Arabian Peninsula: Global Attraction, Powerhouse for Over 400,000 Years

Attendees at an international scientific conference hosted in Jeddah by the Saudi Heritage Commission (SPA)
Attendees at an international scientific conference hosted in Jeddah by the Saudi Heritage Commission (SPA)
TT

Arabian Peninsula: Global Attraction, Powerhouse for Over 400,000 Years

Attendees at an international scientific conference hosted in Jeddah by the Saudi Heritage Commission (SPA)
Attendees at an international scientific conference hosted in Jeddah by the Saudi Heritage Commission (SPA)

Saudi Arabia’s Heritage Commission estimates there could be over a million archaeological sites in the country, including petroglyphs, rock art, and stone structures along the Red Sea and Arabian Gulf coasts.

Currently, more than 3,500 archaeological sites are registered in the Kingdom.

Among these, over 1,000 sites in the Red Sea hold remnants of submerged cultural heritage, like shipwrecks and cargoes dating back over 1,600 years.

Saudi Arabia is actively working to protect these underwater sites. Scientific research also confirms the existence of ancient dry lakes and river remnants in various regions of the Kingdom, indicating climatic changes over the peninsula’s history.

The Arabian Peninsula has been an attractive region for humanity for around 400,000 years due to its economic and cultural strength, witnessing the world’s earliest migrations.

Heritage Commission CEO Jasser Al-Harbash affirmed that Saudi Arabia, with its 1,700 kilometers of coastline along the Red Sea and Arabian Gulf, is like a continent.

However, only about 400 kilometers have been explored for archaeology.

He encouraged researchers to collaborate with the Commission for more discoveries.

Speaking at a conference in Jeddah, Al-Harbash expressed interest in working with South Korea, inspired by past international missions.

He highlighted the Commission’s focus areas, including antiquities, urban heritage, crafts, intangible cultural heritage, and world heritage.

Al-Harbash emphasized commitment to underwater cultural heritage.

The gathering, titled Underwater Cultural Heritage Conference, featured 16 presentations from experts discussing their experiences in surveys.

Steve Karacic, Deputy Head of International Heritage, shared findings from underwater surveys in Saudi Arabia’s NEOM region.

The research revealed late Roman amphora handles and evidence of trade between the Mediterranean and the Indian Ocean.



Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
TT

Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)

In his seaside workshop on the Greek island of Lesbos, Nikos Kouvdis uses ancient techniques to create pottery pieces that have recently been honored with inclusion in UNESCO's National Inventory of Intangible Cultural Heritage.

Kouvdis, 70, and his family have kept an old technique alive near the once humming pottery hub of Mandamados, just as the slow and careful methods of the past have been largely eclipsed by factory machines.

Their pottery is among the last in the Mediterranean to be produced from clay in local soil, using a traditional kiln with olive pits as fuel, with the pieces painted with natural lime.

"It's an honor for me," Kouvdis said with regard to the UNESCO recognition of his work.

He said a mechanized press can work at 10 times the speed of an individual potter. "There’s no continuity. There’s no space for (our) method to continue."

Still, he continues to produce individual pots on an outcrop of land overlooking the Aegean Sea.

"Above all, it’s a passion - trying to create something that fulfils you," he said.