British PM Fuels Diplomatic Dispute with Greece over Parthenon Sculptures

Britain’s Prime Minister Rishi Sunak departs Downing Street in London, Britain, 29 November 2023. (EPA)
Britain’s Prime Minister Rishi Sunak departs Downing Street in London, Britain, 29 November 2023. (EPA)
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British PM Fuels Diplomatic Dispute with Greece over Parthenon Sculptures

Britain’s Prime Minister Rishi Sunak departs Downing Street in London, Britain, 29 November 2023. (EPA)
Britain’s Prime Minister Rishi Sunak departs Downing Street in London, Britain, 29 November 2023. (EPA)

British Prime Minister Rishi Sunak fueled a diplomatic row with Athens on Wednesday by accusing his Greek counterpart Kyriakos Mitsotakis of "grandstanding" during a recent trip to London over ownership of the Parthenon sculptures.

Sunak told parliament he had cancelled a planned meeting with Mitsotakis in London on Tuesday after the Greek premier broke a promise not to use his trip as an opportunity to advocate for the return of the sculptures, known in Britain as the Elgin Marbles, from the British Museum.

In his first public comments, Sunak said: "It was clear that the purpose of the meeting was not to discuss substantive issues for the future, but rather to grandstand and relitigate issues of the past."

Responding to Sunak's comments, a senior Greek government official said: "In the spirit of the good longstanding relations between the two countries, which we intend to preserve, we have nothing more to add on this matter."

Sunak cancelled the meeting after Mitsotakis discussed the issue during an interview for the BBC at the weekend. The cancellation prompted an angry response from Mitsotakis, and Greek government officials said it was disrespectful.

Earlier on Wednesday, Mitsotakis appeared ready to tone down the rhetoric, calling the cancellation of the meeting an "unfortunate event".

"I believe the move will not hurt relations between Greece and Britain in the longer term," he told Greek President Katerina Sakellaropoulou, adding that Athens' demand for the reunification of the Parthenon sculptures had got more publicity than expected due to the turmoil.

Long-running dispute

Athens has repeatedly called on the British Museum to permanently return the 2,500-year-old sculptures that British diplomat Lord Elgin removed from the Parthenon temple in 1806, during a period when Greece was under Ottoman Turkish rule.

About half of the 160-metre frieze that adorned the Parthenon in Athens is in the British Museum, while 50 meters of the carvings are in the Acropolis museum in Greece.

During the BBC interview on Sunday, Mitsotakis compared the separation of the sculptures to cutting the Mona Lisa in half, a characterization rejected by the British government. Greek officials said Mitsotakis had only reiterated his country's longstanding stance.

Sunak's Conservatives, who have been in power for the last 13 years, are trailing the opposition Labour Party by around 20 points in opinion polls ahead of a national election expected next year.

On Wednesday, Labour leader Keir Starmer accused Sunak of trying to "hide his failures" by manufacturing a row over the sculptures and trying to humiliate Mitsotakis.

Greece has said it would be willing to loan antiquities to the British Museum in return for being able to temporarily exhibit the Parthenon sculptures in Athens and that such a deal would not alter its long-standing demand for their permanent return.

The British Museum has said it would consider a loan to Greece only if it acknowledges the museum's ownership of the sculptures, something Greek governments have refused.

But in January the museum called for a new Parthenon Partnership with Greece.

"Discussions with Greece about a Parthenon Partnership are on-going and constructive," said a British Museum spokesperson.

"We believe that this kind of long-term partnership would strike the right balance between sharing our greatest objects with audiences around the world, and maintaining the integrity of the incredible collection we hold at the museum."



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.