North Korea Appears to Demolish ‘Reunification Arch’ as Kim Jong Un Turns Against Ties With South 

This photo shows the Arch of Reunification, a monument to symbolize the hope for eventual reunification of the two Koreas, in Pyongyang, North Korea, on Sept. 11, 2018. (AP)
This photo shows the Arch of Reunification, a monument to symbolize the hope for eventual reunification of the two Koreas, in Pyongyang, North Korea, on Sept. 11, 2018. (AP)
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North Korea Appears to Demolish ‘Reunification Arch’ as Kim Jong Un Turns Against Ties With South 

This photo shows the Arch of Reunification, a monument to symbolize the hope for eventual reunification of the two Koreas, in Pyongyang, North Korea, on Sept. 11, 2018. (AP)
This photo shows the Arch of Reunification, a monument to symbolize the hope for eventual reunification of the two Koreas, in Pyongyang, North Korea, on Sept. 11, 2018. (AP)

North Korea appears to have torn down a huge arch in its capital that symbolized reconciliation with South Korea, a week after leader Kim Jong Un dismissed decades of hopes for peaceful reunification with the war-divided peninsula’s south, according to satellite photos analyzed by The Associated Press on Wednesday.

South Korea’s military also said Wednesday that North Korea fired several cruise missiles into waters off its western coast.

Kim last week described the Pyongyang monument as an “eyesore” and called for its removal while declaring that the North was abandoning long-standing goals of a peaceful unification with South Korea and ordered a rewriting of the North’s constitution to define the South as its most hostile foreign adversary.

Satellite images from Planet Labs PBC appeared to show the destruction of Pyongyang’s Monument to the Three Charters for National Reunification, also called the Arch of Reunification. An image Tuesday clearly showed the arch missing along a roadway.

Clouds and snow cover made it difficult to ascertain when North Korea tore down the monument, but it appeared to be within the last few days. NKNews, a website focused on North Korea, first reported on the satellite images.

The arch was a 30-meter (about 100-foot) tall structure that looked over a highway leading to the city of Kaesong near the border with South Korea.

The cruise missile launches were North Korea’s second known launch event of the year, following a Jan. 14 test-firing of the country’s first solid-fuel intermediate range ballistic missile, which reflected its efforts to advance its lineup of weapons targeting US military bases in Japan and Guam.

South Korea’s Joint Chiefs of Staff said Wednesday that the US and South Korean militaries were analyzing the latest launches. It did not immediately confirm the exact number of missiles fired or their specific flight details.

Tensions on the Korean Peninsula have increased in recent months as Kim continues to accelerate his weapons development and issue provocative threats of nuclear conflict with the United States and its Asian allies.

While North Korean cruise missile activities aren’t directly banned under UN sanctions, experts say those weapons potentially pose a serious threat to South Korea and Japan, as they are designed to fly like small airplanes and travel along landscape that would make them harder to detect by radar.

There are concerns that North Korea could dial up tensions in a US election year. Experts say the North would aim to increase its bargaining power as it plans for eventual negotiations with whoever wins the November presidential vote.

North Korea also has a long history of ramping up pressure on rival South Korea when it doesn’t get what it wants from Washington.

During the speech at Pyongyang’s rubber-stamp parliament where Kim announced that his country would no longer pursue reconciliation with the South, he accused South Korea of acting as “top-class stooges” of the Americans and repeated a threat that he would use his nukes to annihilate the South if provoked.



Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."