West Bank Museum Showcases Gaza 'Artistic Demonstration' against War

At a museum in the Israeli-occupied West Bank, Gazan works on display are proclaimed to be an "ongoing artistic demonstration" in solidarity with the war-ravaged Palestinian territory.
"This is not an exhibition", reads the sign at the entrance to the Palestinian Museum in Birzeit, near Ramallah, showcasing art and heritage from the Gaza Strip.
Alongside contemporary pieces, the works include old, traditional paintings and costumes, as well as archeological artifacts, said board member Ehab Bessaiso, a former culture minister.
He told AFP that the museum had launched the initiative to "preserve Palestinian heritage work in Gaza, which has faced destruction due to the war".
Fighting has raged in Gaza since October 7, when Hamas carried out an unprecedented attack on southern Israel.
Gaza's bloodiest war has devastated the small Hamas-ruled coastal territory, with its cultural heritage just one of the many casualties of war.
Bessaiso said the museum had received "the works of hundreds of artists" from Gaza that had been held in West Bank universities and cultural centers and by individuals.
The display presents "the Gazan artistic scene in a new way" which helps "to face the challenges and difficulties which artists and culture are confronting in Gaza amid the destruction and siege", he said.
In a January report, the Palestinian culture ministry said 24 cultural centers in Gaza had been destroyed "in whole or in part" since the start of the war.
They include the Arab Orthodox Cultural and Social Center, the Rashad Shawa Cultural Center -- which includes a theater, library and printing presses -- and the Al-Sununu for Culture and Arts Association in Gaza City.
Historical buildings such as mosques, churches, the old Phoenician port and the Al-Qarara Cultural Museum have also been destroyed.
'Whole lives stolen'
"It's a beautiful thing to see the work of artists from Gaza here in the West Bank, especially because Gaza no longer has a place to show them after all the destruction there," said Alma Abdulghani, a visitor in her 30s.
The war erupted with Hamas's October 7 attack, which resulted in the deaths of about 1,160 people in Israel, mostly civilians, according to an AFP tally of official figures.
Israel's retaliatory offensive has killed at least 29,782 people, mostly women and children, according to Gaza's health ministry.
Bessaiso said the museum display is "a journey through Gazan Palestinian art, especially following the killing of dozens of artists, writers, poets and journalists".
"This journey affirms the oneness of the Palestinian people, which the (Israeli) occupation is trying to destroy."
The names of 115 artists are on display at the main entrance, with black marks around the names of those killed in the war, among them visual artist Heba Zagout and painter Mohammed Sami Qariqa.
"Those who have had their homes, dreams, memories, loved ones and their whole lives stolen by the genocidal war," read the words inscribed above their names.
The museum administration described the display, which opened in mid-February, as "an alternative space to the one that once existed in Gaza before the war's fires destroyed it".
It said the project aims to be "an alternative platform for the voices" from Gaza, where repeated communications blackouts during the war have prevented them "from reaching us".
'Cut off life'
In the main exhibition hall, a pile of rubble evokes the destruction that has befallen Gaza.
The scene is completed by a constant buzzing noise, a nod to the Israeli surveillance drones that are ever-present in the skies above Gaza, and footage of ambulances transporting a never-ending stream of wounded.
Mohammed al-Huwajia, a visual artist from Rafah in southern Gaza, told AFP by video call that the "exhibition is a reminder of the solidarity between the West Bank and Gaza".
It "affirms that we still exist", he added.
Near the main entrance to the exhibition, traditional dresses and bridal gowns from multiple Gazan cities are on display, as well as braided necklaces and bracelets dating from the British Mandate years.
A painting by Gaza-born artist Tayseer Barakat depicts military machines and vehicles, while another 16 carry written messages about the war.
"This series is a message and an expression of what I saw and heard of what our people in Gaza are living through in this insane war," said Barakat, who was born in Gaza's Jabalia refugee camp and has lived in the West Bank since 1984.
"How do you lose more than 7,000 people? Rain bombs on them one after another, and then prevent them from being removed from the rubble," says the writing on one painting.
"How do we lose a population of two and a half million people? Cut them off from communications, electricity, water and life," says another.

Australia moved Saturday to ban mining at one of the world's largest high-grade uranium deposits, highlighting the site's "enduring connection" to Indigenous Australians.

The Jabiluka deposit in northern Australia is surrounded by the heritage-listed Kakadu national park, a tropical expanse of gorges and waterfalls featured in the first "Crocodile Dundee" film.

Prime Minister Anthony Albanese said the national park would be extended to include the Jabiluka site -- which has never been mined -- honoring the decades-long desires of the Mirrar people.

"They were seeking a guarantee that there would never be uranium mining on their land," Albanese told a crowd of Labor Party supporters in Sydney.

"This means there will never be mining at Jabiluka," he added.

Archaeologists discovered a buried trove of stone axes and tools near the Jabiluka site in 2017, which they dated at tens of thousands of years old.

The find was "proof of the extraordinary and enduring connection Aboriginal and Torres Strait Islander have had with our land", Albanese said.

"The Mirrar people have loved and cared for their land for more than 60,000 years.

"That beautiful part of Australia is home to some of the oldest rock art in the world," he added.

Discovered in the early 1970s, efforts to exploit the Jabiluka deposit have for decades been tied-up in legal wrangling between Indigenous custodians and mining companies.

It is one of the world's largest unexploited high-grade uranium deposits, according to the World Nuclear Association.

Rio Tinto-controlled company Energy Resources of Australia previously held mining leases at Jabiluka.

The conservation of Indigenous sites has come under intense scrutiny in Australia after mining company Rio Tinto blew up the 46,000-year-old Juukan Gorge rock shelters in 2020.

Australia's conservative opposition has vowed to build nuclear power plants across the country if it wins the next election, overturning a 26-year nuclear ban.

West Bank Museum Showcases Gaza 'Artistic Demonstration' against War