‘Silver Pride’: Singapore Launches Elderly Lion Dance Troupe

This photograph taken on January 20, 2024 shows Silver Pride Lion Dance Troupe elderly lion dancer Tan Sung Ming in a wheelchair performing at the Fei Yue Active Ageing Center in Singapore. (AFP)
This photograph taken on January 20, 2024 shows Silver Pride Lion Dance Troupe elderly lion dancer Tan Sung Ming in a wheelchair performing at the Fei Yue Active Ageing Center in Singapore. (AFP)
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‘Silver Pride’: Singapore Launches Elderly Lion Dance Troupe

This photograph taken on January 20, 2024 shows Silver Pride Lion Dance Troupe elderly lion dancer Tan Sung Ming in a wheelchair performing at the Fei Yue Active Ageing Center in Singapore. (AFP)
This photograph taken on January 20, 2024 shows Silver Pride Lion Dance Troupe elderly lion dancer Tan Sung Ming in a wheelchair performing at the Fei Yue Active Ageing Center in Singapore. (AFP)

The colorful lion blinks and bobs up and down to the beat of a drum, appearing like any other traditional Lunar New Year performance with one difference -- it is operated by an 80-year-old man sitting in a wheelchair.

Normally performed by martial artists who train for years, lion dancing requires physical strength and agility to bring the creatures to life.

But a new initiative in Singapore to tackle loneliness among seniors and help them stay active has modified the choreography to allow participants to perform from a wheelchair.

The Silver Pride Lion Troupe -- a partnership between philanthropists, designers and heritage consultants -- has coaxed more than a dozen elderly people out of retirement to perform a revered Lunar New Year tradition.

At a recent celebration, 80-year-old Chia Chiang Teck shook the lion's head from side to side, opening and closing its mouth while a martial arts trainer under a furry sequined cloak acted as the tail and pushed the wheelchair around.

"I haven't done this for almost 34 years so I'm very happy that I can still do it," he said.

Formerly a martial artist able to execute backflips, Chia fondly remembers winning a local competition in the 1970s while performing as the tail of the lion but now has difficulty walking due to an old work injury.

In traditional lion heads, the blinking of the eyes and twitching of the ears are controlled by pulling strings inside.

To make this easier for seniors, a team of industrial designers has devised a 3D-printed lever and pulley system for the eyes and ears, and more supportive grips for the mouth.

"I never thought that... you can lion dance while sitting," Chia told AFP.

Ageing population

Singapore, like many Asian countries, has been grappling with an ageing population.

The health ministry estimates that one in four Singaporeans will be 65 or older by 2030, while an estimated 83,000 seniors will live alone.

A 2021 study led by researchers from the National University of Singapore found that older men living alone were twice as likely to be socially disconnected as older women living alone.

Lynn Wong, a martial artist who redesigned the lion choreography for the seniors, said the program aims to address this problem.

"The hypothesis was that something that has more masculine traits like lion dance, martial arts will garner the interest of the males," said Wong, a heritage consultant who launched the program with a local charity and a design studio.

During the six-week program at the Fei Yue Active Ageing Centre, about 20 seniors participated in strengthening exercises led by Wong and played cymbals to accompany the lion dancers.

The agency said a quarter of the participants were men, almost double the average share in its other programs.

For Chia, the initiative has provided a rare opportunity to relive his youth and remember his troupe mates.

"It made me think of the past, when we were training we were all really close," he said, becoming emotional as he remembered his lion-dancing partner, who has since passed away.

"He was really good at lion dancing."



UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.


New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.