Muslims Celebrate Eid Al-Fitr with Family Reunions, New Clothes, Treats and Prayers

 A drone view shows Indonesian Muslims attend mass prayers on the road outside Sultan Mahmud Badaruddin Jayo Wikramo Great Mosque during Eid al-Fitr, marking the end of holy fasting month of Ramadan, in Palembang, South Sumatra province, Indonesia, April 10, 2024, in this photo taken by Antara Foto. (Antara Foto/Nova Wahyudi/ via Reuters)
A drone view shows Indonesian Muslims attend mass prayers on the road outside Sultan Mahmud Badaruddin Jayo Wikramo Great Mosque during Eid al-Fitr, marking the end of holy fasting month of Ramadan, in Palembang, South Sumatra province, Indonesia, April 10, 2024, in this photo taken by Antara Foto. (Antara Foto/Nova Wahyudi/ via Reuters)
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Muslims Celebrate Eid Al-Fitr with Family Reunions, New Clothes, Treats and Prayers

 A drone view shows Indonesian Muslims attend mass prayers on the road outside Sultan Mahmud Badaruddin Jayo Wikramo Great Mosque during Eid al-Fitr, marking the end of holy fasting month of Ramadan, in Palembang, South Sumatra province, Indonesia, April 10, 2024, in this photo taken by Antara Foto. (Antara Foto/Nova Wahyudi/ via Reuters)
A drone view shows Indonesian Muslims attend mass prayers on the road outside Sultan Mahmud Badaruddin Jayo Wikramo Great Mosque during Eid al-Fitr, marking the end of holy fasting month of Ramadan, in Palembang, South Sumatra province, Indonesia, April 10, 2024, in this photo taken by Antara Foto. (Antara Foto/Nova Wahyudi/ via Reuters)

The Eid al-Fitr holiday marking the end of the Islamic holy month of Ramadan was celebrated by Muslims on Wednesday with family reunions, new clothes and sweet treats.

In Indonesia, the world's most populous Muslim nation, nearly three-quarters of the population were traveling for the annual homecoming known locally as “mudik” that is always welcomed with excitement.

“Mudik is not just an annual ritual or tradition for us,” said civil servant Ridho Alfian, who lives in the Jakarta area and was traveling to Lampung province at the southern tip of Sumatra island. “This is a right moment to reconnect, like recharging energy that has been drained almost a year away from home.”

Before the Eid al-Fitr holiday, markets teemed with shoppers buying clothes, shoes, cookies and sweets. People poured out of major cities to return to villages to celebrate the holiday with their loved ones. Flights were overbooked and anxious relatives weighed down with boxes of gifts formed long lines at bus and train stations for the journey.

For Arini Dewi, Eid al-Fitr is a day of victory from economic difficulties during Ramadan. “I'm happy in celebrating Eid holiday despite the surge of food prices,” said the mother of two.

Former Vice President Jusuf Kalla was among Jakarta residents offering prayers at the Al Azhar mosque yard. “Let’s celebrate Eid al-Fitr as a day of victory from many difficulties... of course there are many social problems during fasting month of Ramadan, but we can overcome it with faith and piety,” Kalla said.

On the eve of Eid al-Fitr, Jakarta residents set off firecrackers on streets that were mostly empty after city residents traveled home.

On Wednesday morning, Muslims joined communal prayers shoulder-to-shoulder on the streets and inside mosques. Jakarta’s Istiqlal Grand Mosque, the largest in Southeast Asia, was flooded with devotees offering the morning prayers.

Preachers in their sermons called on people to pray for Muslims in Gaza who were suffering after six months of war.

“This is the time for Muslims and non-Muslims to show humanitarian solidarity, because the conflict in Gaza is not a religious war, but a humanitarian problem," said Jimly Asshiddiqie who chairs the advisory board of the Indonesian Mosque Council.

In Pakistan, authorities have deployed more than 100,000 police and paramilitary forces to keep security at mosques and marketplaces. People were shopping as usual Tuesday, with women buying bangles, jewelry and clothes for themselves and their children.



