عربي English Türkçe اردو فارسى
Logo
Latest News
Culture

Saudi Arabia Announces Inaugural Protected Areas Forum ‘HIMA’

The site at Hima, the sixth to be enlisted in Saudi Arabia, is home to one of the largest rock art complexes in the world and ancient wells. (SPA)
The site at Hima, the sixth to be enlisted in Saudi Arabia, is home to one of the largest rock art complexes in the world and ancient wells. (SPA)
TT
20
TT

Saudi Arabia Announces Inaugural Protected Areas Forum ‘HIMA’

The site at Hima, the sixth to be enlisted in Saudi Arabia, is home to one of the largest rock art complexes in the world and ancient wells. (SPA)
The site at Hima, the sixth to be enlisted in Saudi Arabia, is home to one of the largest rock art complexes in the world and ancient wells. (SPA)

Saudi Arabia announces the Inaugural Protected Areas Forum ‘‘HIMA’’, a groundbreaking event in the region dedicated to the conservation and preservation of natural habitats and wildlife, SPA reported.

Under the patronage of Engineer AbdulRahman Al-Fadli, the Minister of Environment, Water, and Agriculture and Chairman of the Board of the National Center for Wildlife (NCW), this forum organized by the National Center for Wildlife will be held in Riyadh from April 21-24, marking a significant milestone with both local and international participation.
The forum will feature a comprehensive agenda filled with panel discussions and presentations by renowned experts in the field of protected areas from around the globe.

Attendees will include representatives from protected areas, educational institutions, major projects, companies, and the non-profit sector, reflecting a growing commitment to environmental conservation and sustainability.
Dr. Mohammed Qurban, CEO of the National Center for Wildlife, emphasized that the organization of the "HIMA" forum stems from the Kingdom's leading position in global environmental initiatives and closely aligns with NCW's mandate as the
national authority for the wildlife sector. This initiative is part of a strategic plan to enhance the national system for protected areas, setting a clear direction for the Kingdom's efforts to safeguard vital natural sites for biodiversity.
Dr. Qurban highlighted the Kingdom's ambitious 30×30 initiative, aimed at protecting 30% of Saudi Arabia's land and sea area by 2030. This initiative, announced during the Green Saudi Initiative, underscores the Kingdom's dedication to
global biodiversity goals and environmental sustainability. The roadmap includes specific targets for the protection of land and marine areas by 2025 and 2030, demonstrating a proactive approach towards conservation.
The forum serves as a platform for global leaders in protected area management to exchange knowledge and best practices, fostering collaboration and ensuring alignment with international standards.
Since its establishment in 2019, the National Center for Wildlife has been dedicated to implementing strategic plans to address the challenges facing wildlife and marine ecosystems. With a vision for flourishing and sustainable wildlife
and biodiversity, the NCW is committed to preserving environmental systems and enhancing community engagement to achieve long-term environmental sustainability and maximize societal and economic benefits.

Most Viewed

 
Culture

Hong Kong Museum Puts Picasso in Cross-cultural Dialogue

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
TT
20
TT

Hong Kong Museum Puts Picasso in Cross-cultural Dialogue

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP

More than a century ago, Pablo Picasso smashed the Sacre-Coeur Basilica in Paris into a web of tangled lines on his canvas, deconstructing reality with the brushstrokes of a master cubist.
At a Hong Kong exhibition opening Saturday, that painting will be shown alongside a more literal form of destruction -- a "gunpowder drawing" by Chinese-born artist Cai Guo-Qiang -- as part of a cross-cultural exchange, AFP said.
"Interest in (Picasso's) life and work hasn't subsided at all, including in Asia" in the half-century since his death, said Doryun Chong, artistic director and chief curator at the M+ museum.
The show will pair more than 60 masterpieces loaned from the Picasso Museum in Paris with around 130 works by Asian and Asian-diasporic artists.
Highlights include "Portrait of a Man" from Picasso's Blue Period, a 1937 horse head sketch for "Guernica" and "Massacre in Korea", a 1951 expressionist anti-war painting.
"Exhibitions on Picasso tend to be very monographic," said Chong, who co-curated the event.
"We felt that it's more productive for understanding Picasso... that we create these unexpected juxtapositions and dialogues."
Cecile Debray, president of the Picasso Museum in Paris, hailed the approach as being "decentered from the Western point of view".
The last major Picasso showcase in Hong Kong, a more straightforward affair, took place in 2012 and drew huge crowds.
In the intervening decade, Picasso's reputation has been dented by the #MeToo movement as critics decried his abusive treatment of wives and girlfriends.
"We are of course very open and honest about the rather disturbing aspects of his biography, but we also shouldn't let that determine the meanings of his whole career," Chong said.
Hong Kong officials have touted the four-month exhibition as part of "Art March", hoping that high-brow events at museums, fairs and auction houses can boost the city's international appeal.
Since opening in late 2021, M+ has seen more than eight million visitors -- a bright spot for Hong Kong's loss-making West Kowloon Cultural District.
Chong said the museum connects visual culture between Asia and the world, citing the example of how Picasso is placed next to self-taught local painter Luis Chan.
Chan, who drew ample inspiration from the Spanish master, was "of the older generation when formal training in art was not possible in Hong Kong".
"Still he felt connected to the center of the art world at the time in Paris, and the very important figure in that context (that is) Picasso."