi Arabia and South Korea, including artists from the Royal Institute of Traditional Arts and the Korean National University of Arts. The Saudi part of the theatrical show reflects the cultural diversity of the Kingdom by showcasing various arts such as Al-Samri, Al-Daha, Al-Liwa, Al-Khatwa, and Al-Khabiti.
This cultural event offers a unique journey blending heritage and modernity in an exceptional artistic experience, with the presence of prominent leaders in the cultural sector who will provide their full support to this pioneering initiative.
The CEO of the Royal Institute, Dr. Suzanne Al-Yahya, indicated that the show enhances the artistic movement and promotes global cultural exchange with the Kingdom.
Dr. Al-Yahya added that it serves as a meeting point for traditional arts from different countries on both local and global scales, while also elevating awareness of traditional arts and disseminating them locally and internationally.

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Viking Ship Navigating Seafarers’ Ancient Routes Berths in Adriatic 

A full-size archaeological reconstruction of a 10th-century Viking knarr "Saga Farmann" on its years-long expedition through European rivers, channels and seas, is berthed in Port of Bar, Montenegro, July 20, 2024. (Reuters)
A full-size archaeological reconstruction of a 10th-century Viking knarr "Saga Farmann" on its years-long expedition through European rivers, channels and seas, is berthed in Port of Bar, Montenegro, July 20, 2024. (Reuters)
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Viking Ship Navigating Seafarers’ Ancient Routes Berths in Adriatic 

A full-size archaeological reconstruction of a 10th-century Viking knarr "Saga Farmann" on its years-long expedition through European rivers, channels and seas, is berthed in Port of Bar, Montenegro, July 20, 2024. (Reuters)
A full-size archaeological reconstruction of a 10th-century Viking knarr "Saga Farmann" on its years-long expedition through European rivers, channels and seas, is berthed in Port of Bar, Montenegro, July 20, 2024. (Reuters)

A replica Viking ship has berthed in Montenegro's Adriatic port of Bar on a years-long trip through European waters inspired by the Norse seafarers who set out from Scandinavia to explore, trade and conquer a millennium ago.

The ship, Saga Farmann, is a full-size archaeological reconstruction of a 10th-century Viking cargo vessel, or knarr, made from oak and pine, which was found in Norway as early as 1893 but only excavated in the 1970s.

"This is the type of ship that would travel to Iceland, or Greenland, even North America," said Linda Sten Vagnes, one of the journey's leaders.

The trip, set to end in 2026, was originally planned to follow the Norwegian coast into the White Sea off northern Russia and the Volga River, but it was rerouted to follow the rivers of Europe from West to East.

"We had to the change the route because of the war (in Ukraine)," Sten Vagnes said.

The Viking age, spanning the 8th to 11th centuries AD, saw Norsemen journey from Scandinavia aboard timber longships to stage raids, trade and settle across a wide region, including North America, using their mastery of maritime technology.

The Saga Farman's journey, which started in 2023, was inspired by the sagas about Vikings who travelled to Constantinople, capital of the-then Byzantine empire.

It took years of hard work by enthusiasts, with the support of the governments of Denmark and Norway, to make an exact copy of a knarr. The vessel was launched in 2018, said Axel Hubert Persvik, a ship builder.

"It takes a long time because most of craft we do is by hand, ... it takes many hours to build it."

At the latest leg of the trip, the 21 meters (69 ft)-long and five meters (16 ft)-wide ship sailed from the Aegean Sea into the Adriatic, said Zander Simpson, the ship's captain.

"The next stage of the trip is around Italy, Sicily ... to stay in Rome this winter, before next year's stage which will take her up the Italian coast, the French Riviera ... to Paris."

In addition to sails and oars, the Saga Farmann has four electric motors to propel it upwind and upstream. More than three tons of batteries are stored onboard where they serve for propulsion and as ballast.