Saudi Arabia Showcases Literary Diversity at 2026 Rabat International Book Fair

‏The Saudi pavilion brings together a range of government entities and cultural institutions - SPA
‏The Saudi pavilion brings together a range of government entities and cultural institutions - SPA
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Saudi Arabia Showcases Literary Diversity at 2026 Rabat International Book Fair

‏The Saudi pavilion brings together a range of government entities and cultural institutions - SPA
‏The Saudi pavilion brings together a range of government entities and cultural institutions - SPA

The Literature, Publishing and Translation Commission launched the Saudi pavilion at the 2026 International Publishing and Book Fair in Rabat, which continues through May 10.

‏Commission CEO Dr. Abdullatif Alwasel affirmed that the Kingdom’s participation in the event embodies the deep historical ties between Saudi Arabia and Morocco while showcasing a diverse, contemporary cultural movement driven by Saudi Vision 2030.

“Saudi Arabia’s participation at the 2026 International Publishing and Book Fair emphasizes the Kingdom’s commitment to spotlighting publishers and the creative literary sector, which continues to go from strength to strength,” Alwasel said, SPA reported.

‏He added: “The Saudi pavilion is an opportunity to invite people from every corner of the world to experience Saudi culture and diverse literary works, showcase unique Saudi talent and creative thinking, while facilitating cultural exchange and engaging discussions.”

‏The Saudi pavilion brings together a range of government entities and cultural institutions, led by the Literature, Publishing and Translation Commission, highlighting the integrated approach of the Kingdom’s cultural environment.

‏As part of the pavilion, the commission has organized a series of topical panel discussions, poetry evenings, and workshops featuring Saudi writers and creative thinkers, encouraging discussions on key issues relating to the literature, publishing and translation sector and its impact on Arab and global conversations.

‏The participation at the 31st International Publishing and Book Fair event reaffirms the Kingdom’s efforts towards platforming local talent and enhancing collaboration and cultural exchange.


Georg Baselitz, the German Painter Who Turned Postwar Art Upside Down, Dies at 88

German artist Georg Baselitz attends the opening of his exhibition "The Heroes" (Die Helden) at the Staedel museum in Frankfurt, Germany June 29, 2016. (Reuters)
German artist Georg Baselitz attends the opening of his exhibition "The Heroes" (Die Helden) at the Staedel museum in Frankfurt, Germany June 29, 2016. (Reuters)
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Georg Baselitz, the German Painter Who Turned Postwar Art Upside Down, Dies at 88

German artist Georg Baselitz attends the opening of his exhibition "The Heroes" (Die Helden) at the Staedel museum in Frankfurt, Germany June 29, 2016. (Reuters)
German artist Georg Baselitz attends the opening of his exhibition "The Heroes" (Die Helden) at the Staedel museum in Frankfurt, Germany June 29, 2016. (Reuters)

Georg Baselitz liked to insist — sometimes as a taunt, ‌sometimes as a shield — that he did not know how to paint. That he had "no talent".

Rejected at 17 by the Dresden Academy of Fine Arts, he talked his way into an academy in East Berlin only to be expelled two semesters later for "sociopolitical immaturity".

"I was stupid," he recalled. "I was uneducated, but I was a rebel."

From that rebellion, Baselitz forged a career that made the child of Nazi Germany, schooled under Soviet communism, into one of the defining artists of postwar Germany.

The painter and sculptor, known for his depictions of raw bodies and inverted landscapes, has died at the age of 88, Germany's Die Welt newspaper reported on Thursday. No cause of death was given.

A REBEL SHAPED BY TWO DICTATORSHIPS

Georg Baselitz was born Hans-Georg Bruno Kern on January 23, 1938, in the Saxon village of Deutschbaselitz, a name he later adopted.

His father, a village schoolteacher and Nazi Party member, recorded Hans-Georg's birth in his diary. Inexplicably, he recorded the birth of none of his other four children, the Sächsische Zeitung daily reported in 2018.

After the war, ‌his father was ‌barred from teaching. Baselitz's mother took over his duties at the school.

Baselitz spent his childhood ‌amid ⁠the unforgiving discipline of ⁠Nazi Germany, and his adolescence amid the rubble and ideological re-education of the country's Soviet occupation zone.

"I was born into a destroyed order, a destroyed landscape, a destroyed people, a destroyed society," he later recalled. "And I didn't want to reestablish an order: I had seen enough of so-called order. I was forced to question everything, to be 'naive', to start again."

After he was expelled from the East Berlin academy, he moved to West Berlin, where he finished his studies and absorbed modernism in a way that felt, he said, like a sudden intake of oxygen.

