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AlUla Summit to Discuss Future of Global Culture Next Week

“AlUla Future Culture Summit” (FCS) will witness the participation of approximately 150 leaders, decision-makers, entrepreneurs, and artists from around the world during February 25 to 27. (SPA)
“AlUla Future Culture Summit” (FCS) will witness the participation of approximately 150 leaders, decision-makers, entrepreneurs, and artists from around the world during February 25 to 27. (SPA)
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AlUla Summit to Discuss Future of Global Culture Next Week

“AlUla Future Culture Summit” (FCS) will witness the participation of approximately 150 leaders, decision-makers, entrepreneurs, and artists from around the world during February 25 to 27. (SPA)
“AlUla Future Culture Summit” (FCS) will witness the participation of approximately 150 leaders, decision-makers, entrepreneurs, and artists from around the world during February 25 to 27. (SPA)

“AlUla Future Culture Summit” (FCS) will witness the participation of approximately 150 leaders, decision-makers, entrepreneurs, and artists from around the world during February 25 to 27, SPA said on Sunday.
The FCS aims to address key issues in the cultural sector and explore ways to strengthen it as a catalyst for social progress and positive transformation in the future.
The FCS, organized by the Royal Commission for AlUla in collaboration with the Ministry of Culture, comprises a range of discussions, workshops, and interactive presentations. Its objective is to explore innovative approaches to fostering widespread involvement and making a significant impact through art, culture, and related industries.
The FCS program comprises three primary sessions. The initial session, referred to as "The Rich Foundation," is designed to promote innovation and rejuvenation in culture. Its goal is to delve into the essence and requirements of culture, establishing a harmonious connection with the environment.
The second session, titled "The Creative Land," aims to facilitate the shift towards global creativity and cross-cultural dialogue. This session will explore cultural economic development policies, and provide support for creative entrepreneurship. The last session, named "Harvest of Impact," will focus on fostering comprehensive culture and community empowerment, examining global cultural production and its influence on local cultures.
In addition to exploring the natural and cultural beauty of AlUla, participants in this cultural event will also have the opportunity to enjoy various artistic performances. The lineup includes renowned Saudi artist Balqees Alrashed, the Spanish theater group La Fura dels Baus, and the talented Nigerian-British poet and writer Inua Ellams.

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Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
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Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)

In his seaside workshop on the Greek island of Lesbos, Nikos Kouvdis uses ancient techniques to create pottery pieces that have recently been honored with inclusion in UNESCO's National Inventory of Intangible Cultural Heritage.

Kouvdis, 70, and his family have kept an old technique alive near the once humming pottery hub of Mandamados, just as the slow and careful methods of the past have been largely eclipsed by factory machines.

Their pottery is among the last in the Mediterranean to be produced from clay in local soil, using a traditional kiln with olive pits as fuel, with the pieces painted with natural lime.

"It's an honor for me," Kouvdis said with regard to the UNESCO recognition of his work.

He said a mechanized press can work at 10 times the speed of an individual potter. "There’s no continuity. There’s no space for (our) method to continue."

Still, he continues to produce individual pots on an outcrop of land overlooking the Aegean Sea.

"Above all, it’s a passion - trying to create something that fulfils you," he said.