UN Agency: Ukraine Needs Nearly $9 Billion to Rebuild Its Cultural Sites and Tourism Industry

A local resident walks past a destroyed car in the courtyard of a residential building damaged following a drone attack in Odesa on January 17, 2024. (AFP)
A local resident walks past a destroyed car in the courtyard of a residential building damaged following a drone attack in Odesa on January 17, 2024. (AFP)
TT

UN Agency: Ukraine Needs Nearly $9 Billion to Rebuild Its Cultural Sites and Tourism Industry

A local resident walks past a destroyed car in the courtyard of a residential building damaged following a drone attack in Odesa on January 17, 2024. (AFP)
A local resident walks past a destroyed car in the courtyard of a residential building damaged following a drone attack in Odesa on January 17, 2024. (AFP)

Ukraine will need nearly $9 billion over the next decade to rebuild its cultural sites and tourism industry following Russia's invasion and war, the United Nations’ cultural agency said Tuesday.

UNESCO estimated that the country's interlinked culture and tourism sector have lost over $19 billion in revenue during the war that started two years ago this month. The agency said the fighting has damaged 341 cultural sites across Ukraine, including in Ukraine's capital, Kyiv, and the cities of Lviv in the west and Odesa in the south.

The agency estimated that the total cost of destruction to those cultural sites, and thousands of other “cultural assets” around the country, comes to nearly $3.5 billion.

“The cathedral of Odesa is one example of a site that was gravely damaged,” Chiara Dezzi Bardeschi, who heads the UNESCO office in Ukraine, said. “It’s a symbol of all the community ... with deep spiritual and historical meaning.”

In July 2023, UNESCO strongly condemned a “brazen attack carried out by the Russian forces” against historic buildings in the center of Odesa, an area the agency designated last year as an endangered world heritage site. The attack claimed at least two lives and damaged several sites, including the Transfiguration Cathedral.

The cathedral founded in the late 18th century is the main Orthodox church in Odesa. The original structure was destroyed in 1936, during the Soviet era, and it was rebuilt from 1999 to 2003.

UNESCO said the intentional destruction of cultural heritage sites, including religious buildings and artifacts, may amount to a war crime. The International Criminal Court first brought war crimes charges involving purposeful attacks on historic religious monuments and buildings in a case involving Mali in 2015.



Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
TT

Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)

Thieves made off with three paintings by Renoir, Cézanne and Matisse worth millions of euros (dollars) from a museum near the city of Parma in northern Italy, police said on Monday.

The heist took place on the night of March 22-23, with thieves forcing open the entrance door, The Associated Press quoted police as saying.

The three stolen paintings are “Fish” by Auguste Renoir, “Still Life with Cherries” by Paul Cézanne, and “Odalisque on the Terrace” by Henri Matisse.

The Magnani Rocca Foundation, a private museum, lies in the heart of the countryside 20 kilometers (12 miles) from Parma.

Local media reported that the thieves were able to nab the paintings in less than three minutes and escape across the museum gardens.

Established in 1977, the foundation hosts the collection of the art historian Luigi Magnani and also includes works by Dürer, Rubens, Van Dyck, Goya and Monet.

The museum believes a structured and organized gang was responsible for the theft, which was interrupted by the alarm, local media reported.

The museum didn't post any statement about the theft on its website and wasn't reachable for a comment, as it is closed on Monday.

The crime in Parma comes after a series of high-profile heists at major European museums, including a major incident in October where thieves stole jewels and other items worth 88 million euros ($101 million) from the Louvre in Paris.


Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
TT

Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)

US and Israeli strikes on Iran have damaged at least 120 culturally or historically significant sites across the country since the start of the war, the head of Tehran city council's heritage committee said.

"At least 120 museums, historical buildings and cultural sites across various provinces were directly targeted and sustained serious structural damage," said Ahmad Alavi.

He was quoted by state TV as naming UNESCO-listed Golestan Palace -- sometimes likened to Versailles -- as well as Tehran's Marble Palace, Teymourtash house and Saadabad Palace.

One of the capital's most visited sites, the Saadabad Palace complex includes an extensive park and museums dedicated to Iranian history.

In addition to the cultural institutions, it also houses the residences of the Iranian president and governor of Tehran province, with judicial and Revolutionary Guards facilities located nearby.

The United States and Israel launched their campaign against Iran on February 28, killing its supreme leader and setting off a war that has since embroiled practically all of the Middle East.

Iran, whose history spans several millennia, possesses significant cultural heritage that has largely been spared from mass tourism.

According to the UN, at least four of the country's 29 UNESCO-listed sites have been damaged in the war: Golestan Palace, Chehel Sotoun Palace in Isfahan, the Masjed-e Jame mosque in the same city, and the prehistoric sites of the Khorramabad Valley.


Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat
TT

Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat

The Ministry of Culture has launched the UK-KSA Arabian Peninsula Cultural Research Fellowships in partnership with Effat University and the National Archives of the United Kingdom, to support archival-based research, advance cultural inquiry on the Arabian Peninsula, and strengthen collaboration between researchers and institutions in Saudi Arabia and the United Kingdom.

The program includes a 10-week research residency at the National Archives of the United Kingdom, where participants receive hands-on training in archival methods and gain access to a wide range of archival collections and cultural institutions across the UK. It supports diverse areas of cultural research related to the Arabian Peninsula.

This initiative aligns with the Ministry of Culture’s strategic vision for advancing cultural research, reflecting its commitment to fostering both local and international collaboration and promoting meaningful cultural exchange.

The fellowship is open to researchers and cultural heritage specialists capable of conducting independent research in English, regardless of their professional level.