Russia's Kaliningrad Digitizes Kant's Works

A woman walks on a street during snowfall in Moscow, Russia, 30 November 2023. EPA/YURI KOCHETKOV
A woman walks on a street during snowfall in Moscow, Russia, 30 November 2023. EPA/YURI KOCHETKOV
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Russia's Kaliningrad Digitizes Kant's Works

A woman walks on a street during snowfall in Moscow, Russia, 30 November 2023. EPA/YURI KOCHETKOV
A woman walks on a street during snowfall in Moscow, Russia, 30 November 2023. EPA/YURI KOCHETKOV

In a once-German corner of Russia, an ambitious project to digitize hundreds of rare and ancient books is under way.
"The principal mission of libraries is to preserve books," said Ruslan Aksyonkin, an expert at the culture and education center at Baltic University in the city of Kaliningrad.
"A huge project is currently under way in Russia aimed at scanning all pre-Revolution [of 1917] books."
In Kaliningrad, sandwiched between Poland and Lithuania on the Baltic coast and separated from the rest of Russia, around 450 books dating from the 15th to the 20th centuries, some more accessible than others, are to be digitized.
The centerpiece are the books that once belonged to German Enlightenment philosopher Immanuel Kant, best known for his "Critique of Pure Reason" of 1781 - a ground-breaking but dense 800-page treatise on the relationship between knowledge and experience or perception.
Kant spent his entire life, from 1724 to 1804, in what was then the Prussian city of Koenigsberg, and the project is part of citywide celebrations of next year's 300th anniversary of his birth.
Little of the city Kant would have known is left today, much of the historic center having been flattened by British air raids in 1944, in World War Two, Reuters reported.
After Germany's surrender, the city was ceded to the Soviet Union and resettled with Soviet newcomers, while its German population were expelled.
Even so, modern-day Kaliningrad remains fond of its most famous German resident, despite the abstruseness of his ideas.
The city's university bears his name, and Kant's tomb and a small exhibition on the philosopher have pride of place in the restored German cathedral.
"There are very few authentic items linked to Kant," said Marina Yadova, deputy director at the cathedral's museum. "But we do have certain items, and they are Kant's works published during his lifetime."
Some of the books being digitized, unopened for centuries, contain dried leaves or handkerchiefs, as well as scribbles in the margins of their fragile pages.
"Ancient books can be particularly finicky. They're not always stable. Typically, they're very thick, often with more than 600 pages," said Aksyonkin.
"There are books that seem resistant to scanning."



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."