First Makkah Clock: Historic Symbol of Saudi Care for Holy Sites

The first Makkah clock ordered by King Abdulaziz in 1933 (Darat al-Malik Abdulaziz/The King Abdulaziz Foundation for Research and Archives)
The first Makkah clock ordered by King Abdulaziz in 1933 (Darat al-Malik Abdulaziz/The King Abdulaziz Foundation for Research and Archives)
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First Makkah Clock: Historic Symbol of Saudi Care for Holy Sites

The first Makkah clock ordered by King Abdulaziz in 1933 (Darat al-Malik Abdulaziz/The King Abdulaziz Foundation for Research and Archives)
The first Makkah clock ordered by King Abdulaziz in 1933 (Darat al-Malik Abdulaziz/The King Abdulaziz Foundation for Research and Archives)

In the 1930s, as Muslims began their regular pilgrimages to the holy sanctuary in Makkah for Umrah and Hajj, signs of modernization emerged under the Saudi reign.

One significant addition was a giant clock atop Makkah’s government building, commissioned by King Abdulaziz. This clock served the worshippers’ need for accurate timing during their religious rituals and prayers in the Grand Mosque.

King Abdulaziz made caring for the holy mosques and the well-being of pilgrims a top priority for the Saudi government. He set the groundwork for future kings to improve services and make the pilgrimage experience smoother for visitors to Makkah and Medina.

From the early days of Saudi rule, King Abdulaziz showed a strong commitment to serving the holy sites and pilgrims from around the world.

He pledged to protect pilgrims and ensure their comfort and rights. In a statement published in the official newspaper before the Hajj season of 1343 AH, he expressed happiness in welcoming Muslims and making their journey to Makkah easier.

Recognizing the need for better timekeeping at the Grand Mosque, King Abdulaziz imported a large clock. Its hands were visible from far away, helping worshippers in Makkah and nearby areas keep track of prayer times.

King Abdulaziz ordered the construction of the clock in 1933, placing it atop the Hamidiyah Government Building. A tower reaching 15 meters high housed the clock, elevating it over 30 meters above street level.

The clock’s white background and black hands made it visible from afar, with electric lighting illuminating it at night. Construction began and finished in 1933.

Since then, the Two Holy Mosques have received special attention from Saudi leadership, particularly under the ambitious “Vision 2030” initiative, which has made the pilgrimage easier and enhanced the spiritual experience for millions of pilgrims.



Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
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Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)

Painter and sculptor Sliman Mansour, one of the most prominent names in Palestinian art, has died at the age of 79, his family announced.

Mansour, whose vivid artwork depicted both Palestinian traditions and his people's struggles under Israeli occupation, died on Monday at his home in east Jerusalem, his family said.

"The final chapter has been written. With hearts gripped by sorrow beyond description, we announce that our dear father has left this world," the family said in a statement.

"For the world, he leaves behind a life filled with beauty and memories, and a legacy that will continue through everyone whose lives he touched. As for us, we have lost a father who was the source of our love, our strength and our refuge."

Mansour was born in Birzeit, north of Ramallah, in 1947 and studied art and design in Jerusalem, graduating in 1970.

The Palestinian Culture Ministry mourned Mansour, calling him "one of the most important pillars of contemporary Palestinian visual art, whose career over decades formed part of the Palestinian visual and national memory".

The ministry hailed his landmark 1973 painting, "Camel of Hardships", depicting an elderly Palestinian porter carrying the city of Jerusalem on his back, as "an artistic and national icon", adding that his work served "as witness to Palestinian history and guardian of identity".

Mansour was the recipient of numerous awards, among them the UNESCO-Sharjah Prize for Arab Culture in 2019.


Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris
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Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris

The Saudi Ministry of Culture announced on Monday the establishment of a Saudi cultural center in Paris on the sidelines of the visit of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, to France.

The center will serve as a platform for promoting Saudi culture and highlighting its historical depth and creative diversity through high-quality cultural programs and initiatives involving French practitioners, institutions and the public.

It will support the international presence of Saudi cultural practitioners, strengthen communication between intellectuals and creative professionals in the two countries, and build strategic partnerships between Saudi and French cultural institutions, facilitating the exchange of expertise and implementation of joint cultural initiatives.

The establishment of the center reflects the continued development of Saudi-French relations and underscores the Kingdom's commitment to strengthening its international cultural presence and presenting an authentic cultural image that introduces the world to its rich heritage and contemporary creative output.


Saudi-French Joint Ministerial Committee on AlUla Underlines Commitment to Deepen Partnership

Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)
Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)
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Saudi-French Joint Ministerial Committee on AlUla Underlines Commitment to Deepen Partnership

Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)
Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)

The joint Saudi-French Ministerial Committee on AlUla held a meeting in Paris on Monday, chaired by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan and French Minister for Europe and Foreign Affairs Jean-Noel Barrot.

The meeting was attended by Saudi Minister of Foreign Affairs Prince Faisal bin Farhan bin Abdullah, Minister of Investment Fahad Al-Saif, and Chief Executive Officer of the Royal Commission for AlUla Abeer Al-Akel. Also present were French Minister of Culture Catherine Pegard, Minister of Economy, Finance and Industry Roland Lescure, and Chairman of the French Agency for AlUla Development (AFALULA) Jean-Yves Le Drian.

The officials welcomed the signing of an agreement to extend and amend the agreement concluded between the Saudi and French governments on the cultural, environmental, tourism, human, economic, and heritage development of AlUla Governorate.

They reviewed the partnership's achievements and discussed avenues for future cooperation, reflecting the strength of relations between the two countries and affirming AlUla's position as a meeting point of civilizations and a global destination for culture, creativity, and sustainable development.

They underlined their commitment to further deepening the partnership, which has become a global model for international cooperation based on the exchange of mutual benefits and knowledge, contributing to the achievement of comprehensive and sustainable development goals.

The meeting reviewed the scale of joint investments and areas of ongoing cooperation in the sectors of archaeology, arts, culture, sports, hospitality, and human-capital development.

The partnership reflects a shared commitment to sustainable development through strategic projects, such as the AlUla Tram and the Sharaan Resort, designed by Jean Nouvel, as well as investments in renewable energy, water, and mobility, supporting the objectives of Saudi Vision 2030 to attract one million visitors and global investments while preserving AlUla's cultural and natural heritage.