Looted Gold, Royal Treasures Go on Show Back Home in Ghana

 Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
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Looted Gold, Royal Treasures Go on Show Back Home in Ghana

 Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)

Gold neck discs, a sword, a royal chair and dozens of other treasures looted during British colonial rule went on show in Ghana this week for the first time since their historic return.

People travelled from across the West African country to see the repatriated plunder in the city of Kumasi, the seat of Asante King Otumfuo Osei Tutu II, known as the Asantehene.

"The items that came back are virtually the soul of the people of Asante," the monarch said at the exhibition, which marks his silver jubilee.

The gold regalia was looted during Britain's 1821-1957 colonization of what is now Ghana, much of it taken during violent battles with the Asante kingdom and placed in museums.

London's British and Victoria & Albert museums, and the Fowler Museum at the University of California, sent the artefacts back earlier this year - part of a growing move by Western institutions to reexamine colonial legacies.

Negotiations to return the items took more than 50 years, the Asantehene said.

Other museums in the US and Europe have agreed to hand back treasures taken from the Kingdom of Benin in modern-day Nigeria and received requests for returns from other states across the continent, including Egypt and Ethiopia.

"Most of our things are not written, they are expressed in the art we see," documentary-maker Lawer Akunor said at the show.

"Bringing these (back) is bringing the history to whom it belongs."

Most of the 42 items on display at Kumasi's Manhyia Palace Museum were taken during five battles between the Asante Kingdom and Britain known as the Anglo-Asante wars. Many were pillaged directly from the Asante palace.

Some of Britain's main national museums are banned by law from handing over or disposing of the bulk of their collections. So 32 objects from the British Museum and the Victoria & Albert Museum (V&A) are in Ghana on loan.

"We acknowledge the very painful history surrounding the acquisition of these objects. A history tainted by the scars of imperial conflict and colonialism," V&A Director Tristram Hunt said at the opening.

The V&A has loaned 17 items to the Manhyia museum for three years, with the possibility of another three-year renewal. Objects include a gold peace pipe and gold discs worn during royal ceremonies.

Sculptor Gabriel Bekoe said he was inspired by the display.

"Seeing them will help me know what I used to be and that will influence the ideas and concepts I build afterward," he said.



AlUla Named World’s Cultural Tourism Project 2025

AlUla named world’s cultural tourism project 2025. SPA
AlUla named world’s cultural tourism project 2025. SPA
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AlUla Named World’s Cultural Tourism Project 2025

AlUla named world’s cultural tourism project 2025. SPA
AlUla named world’s cultural tourism project 2025. SPA

AlUla’s status as a global hub for culture, heritage, exploration, and discovery has been further strengthened following its designation as the World’s Leading Cultural Tourism Project 2025 at this year’s World Travel Awards.

AlUla secured the most prestigious honor at the annual awards, regarded as the industry’s highest accolade, after receiving the highest number of votes from international experts, senior executives, specialist travel buyers, leading tour operators, and reputable travel agents, the Saudi Press Agency reported on Monday.

Established in 1993, the World Travel Awards celebrate excellence across the travel, tourism, and hospitality industries and are recognized globally as the pinnacle of achievement.

The awards feature numerous highly contested categories, ranging from best hotel, airline, travel experience, and more.

AlUla’s latest accolade comes after the ancient city was named as the Middle East's Leading Cultural Tourism Project 2025, Middle East's Leading Festival and Event Destination 2025, and Saudi Arabia's Leading Cultural Tourism Project 2025 at the recent regional edition of the World Travel Awards.

A place where desert landscapes meet ancient heritage, AlUla is home to some of the region's and the world’s most significant cultural landmarks, including Hegra, Saudi Arabia's first UNESCO World Heritage Site, which features a collection of remarkably preserved Nabataean tombs.

With a rich story spanning 200,000 years of human history and 7,000 years of continuous civilization, AlUla's past comes to life through the Royal Commission for AlUla's calendar of immersive experiences.


Red Sea International Film Festival Held Amid Wide Participation from Film Stars, Creators

The festival runs until December 13 with the wide participation of local and international film stars and creators
The festival runs until December 13 with the wide participation of local and international film stars and creators
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Red Sea International Film Festival Held Amid Wide Participation from Film Stars, Creators

The festival runs until December 13 with the wide participation of local and international film stars and creators
The festival runs until December 13 with the wide participation of local and international film stars and creators

The fifth annual Red Sea International Film Festival is being held under the patronage of Minister of Culture Prince Bader bin Abdullah bin Farhan at Culture Square in Historic Jeddah under the theme "In Love with Cinema.”

It runs until December 13 with the wide participation of local and international film stars and creators.

