Alien Fever Dreams Fuel Peruvian Grave Robbings

Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights
Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights
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Alien Fever Dreams Fuel Peruvian Grave Robbings

Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights
Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights

Leandro Rivera says he chanced upon the cave in Peru's remote Nazca region that contained hundreds of pre-Hispanic artifacts – including human bodies with elongated heads and what appeared to be only three fingers on each hand.
The plateau is famous for the Nazca lines, incisions on the desert floor forming birds and other animals visible from the air. The ancient geoglyphs have long intrigued anthropologists and exert a powerful fascination over some believers in extraterrestrials.
Nazca is also known for salt flats that dehydrate and preserve human and animal remains, making it the site of important archeological finds that have deepened modern understanding of ancient cultures – and attracted grave robbers.
Rivera was convicted in 2022 of assault on public monuments for unearthing the artifacts. He received a four-year suspended sentence and was fined about 20,000 Peruvian soles ($5,190), short of the maximum penalty of an eight-year prison term.
His haul was thrust into the spotlight last year when two of the mummies ended up in Mexico as the centerpiece of congressional hearings on UFOs and extraterrestrial life. Mexican journalist Jaime Maussan presented the bodies as a sign of life beyond Earth – a claim dismissed by scientists.
In an interview with Reuters, Rivera said he removed as many as 200 sets of remains from the cave, and some bodies had been smuggled out of Peru to France, Spain and Russia.
The presentation of bodies in Mexico – as well as Rivera's claims to have dozens more – have prompted some experts to ask whether Peru is losing the battle to stop the plunder of its archaeological sites to feed a lucrative black market for mummies and other pre-Hispanic artifacts.
"Peru has done a lot of work to try and control this trade," said Christopher Heaney, a Latin American history professor at Penn State University and author of a book on Peruvian mummies. "But this implies that these claims for government success need to be re-examined a bit if objects like (the bodies in Mexico) can leave the country."
Peru's Culture Ministry did not respond to questions about the effectiveness of its efforts to control trafficking.
Reuters was granted rare access to the ministry's anti-smuggling unit at Lima's international airport and spoke to four government officials who said stricter penalties, more resources and better coordination were needed to fight the looting.
The news agency was unable to verify independently key details of Rivera's account. The public prosecutor's office of the culture ministry said in a statement to Reuters that its investigation into Rivera yielded just two altered bodies and two partial sets of bones.
Evelyn Centurion, head of cultural heritage recovery for the ministry, said the government is working on a task force with police, the attorney general, the foreign ministry and other departments to toughen penalties for looting cultural artifacts.
"The looting has not stopped," Centurion said in an interview. "We need greater collaboration from local governments and local authorities to prevent these illicit acts."



Hayy Matsuri in Jeddah Celebrates Japanese Culture

A group of tourists look at chopsticks products at the Tsukiji Outer Market in Tokyo on January 10, 2025. (Photo by Philip FONG / AFP)
A group of tourists look at chopsticks products at the Tsukiji Outer Market in Tokyo on January 10, 2025. (Photo by Philip FONG / AFP)
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Hayy Matsuri in Jeddah Celebrates Japanese Culture

A group of tourists look at chopsticks products at the Tsukiji Outer Market in Tokyo on January 10, 2025. (Photo by Philip FONG / AFP)
A group of tourists look at chopsticks products at the Tsukiji Outer Market in Tokyo on January 10, 2025. (Photo by Philip FONG / AFP)

The second edition of the Japanese Hayy Matsuri cultural festival, held under the theme "Saudi Celebrates Japan," was inaugurated on Thursday in Hayy Jameel, Jeddah.
The festival, which runs until January 11, aims to enhance cultural exchange between Saudi Arabia and Japan, emphasizing the vital role of art in fostering communication and promoting mutual understanding among cultures.
This year's festival provides a cohesive cultural experience that blends tradition with creativity. It features a diverse range of activities, including musical performances by both Saudi and Japanese artists, with highlights such as the Kingdom's premiere of "Electronicos Fantasticos!" and performances by Daisuke Tanabe.

Visitors can also participate in interactive workshops to explore the arts of origami, Japanese calligraphy, and Ikebana, the art of flower arrangement.
In addition to live performances, the festival includes screenings of Japanese manga and films, traditional tea ceremonies, and a variety of anime-related projects. Attendees can also enjoy cosplay competitions, a board games zone, printmaking activations, and traditional live demonstrations celebrating Japanese cultural and artistic practices.
A cultural market showcasing over 30 vendors offers products inspired by Japanese culture and authentic Japanese cuisine, allowing visitors to experience the rich flavors of historical Japanese culinary traditions.
The festival celebrates the 70th anniversary of diplomatic relations between Saudi Arabia and Japan, reflecting the profound cultural ties between the two nations. It fosters mutual understanding and creates connections through cultural and artistic exchange.