The Parthenon Sculptures at Center of Row Between Britain, Greece 

An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)
An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)
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The Parthenon Sculptures at Center of Row Between Britain, Greece 

An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)
An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)

Britain's Prime Minister Rishi Sunak has cancelled a planned meeting with his Greek counterpart Kyriakos Mitsotakis due to a diplomatic row over the status of the 2,500-year-old Parthenon sculptures housed at the British Museum.

Greece has repeatedly asked for their permanent return to Athens, while Britain and the museum have refused to do so.

WHY THEY ARE IN BRITAIN?

The sculptures, known as the Elgin Marbles in Britain, include part of a frieze, relief panels and other figures that were removed from the Parthenon in the early 19th century by Thomas Bruce, the 7th Earl of Elgin and then-British ambassador to the Ottoman empire.

They were transported to Britain and bought by the British Museum in 1816 and are exhibited as a prized part of its collection in London.

WHAT ARE THEY?

The sculptures at the British Museum make up about half of a 160-metre frieze which adorned the Parthenon temple on the rocky Acropolis hill in Athens. The collection includes 15 sculpted relief panels and figures of gods and heroes from the temple's pediments.

They are original parts of the temple dedicated to the goddess Athena, completed in 432 BC as the crowning glory of Athens' Golden Age.

The largest temple on the Acropolis, the Parthenon has operated as an archaeological site since 1833, surviving wars and natural disasters to become the symbol of modern Greece.

ATHENS' CAMPAIGN FOR THEIR RETURN

While Athens has called for the permanent return of the treasures since its independence from the Ottoman Empire in 1832 and accused Elgin of theft, the campaign garnered more attention in the 1980s.

Greek Oscar-nominated actress Melina Mercouri, a vocal supporter of the arts, launched an official campaign for their return when she was culture minister in 1981-1989.

Athens has further stepped up its efforts since it opened a museum in 2009 at the foot of the Acropolis, which holds the sculptures that remain in Greece. With a view of the Parthenon, the layout of the top floor of the museum mimics the temple.

In September 2019, Mitsotakis suggested Athens would be willing to loan antiquities to the British Museum in return for being able to temporarily exhibit them. Greece said the proposal did not alter its long-standing demand for their permanent return.

In December 2022, Greece said it was in talks with Britain over the repatriation of the sculptures to Athens, but a deal was not imminent.

BRITISH MUSEUM'S STANCE

The British Museum, custodian of the sculptures, has refused to return them, saying they were acquired by Elgin under a legal contract with the Ottoman Empire that then ruled Greece.

The trustees of the museum say the public would benefit more from having the sculptures divided between two museums, that bringing them back together into a unified whole is impossible as some parts were lost or destroyed, and that the sculptures could not be safely returned.

The trustees have said they would consider a loan to Greece if Greece acknowledges the British Museum's ownership of the sculptures, which Greek governments have refused in the past. The British Museum in January 2023 called for a new Parthenon Partnership with Greece and said discussions were ongoing.

OTHER RETURNS

In January 2022, a museum in Italy loaned Athens the so-called "Fagan" fragment, depicting the foot of the ancient Greek goddess Artemis. It later said the fragment - part of the temple's eastern frieze - could stay in Greece.

In December, Pope Francis returned to Greece three pieces of the Parthenon that had been in the papal collections of the Vatican Museums for more than a century.



Viking Ship Navigating Seafarers’ Ancient Routes Berths in Adriatic 

A full-size archaeological reconstruction of a 10th-century Viking knarr "Saga Farmann" on its years-long expedition through European rivers, channels and seas, is berthed in Port of Bar, Montenegro, July 20, 2024. (Reuters)
A full-size archaeological reconstruction of a 10th-century Viking knarr "Saga Farmann" on its years-long expedition through European rivers, channels and seas, is berthed in Port of Bar, Montenegro, July 20, 2024. (Reuters)
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Viking Ship Navigating Seafarers’ Ancient Routes Berths in Adriatic 

A full-size archaeological reconstruction of a 10th-century Viking knarr "Saga Farmann" on its years-long expedition through European rivers, channels and seas, is berthed in Port of Bar, Montenegro, July 20, 2024. (Reuters)
A full-size archaeological reconstruction of a 10th-century Viking knarr "Saga Farmann" on its years-long expedition through European rivers, channels and seas, is berthed in Port of Bar, Montenegro, July 20, 2024. (Reuters)

A replica Viking ship has berthed in Montenegro's Adriatic port of Bar on a years-long trip through European waters inspired by the Norse seafarers who set out from Scandinavia to explore, trade and conquer a millennium ago.

The ship, Saga Farmann, is a full-size archaeological reconstruction of a 10th-century Viking cargo vessel, or knarr, made from oak and pine, which was found in Norway as early as 1893 but only excavated in the 1970s.

"This is the type of ship that would travel to Iceland, or Greenland, even North America," said Linda Sten Vagnes, one of the journey's leaders.

The trip, set to end in 2026, was originally planned to follow the Norwegian coast into the White Sea off northern Russia and the Volga River, but it was rerouted to follow the rivers of Europe from West to East.

"We had to the change the route because of the war (in Ukraine)," Sten Vagnes said.

The Viking age, spanning the 8th to 11th centuries AD, saw Norsemen journey from Scandinavia aboard timber longships to stage raids, trade and settle across a wide region, including North America, using their mastery of maritime technology.

The Saga Farman's journey, which started in 2023, was inspired by the sagas about Vikings who travelled to Constantinople, capital of the-then Byzantine empire.

It took years of hard work by enthusiasts, with the support of the governments of Denmark and Norway, to make an exact copy of a knarr. The vessel was launched in 2018, said Axel Hubert Persvik, a ship builder.

"It takes a long time because most of craft we do is by hand, ... it takes many hours to build it."

At the latest leg of the trip, the 21 meters (69 ft)-long and five meters (16 ft)-wide ship sailed from the Aegean Sea into the Adriatic, said Zander Simpson, the ship's captain.

"The next stage of the trip is around Italy, Sicily ... to stay in Rome this winter, before next year's stage which will take her up the Italian coast, the French Riviera ... to Paris."

In addition to sails and oars, the Saga Farmann has four electric motors to propel it upwind and upstream. More than three tons of batteries are stored onboard where they serve for propulsion and as ballast.