He recalled the shock of first seeing works by Jackson Pollock and other abstract expressionists — evidence, in his telling, that ⁠the United States had a serious culture despite what he had been taught.

But rather than ‌imitate an American style, Baselitz turned back to German sources, drawing on expressionism, ‌folk traditions and imagery often dismissed by critics as ugly or even "degenerate".

SCANDAL AS A CALLING CARD

At a 1963 solo show in Berlin, authorities ‌seized two of his paintings on obscenity grounds. The episode made Baselitz famous.

The early pictures, marked by raw bodies, stunted masculinity and abrasive humor, were widely seen as provocation.

Supporters and museum curators have also framed them as a blunt report on postwar German life: damaged, compromised and struggling to find a new footing.

That sensibility carried into his mid-1960s "Heroes" paintings, which presented hulking, battered figures that looked less like victors than survivors ‌stumbling out of a defeated national myth.

But Baselitz's most recognizable works came in 1969, when he began painting motifs upside down.

After earlier experiments that fractured or partially inverted figures, he ⁠produced fully inverted works including "The ⁠Wood on Its Head" and "The Man by the Tree".

He did not simply flip finished images, he composed and painted them inverted from the start.

That approach altered how viewers read his works. By disrupting recognition, it forced attention onto the mechanics of painting — its color, balance and composition.

"An object painted upside down is suitable for painting because it is unsuitable as an object," Baselitz said.

The inversions made Baselitz an international figure in the 1970s and 1980s, as the market and institutions that once treated him as scandalous increasingly positioned him as a pillar of European postwar art.

His public reputation, however, did not settle into quiet respectability.

He repeatedly sparked backlash with remarks about female painters, including a widely reported claim that women "don't paint very well".

He also confronted the limits Germany's history places on gesture and imagery: a wooden sculpture shown at the 1980 Venice Biennale was widely read as evoking a Nazi salute, a reading he denied.

He was married to Johanna Elke Kretzschmar, known as Elke, with whom he had two sons.

In later life, Baselitz painted huge canvases from his wheelchair and moved his brushes and paints in a rolling cart.

"The sensible thing, in my situation, would naturally be to say: 'I stick to small formats'," he told Spanish newspaper El Pais at age 87. "But of course I don't do what's sensible. What's right for me is the nonsensical."


Saudi Arabia Holds Cultural Event in Moscow to Mark Centenary of Ties with Russia

The event marked 100 years of Saudi-Russian bilateral relations. SPA
The event marked 100 years of Saudi-Russian bilateral relations. SPA
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Saudi Arabia Holds Cultural Event in Moscow to Mark Centenary of Ties with Russia

The event marked 100 years of Saudi-Russian bilateral relations. SPA
The event marked 100 years of Saudi-Russian bilateral relations. SPA

The Saudi Ministry of Education, in cooperation with the Kingdom’s embassy in Russia, organized an academic and cultural event titled “A Century of Friendship and Cultural and Scientific Exchange between the Kingdom of Saudi Arabia and the Russian Federation” at the headquarters of the Peoples' Friendship University of Russia in Moscow.

The event marked 100 years of bilateral relations since 1926 and aimed to strengthen cultural and educational exchange, which has grown over the past decades.

The opening ceremony was attended by Saudi Ambassador to Russia Sami Al-Sadhan, Deputy Minister for International Cooperation Dr. Latifa Al-Faryan, and Rector of the Peoples' Friendship University of Russia Dr. Oleg Yastrebov, along with several academic and diplomatic officials from both sides, and broad participation from Saudi scholarship students and international students.

During the ceremony, Al-Faryan said that the ministry is continuing its plans to expand high-quality international partnerships, strengthen cooperation in higher education, scientific research, and innovation, and support academic exchange programs.

The scientific and cultural event in Moscow featured a series of academic sessions with leading scholars from Saudi and Russian universities, alongside the honoring of several individuals and institutions that contributed to advancing joint scientific and cultural cooperation.

Holding the event in Moscow reflects the Saudi Ministry of Education’s direction to consolidate academic partnerships between Saudi Arabia and Russia and to strengthen educational cooperation as a pillar of bilateral relations, supporting sustained knowledge exchange and the development of educational and research opportunities between the two countries.