Russia's Kaliningrad Digitizes Kant's Works

A woman walks on a street during snowfall in Moscow, Russia, 30 November 2023. EPA/YURI KOCHETKOV
A woman walks on a street during snowfall in Moscow, Russia, 30 November 2023. EPA/YURI KOCHETKOV
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Russia's Kaliningrad Digitizes Kant's Works

A woman walks on a street during snowfall in Moscow, Russia, 30 November 2023. EPA/YURI KOCHETKOV
A woman walks on a street during snowfall in Moscow, Russia, 30 November 2023. EPA/YURI KOCHETKOV

In a once-German corner of Russia, an ambitious project to digitize hundreds of rare and ancient books is under way.
"The principal mission of libraries is to preserve books," said Ruslan Aksyonkin, an expert at the culture and education center at Baltic University in the city of Kaliningrad.
"A huge project is currently under way in Russia aimed at scanning all pre-Revolution [of 1917] books."
In Kaliningrad, sandwiched between Poland and Lithuania on the Baltic coast and separated from the rest of Russia, around 450 books dating from the 15th to the 20th centuries, some more accessible than others, are to be digitized.
The centerpiece are the books that once belonged to German Enlightenment philosopher Immanuel Kant, best known for his "Critique of Pure Reason" of 1781 - a ground-breaking but dense 800-page treatise on the relationship between knowledge and experience or perception.
Kant spent his entire life, from 1724 to 1804, in what was then the Prussian city of Koenigsberg, and the project is part of citywide celebrations of next year's 300th anniversary of his birth.
Little of the city Kant would have known is left today, much of the historic center having been flattened by British air raids in 1944, in World War Two, Reuters reported.
After Germany's surrender, the city was ceded to the Soviet Union and resettled with Soviet newcomers, while its German population were expelled.
Even so, modern-day Kaliningrad remains fond of its most famous German resident, despite the abstruseness of his ideas.
The city's university bears his name, and Kant's tomb and a small exhibition on the philosopher have pride of place in the restored German cathedral.
"There are very few authentic items linked to Kant," said Marina Yadova, deputy director at the cathedral's museum. "But we do have certain items, and they are Kant's works published during his lifetime."
Some of the books being digitized, unopened for centuries, contain dried leaves or handkerchiefs, as well as scribbles in the margins of their fragile pages.
"Ancient books can be particularly finicky. They're not always stable. Typically, they're very thick, often with more than 600 pages," said Aksyonkin.
"There are books that seem resistant to scanning."



New York's Met Museum Sheds New Light on African Art Collection

A 13th-century sculpture from the Niger Delta in present-day Mali, on display at the Metropolitan Museum in New York City. ANGELA WEISS / AFP
A 13th-century sculpture from the Niger Delta in present-day Mali, on display at the Metropolitan Museum in New York City. ANGELA WEISS / AFP
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New York's Met Museum Sheds New Light on African Art Collection

A 13th-century sculpture from the Niger Delta in present-day Mali, on display at the Metropolitan Museum in New York City. ANGELA WEISS / AFP
A 13th-century sculpture from the Niger Delta in present-day Mali, on display at the Metropolitan Museum in New York City. ANGELA WEISS / AFP

From a delicate 13th-century clay figure to self-portraits by photographer Samuel Fosso, New York's Metropolitan Museum reopens its African art collection on Saturday, exploring the "complexity" of the past and looking to the present.

After a four-year renovation with a $70 million price tag, the reopening of the Michael C. Rockefeller Wing comes amid heated debate over the representation of cultural diversity in Western museums and the return of works to their countries of origin.

The reopening should be "an opportunity to recognize that the achievements of artists in this part of the world (sub-Saharan Africa) are equal to those of other major world traditions," Alisa LaGamma, the Met's curator for African art, told AFP.

In a spacious gallery bathed in light, visitors are greeted by a monumental Dogon sculpture -- "a heroic figure, likely a priest," LaGamma explained.

Next to it sits a clay sculpture of a curled body from the ancient city of Djenne-Djenno, in present-day Mali, which is believed to be one of the oldest pieces in the collection, dating back to the 13th century.

'Complex history'

The exhibit does not present the works of sub-Saharan Africa as a single unit, but in chapters to better distinguish between the various cultures.

"We don't want people to oversimplify their understanding of an incredibly complex history," LaGamma said.

"There are over 170 different cultures represented among the 500 works of African art on display," she pointed out.

"That gives you a sense of how many different stories there are to tell in this presentation."

The museum wing, which also displays arts of Oceania and the "ancient Americas" -- prior to European colonization -- opened in 1982 after former Republican vice president and philanthropist Nelson Rockefeller donated his monumental collection. It is named for his son.

"This is a collection that was formed essentially following independence in a lot of what were new nations across sub-Saharan Africa," LaGamma said.

"It doesn't have necessarily the heavy weight of a collection that was formed under colonialism," she said, hinting at the pressure faced by many museums to respond to questions about the origins of works on display.

'African Spirits'

A third of the works shown here were newly acquired. The museum was thus able to benefit from a donation of thousands of photographs from the renowned Arthur Walther collection.

Among the vast trove of pieces donated is a 2008 series of self-portraits entitled "African Spirits" by Fosso, a Cameroonian-Nigerian photographer.

Among Africa's leading photographers, Fosso poses as major figures in African independence and civil rights struggles, from Congolese independence leader and first prime minister Patrice Lumumba to Nelson Mandela and Malcolm X.

Through around a dozen films directed by Ethiopian-American artist Sosena Solomon, visitors can also explore iconic cultural sites across the continent, like Tsodilo rock paintings in Botswana, the rock-hewn churches of Lalibela and Tigray in Ethiopia, and the tombs of Buganda kings at Kasubi in Uganda.

"In an art museum like this, it is important that rock paintings should be reflected," said Phillip Segadika, chief curator for archeology and monuments at Botswana's national museum, in residence at the Met to participate in the project.

"It tells us that what we are seeing today, whether it's in European art, medieval art, whatever -- it has a history, it also has an antiquity."