Olympics Taster: Paris Race Celebrates the Waiters and Waitresses Who Nourish City’s Life and Soul

Waiters and waitresses in work outfits take the start of a traditional "Course des cafes" (the cafes' race), in front of the City Hall in central Paris, on March 24, 2024. (AFP)
Waiters and waitresses in work outfits take the start of a traditional "Course des cafes" (the cafes' race), in front of the City Hall in central Paris, on March 24, 2024. (AFP)
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Olympics Taster: Paris Race Celebrates the Waiters and Waitresses Who Nourish City’s Life and Soul

Waiters and waitresses in work outfits take the start of a traditional "Course des cafes" (the cafes' race), in front of the City Hall in central Paris, on March 24, 2024. (AFP)
Waiters and waitresses in work outfits take the start of a traditional "Course des cafes" (the cafes' race), in front of the City Hall in central Paris, on March 24, 2024. (AFP)

Usain Bolt’s sprint world records were never in danger. Then again, even the world’s fastest-ever human likely wouldn’t have been so quick while balancing a tray with a croissant, a coffee cup and a glass of water through the streets of Paris, and without spilling it everywhere.

France’s capital resurrected a 110-year-old race for its waiters and waitresses Sunday. The dash through central Paris celebrated the dexterous and, yes, by their own admission, sometimes famously moody men and women without whom France wouldn’t be France.

Why? Because they make France’s cafés and restaurants tick. Without them, where would the French gather to put the world to rights over drinks and food? Where would they quarrel and fall in (and out of) love? And where else could they simply sit and let their minds wander? They have penned songs and poems about their “bistrots,” so attached are they to their unpretentious watering holes that for generations have nourished their bodies and souls.

“That is where you will find the population’s fine flowers,” sang songwriter-poet Georges Brassens, but also “all the miserable, the down on their luck.”

So drum roll, please, for Pauline Van Wymeersch and Samy Lamrous — Paris’ newly crowned fastest waitress and waiter and, as such, ambassadors for an essential French profession.

And one which has a big job ahead: Taking the food orders and quenching the thirsts of millions of visitors who will flock to the Paris Olympics this July.

The resurrection of the waitering race after a 13-year hiatus is part of Paris’ efforts to bask in the Olympic spotlight and put its best foot forward for its first Summer Games in 100 years.

The first waiters’ race was run in 1914. This time, a couple of hundred of waiters and waitresses dressed up in their uniforms — with the finest sporting bow ties — and loaded up their trays with the regulation pastry, small (but empty) coffee cup and full glass of water for the 2-kilometer (1 1/4-mile) loop starting and finishing at City Hall.

Van Wymeersch, the runaway winner in the women’s category in 14 minutes, 12 seconds, started waitering at age 16, is now 34 and said she cannot envisage any other life for herself.

“I love it as much as I hate it. It’s in my skin. I cannot leave it,” she said of the profession. “It’s hard. It’s exhausting. It’s demanding. It’s 12 hours per day. It’s no weekends. It’s no Christmases.”

But “it’s part of my DNA. I grew up in a way with a tray in my hand,” she added. “I have been shaped, in life and in the job, by the bosses who trained me and the customers, all of the people, I have met.”

Van Wymeersch works at the Le Petit Pont café and restaurant facing Notre Dame cathedral. Lamrous, who won the men’s race in a time of 13:30, waits at La Contrescarpe, in Paris’ 5th district. Their prizes were medals, two tickets each for the July 26 Olympic opening ceremony along the River Seine and a night out at a Paris hotel.

Although all smiles on this occasion, competitors acknowledged that’s not always the case when they are rushed off their feet at work. The customer may always be right in other countries, but the waiter or waitress has the final word in France, feeding their reputation for being abrupt, moody and even rude at times.

“French pride means that in little professions like this, they don’t want to be trampled on,” said Thierry Petit, 60, who is retiring in April after 40 years of waiting tables.

“It’s not lack of respect, rather it’s more a state of mind,” he said. Switching to English, he added: “It’s very Frenchie.”

The capital’s mayor, Anne Hidalgo, said cafés and restaurants are “really the soul of Paris.”

“The bistrot is where we go to meet people, where we go for our little coffee, our little drink, where we also go to argue, to love and embrace each other,” she said.

“The café and the bistrot are life.”



Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.


Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
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Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA

The Dia Aziz Dia Award for Portrait, hosted by the Saudi Arabian Society for Culture and Arts in Jeddah, is a leading platform for portraiture and the only competition of its kind in the Middle East. It fosters national identity through contemporary art, connecting veteran and emerging artists.

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives, including Saudi women, the Arabian horse, the Saudi Green Initiative, and King Abdulaziz.

These themes highlight art's role in reflecting social transformations and contributing to the cultural goals of Saudi Vision 2030, SPA reported.

The current ninth edition, with a theme focused on King Salman, invited artists to depict the leadership and humanity of the Custodian of the Two Holy Mosques. This edition attracted significant participation, with 787 submissions from 42 cities, including international entries.

Of these, 61 works were shortlisted for the final competition, with prizes totaling SAR170,000 awarded to three main winners and seven incentive recipients.