Diriyah Contemporary Art Biennale Opens Under Theme ‘After Rain’

The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
TT

Diriyah Contemporary Art Biennale Opens Under Theme ‘After Rain’

The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)

The Diriyah Biennale Foundation inaugurated on Monday the second edition of Diriyah Contemporary Art Biennale, held under the theme “After Rain”, showcasing the works of Saudi and international artists, SPA said.
Held until May 24 in the JAX district, in Diriyah, the exhibition is curated by Ute Meta Bauer, artistic director of the biennale. Some 100 artists, including 30 from the Gulf countries, exhibit 177 artworks in six indoor and outdoor halls and courtyards spread over 12,900 square meters.

Photo by Alessandro Brasile

 

The works are based on artistic research inspired by the curatorial team trips throughout the Kingdom of Saudi Arabia, which culminated in a creative artistic dialogue between different generations.
This edition of the biennale gathers artists from diverse backgrounds, cultures, and environments who contemplate the relationship between humans and nature, interact with the surrounding nature, and focus their works on primary human needs such as water, food, and medical care.
They also narrate history, in a country undergoing rapid developments and changes, and offer a rich multi-sensory experience.
For the second edition of the biennale, the Diriyah Biennale Foundation supported 47 new artists, including Jumana Emil Abboud, Sara Abdu, Mohammad AlFaraj, Azra Akšamija, Tarek Atoui, Rachaporn Chochoy, Vikram Divesha, Christine Fenzl, Anne Holtrop, Armin Linke and Ahmed Mater in an artistic collaboration, Njokobok, and Camille Zakharia.
Artist Tania Mouraud displays on a roundabout in the JAX district, and Mariah Lookman’s work is displayed in Shamalat Diriyah, the artistic cultural center located on the outskirts of old Diriyah.


Besides the art exhibition, there will also be a series of meetings and dialogues among artists, workshops, 10 film screenings in the Black Box Theater, an area for research-based artworks, and displays of research projects and artistic talks, which began last April, under the title Biennale Meetings Series.
These last activities will continue over the course of a full year, in conjunction with the interactive “Learning Garden” online platform, which continues to showcase the ideas presented at the biennale even after the conclusion of the Diriyah Contemporary Art Biennale.


Diriyah Biennale Foundation CEO Aya Al-Bakree said the second edition of the Diriyah Contemporary Art Biennale “synchronizes with the great renaissance and the civilizational and developmental transformation that the Kingdom is experiencing, especially in the arts sector”.
She said that this edition of the event is a cultural experience that calls for contemplation and reflection, and resonates with visitors of all cultures and ages.
The depth of research conducted by Meta Bauer adds creativity and vitality to the event, Al-Bakree said.



Australia Bans Uranium Mining at Indigenous Site

A view shows a sign at the Energy Resources Australia (ERA) Ranger Project Area in Kakadu National Park, a UNESCO World Heritage Site, Northern Territory, Australia, July 11, 2024. (Reuters)
A view shows a sign at the Energy Resources Australia (ERA) Ranger Project Area in Kakadu National Park, a UNESCO World Heritage Site, Northern Territory, Australia, July 11, 2024. (Reuters)
TT

Australia Bans Uranium Mining at Indigenous Site

A view shows a sign at the Energy Resources Australia (ERA) Ranger Project Area in Kakadu National Park, a UNESCO World Heritage Site, Northern Territory, Australia, July 11, 2024. (Reuters)
A view shows a sign at the Energy Resources Australia (ERA) Ranger Project Area in Kakadu National Park, a UNESCO World Heritage Site, Northern Territory, Australia, July 11, 2024. (Reuters)

Australia moved Saturday to ban mining at one of the world's largest high-grade uranium deposits, highlighting the site's "enduring connection" to Indigenous Australians.

The Jabiluka deposit in northern Australia is surrounded by the heritage-listed Kakadu national park, a tropical expanse of gorges and waterfalls featured in the first "Crocodile Dundee" film.

Prime Minister Anthony Albanese said the national park would be extended to include the Jabiluka site -- which has never been mined -- honoring the decades-long desires of the Mirrar people.

"They were seeking a guarantee that there would never be uranium mining on their land," Albanese told a crowd of Labor Party supporters in Sydney.

"This means there will never be mining at Jabiluka," he added.

Archaeologists discovered a buried trove of stone axes and tools near the Jabiluka site in 2017, which they dated at tens of thousands of years old.

The find was "proof of the extraordinary and enduring connection Aboriginal and Torres Strait Islander have had with our land", Albanese said.

"The Mirrar people have loved and cared for their land for more than 60,000 years.

"That beautiful part of Australia is home to some of the oldest rock art in the world," he added.

Discovered in the early 1970s, efforts to exploit the Jabiluka deposit have for decades been tied-up in legal wrangling between Indigenous custodians and mining companies.

It is one of the world's largest unexploited high-grade uranium deposits, according to the World Nuclear Association.

Rio Tinto-controlled company Energy Resources of Australia previously held mining leases at Jabiluka.

The conservation of Indigenous sites has come under intense scrutiny in Australia after mining company Rio Tinto blew up the 46,000-year-old Juukan Gorge rock shelters in 2020.

Australia's conservative opposition has vowed to build nuclear power plants across the country if it wins the next election, overturning a 26-year nuclear ban.