First Makkah Clock: Historic Symbol of Saudi Care for Holy Sites

The first Makkah clock ordered by King Abdulaziz in 1933 (Darat al-Malik Abdulaziz/The King Abdulaziz Foundation for Research and Archives)
The first Makkah clock ordered by King Abdulaziz in 1933 (Darat al-Malik Abdulaziz/The King Abdulaziz Foundation for Research and Archives)
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First Makkah Clock: Historic Symbol of Saudi Care for Holy Sites

The first Makkah clock ordered by King Abdulaziz in 1933 (Darat al-Malik Abdulaziz/The King Abdulaziz Foundation for Research and Archives)
The first Makkah clock ordered by King Abdulaziz in 1933 (Darat al-Malik Abdulaziz/The King Abdulaziz Foundation for Research and Archives)

In the 1930s, as Muslims began their regular pilgrimages to the holy sanctuary in Makkah for Umrah and Hajj, signs of modernization emerged under the Saudi reign.

One significant addition was a giant clock atop Makkah’s government building, commissioned by King Abdulaziz. This clock served the worshippers’ need for accurate timing during their religious rituals and prayers in the Grand Mosque.

King Abdulaziz made caring for the holy mosques and the well-being of pilgrims a top priority for the Saudi government. He set the groundwork for future kings to improve services and make the pilgrimage experience smoother for visitors to Makkah and Medina.

From the early days of Saudi rule, King Abdulaziz showed a strong commitment to serving the holy sites and pilgrims from around the world.

He pledged to protect pilgrims and ensure their comfort and rights. In a statement published in the official newspaper before the Hajj season of 1343 AH, he expressed happiness in welcoming Muslims and making their journey to Makkah easier.

Recognizing the need for better timekeeping at the Grand Mosque, King Abdulaziz imported a large clock. Its hands were visible from far away, helping worshippers in Makkah and nearby areas keep track of prayer times.

King Abdulaziz ordered the construction of the clock in 1933, placing it atop the Hamidiyah Government Building. A tower reaching 15 meters high housed the clock, elevating it over 30 meters above street level.

The clock’s white background and black hands made it visible from afar, with electric lighting illuminating it at night. Construction began and finished in 1933.

Since then, the Two Holy Mosques have received special attention from Saudi leadership, particularly under the ambitious “Vision 2030” initiative, which has made the pilgrimage easier and enhanced the spiritual experience for millions of pilgrims.



UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.


Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.


Louvre Museum Installs Security Bars on Balcony Used in October’s Heist

 Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)
Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)
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Louvre Museum Installs Security Bars on Balcony Used in October’s Heist

 Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)
Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)

France's Louvre museum on Tuesday installed security bars on the balcony that burglars used to break in and steal some of the crown jewels.

Four people broke into the world's most visited museum on October 19 and escaped with jewels worth an estimated $102 million, exposing glaring security gaps and revealing its deteriorating state.

They parked a movers' lift outside the museum, jumped on the balcony of the Apollo gallery, smashed a window, cracked open display cases ‌with angle grinders ‌and fled on the ‌back ⁠of scooters driven by ‌accomplices in a heist lasting less than 7 minutes.

On Tuesday, a crane lifted the security grille into place to seal the glass door leading to the balcony.

"The Louvre is learning all the lessons from the theft of October 19 and is continuing its transformation ⁠and the strengthening of its security architecture," the museum said in a ‌post on X.

It also said a ‍mobile police squad was ‍now present at the roundabout in front of ‍the iconic glass pyramid, and 100 more cameras would be deployed around the museum next year.

Police have identified eight suspects in connection with the heist, though the jewels are still missing.

The break-in raised awkward questions about security at the Louvre, which is home to ⁠priceless artworks such as the Mona Lisa.

Louvre officials have admitted there was inadequate security camera coverage of the outside walls of the museum and no coverage of the balcony involved in the break-in.

The heist was one of several woes to hit the museum in recent weeks: another gallery, adjacent to the Apollo, was closed because of structural weakness, a water leak damaged books at the Egyptian antiquities department and the museum ‌was partly closed for several days after its staff went on strike.