In his opening speech, the minister welcomed the festival's guests, saying "Here in the beautiful city of Jeddah - alive with creativity, culture, and the arts - I am pleased to welcome those who have joined us in previous successful editions, as well as those attending for the first time to experience an event that reflects the energy of our youth and the richness of our culture.”

With the generous support of the Crown Prince and Prime Minister, the minister noted that the cultural sector has witnessed an unprecedented renaissance, positioning culture as a cornerstone of Saudi Arabia's future.

The minister pointed out that over the past seven years, the Ministry of Culture has worked to preserve the Kingdom's diverse heritage and build a thriving cultural landscape encompassing the arts, language, music, handicrafts, and the film sector, affirming that cinema is one of the most powerful tools of cultural influence globally and plays a pivotal role in strengthening understanding among peoples.

He added that the Red Sea Film Foundation embodies the Kingdom's vision of empowering youth, supporting creatives, and reinforcing Saudi Arabia's presence as a promising cinematic destination.

The festival opened with the film "Giant" in its Middle East and North Africa premiere.

Red Sea Film Foundation Chief Executive Officer Faisal Baltyuor explained that the choice of opening film reflects the festival's vision of supporting voices and stories from the Middle East, Asia, and Africa, and bringing them to global audiences.

Chairwoman of the Board of Trustees for Red Sea Film Foundation Jomana Alrashid stated that the foundation has, over five years, helped build an effective ecosystem that enables filmmakers from Arab, Asian, and African countries to lead their projects.

She noted that seven films supported by the "Red Sea Fund" were nominated for the Oscars, and that this year's edition features 111 films from more than 70 countries, highlighting 38 female directors.

This year, the festival offers a diverse cinematic program featuring selected global screenings and Arab works shown for the first time, in addition to an official competition that attracts films from five continents, and a series of panel discussions and talent-support programs designed to empower new voices and strengthen Arab presence in the international cinematic landscape.


‘Amazing’ Figurines Find in Egyptian Tomb Solves Mystery

This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
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‘Amazing’ Figurines Find in Egyptian Tomb Solves Mystery

This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)

A treasure trove of 225 funerary figurines have been discovered inside a tomb in the ancient Egyptian capital of Tanis in the Nile Delta, a rare find that has also solved a long-running mystery.

"Finding figurines in place inside a royal tomb has not happened in the Tanis necropolis since 1946," French Egyptologist Frederic Payraudeau told reporters in Paris on Friday.

Such a find has also never happened before further south in Egypt's Valley of the Kings near modern Luxor -- apart from the tomb of the famous boy king Tutankhamun in 1922 -- because most such sites have been looted throughout history, he added.

Payraudeau, who leads the French Tanis excavation mission, said the remarkable discovery was made on the morning of October 9.

The team had already excavated the other three corners of a narrow tomb occupied by an imposing, unnamed sarcophagus.

"When we saw three or four figurines together, we knew right away it was going to be amazing," Payraudeau said.

"I ran out to tell my colleagues and the officials. After that it was a real struggle. It was the day before the weekend -- normally, we stop at 2 pm. We thought: 'This is not possible.'"

The team then set up lights to work through the night.

It took 10 days to carefully extract all of the 225 small green figurines.

They were "carefully arranged in a star shape around the sides of a trapezoidal pit and in horizontal rows at the bottom," Payraudeau said.

The funerary figurines, which are known as ushabti, were intended as servants to accompany the dead into the afterlife.

More than half the figurines are women, which is "quite exceptional", Payraudeau said.

Located in the Nile Delta, Tanis was founded around 1050 BC as the capital of the Egyptian kingdom during the 21st dynasty.

At the time, the Valley of the Kings -- which had been looted during the reign of pharaohs including Ramses -- was abandoned and the royal necropolis was moved to Tanis, Payraudeau said.

- One mystery leads to another -

The royal symbol on the newly discovered figurines also solves a long-standing mystery by identifying who was buried in the sarcophagus.

It was Pharaoh Shoshenq III, who reigned from 830 to 791 BC.

This was "astonishing" because the walls of a different tomb at the site -- and the largest sarcophagus there -- bear his name, Payraudeau said.

"Why isn't he buried in this tomb?" the expert asked.

"Obviously, for a pharaoh, building a tomb is a gamble because you can never be sure your successor will bury you there," he said.

"Clearly, we have new proof that these gambles are not always successful," Payraudeau said with a smile.

Shoshenq III's four-decade reign was turbulent, marred by a "very bloody civil war between upper and lower Egypt, with several pharaohs fighting for power," he said.

So it is possible that the royal succession did not go as planned and the pharaoh was not buried in his chosen tomb.

Another possibility is that his remains were moved later due to looting.

But it is "difficult to imagine that a 3.5 by 1.5-meter granite sarcophagus could have been reinstalled in such a small place," Payraudeau said.

After the figurines are studied, they will be displayed in an Egyptian museum, Payraudeau said.