Reviving a Traditional Art Form in Rwanda after Genocide

Imigongo art is known for its raised black and white patterns. LUIS TATO / AFP
Imigongo art is known for its raised black and white patterns. LUIS TATO / AFP
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Reviving a Traditional Art Form in Rwanda after Genocide

Imigongo art is known for its raised black and white patterns. LUIS TATO / AFP
Imigongo art is known for its raised black and white patterns. LUIS TATO / AFP

A 200-year-old Tutsi art form made with cow dung, Rwanda's imigongo painting tradition has experienced a revival in the Great Lakes nation three decades after the 1994 genocide, becoming a symbol of culture and unity.
Known for its raised black and white patterns, imigongo is widely believed to have been invented by a Tutsi prince in the 19th century, AFP said.
Prince Kakira mixed cow dung and ash to create a material which he used to paint three-dimensional patterns on the walls of his palace in eastern Rwanda's Gisaka kingdom.
The tradition was named after "umugongo", the Kinyarwanda word for "spine", owing to its curved lines, and became popular among rural households where women would use dung and natural pigments made with soil, clay and aloe sap to decorate their homes.
Basirice Uwamariya, founder of the Kakira Imigongo Cooperative in eastern Kirehe district, told AFP she started making art when she was 15.
But the 1994 genocide targeting the Tutsi minority nearly wiped out the tradition, with almost all 15 members of Uwamariya's cooperative killed in a bloodbath that claimed around 800,000 lives across Rwanda, including moderate Hutus.
She lost her husband and multiple relatives, leaving her to fend for herself and her two sons.
"I lived in darkness, in silence," the 53-year-old said, recalling the loneliness that pushed her to revive the cooperative in 1996 and invite other genocide survivors to join her.
Since then, imigongo has evolved.
Traditional patterns exist side by side with modern designs featuring various colors. Natural pigments have been replaced by commercial paints.
Imigongo designs have made their way to upmarket studios and fashion boutiques, adorning garments and wooden artifacts alike, with a market that includes foreigners and Rwandans.
According to Theoneste Nizeyimana, manager of Azizi Life Studio in the capital Kigali, the tradition was once largely limited to eastern Rwanda.
"But after the genocide destroyed everything... people started thinking about how they can bring back their culture. Today, imigongo is appreciated by all Rwandans, not just Tutsi," he told AFP.
"Imigongo is something that brings people together," he said, pointing out that the Kigali boutique and studio holds painting classes for students whose ages range from four to 75 years old.
It also makes business sense, he said, with its instantly recognizable patterns helping to market "made in Rwanda" designs around the world.



UN Puts 4th Century Gaza Monastery on Endangered Site List

The Saint Hilarion complex dates back to the fourth century. Mahmud HAMS / AFP/File
The Saint Hilarion complex dates back to the fourth century. Mahmud HAMS / AFP/File
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UN Puts 4th Century Gaza Monastery on Endangered Site List

The Saint Hilarion complex dates back to the fourth century. Mahmud HAMS / AFP/File
The Saint Hilarion complex dates back to the fourth century. Mahmud HAMS / AFP/File

The Saint Hilarion complex, one of the oldest monasteries in the Middle East, has been put on the UNESCO list of World Heritage sites in danger due to the war in Gaza, the body said Friday.
UNESCO said the site, which dates back to the fourth century, had been put on the endangered list at the demand of Palestinian authorities and cited the "imminent threats" it faced.
"It's the only recourse to protect the site from destruction in the current context," Lazare Eloundou Assomo, director of the UNESCO World Heritage Centre, told AFP, referring to the war sparked by Hamas's October 7 attack on Israel.
In December, the UNESCO Committee for the Protection of Cultural Property in the Event of Armed Conflict decided to grant "provisional enhanced protection" -- the highest level of immunity established by the 1954 Hague Convention -- to the site.
UNESCO had then said it was "already concerned about the state of conservation of sites, before October 7, due to the lack of adequate policies to protect heritage and culture" in Gaza.
The Hamas attack on October 7 resulted in the deaths of 1,197 people in Israel, most of them civilians, according to an AFP tally based on official Israeli figures.
Israel's retaliatory offensive against Hamas has killed at least 39,175 Palestinians in Gaza, according to the Hamas-run territory's health ministry, which does not give details of civilian and militant deaths.