Paris Crowns a New King of the Crusty Baguette in Its Annual Bread-Baking Prize

Baker Xavier Netry poses at his bakery named "Utopie" in Paris on April 26, 2024, after being awarded best baguette 2024 of the city of Paris (Grand Prix de la Baguette de Tradition Francaise de la Ville De Paris). (AFP)
Baker Xavier Netry poses at his bakery named "Utopie" in Paris on April 26, 2024, after being awarded best baguette 2024 of the city of Paris (Grand Prix de la Baguette de Tradition Francaise de la Ville De Paris). (AFP)
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Paris Crowns a New King of the Crusty Baguette in Its Annual Bread-Baking Prize

Baker Xavier Netry poses at his bakery named "Utopie" in Paris on April 26, 2024, after being awarded best baguette 2024 of the city of Paris (Grand Prix de la Baguette de Tradition Francaise de la Ville De Paris). (AFP)
Baker Xavier Netry poses at his bakery named "Utopie" in Paris on April 26, 2024, after being awarded best baguette 2024 of the city of Paris (Grand Prix de la Baguette de Tradition Francaise de la Ville De Paris). (AFP)

Paris has a new king of the crusty baguette.

Baker Xavier Netry was chosen this week as the 31st winner of Paris' annual “Grand Prix de la baguette” prize.

His long loaf beat 172 others.

Competing baguettes were evaluated for taste, look, texture, airiness and the quality of the baking. The jury included a deputy mayor, industry representatives, journalists and six Parisians that City Hall said were drawn at random.

The Utopie bakery in Paris' 11th district that Netry works for wins 4,000 euros ($4,290) and becomes one of the suppliers of the presidential Elysee Palace for a year.

City Hall said uneaten baguettes from the competition were donated to a charity that feeds people who are homeless.

Netry, a baker for 25 years, said the secrets of his success are a good sourdough starter and “a good long fermentation,” careful cooking and "some love and some passion, of course.”



Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage
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Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

The Ministry of Culture announced the launch of two new typefaces, the Al-Awwal and the Saudi. Both typefaces, which celebrate the Kingdom’s culture, will be available to individuals and organizations wishing to use them in formal, design, artistic and creative works, according to SPA.
The Ministry of Culture worked to implement the Al-Awwal and the Saudi typefaces, inspired by using the distinctive artistic features of Arabic script, to preserve the characteristics of early calligraphy and inscriptions. Al-Awwal is a thoughtful reimagining of a handwriting style that takes many of its cues from the inscriptions of the first Hijri century. The Al-Awwal typeface integrates modern calligraphy techniques to closely emulate the letter forms in the early stages of development, connecting the present with the origins, foundations and early history of the region.

The Saudi typeface is partly inspired by Al-Awwal and embodies creative ingenuity whilst maintaining the aesthetic of the Kingdom’s historical heritage.
Minister of Culture Prince Bader bin Abdullah bin Farhan said: "The launch of the Al-Awwal and Saudi typefaces is a tribute to the Kingdom's vast cultural and aesthetic heritage. Each typeface serves as a bridge between the past and the present, merging traditional elements with contemporary design principles. This harmonious blend not only honors the Kingdom’s legacy but also inspires innovation.”
The development of the two typefaces began with a historical foundation and archaeological elements, representing the ancient Arabic writings, and reflecting the style of ancient scripts. Both typeface designs are based on creative thinking and interdisciplinary integration among manuscript studies, art history, linguistics, design and digital programming. Designed to celebrate the beauty of Arabic calligraphy, these typefaces enhance aesthetic proportions and spacing between letters, words, lines, dots and diacritics.