French Miss Africa Contests Proudly Celebrate Dual Cultures in Paris

 Lyse Amissah (c) celebrates her 2024 victory. (AFP)
Lyse Amissah (c) celebrates her 2024 victory. (AFP)
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French Miss Africa Contests Proudly Celebrate Dual Cultures in Paris

 Lyse Amissah (c) celebrates her 2024 victory. (AFP)
Lyse Amissah (c) celebrates her 2024 victory. (AFP)

The recent scene in a Paris theatre was loud and tumultuous with hundreds of spectators backing their favorites in the Miss Ivory Coast/France 2024 contest, one of many events at which France's African diaspora celebrate their dual culture.

"Our parents made beautiful children in Europe," remarked a master of ceremony as the 19 contestants took to the stage wearing, in turn, traditional wax dresses, swimsuits and evening wear.

After four hours of suspense, Lyse Amissah, contestant number 18, was declared the winner.

"I am very touched, grateful and proud," said the 22-year-old student who was born in Paris to Ivorian parents.

A few weeks earlier, during rehearsal, Amissah -- who wears her hair short and dyed blond -- said that the contest represented more than just winning a beauty pageant.

"It's a way to get as close to my roots as possible," she said, adding she had always been "steeped in Ivorian culture".

Flora Sy, president of the Miss Ivory Coast/France committee, said that although the contestants are "very proud" to be French, "it is also important for us to show our Ivorian culture".

Things weren't always this upbeat, remembered Mams Yaffa who organized the very first such African contest in France, Miss Mali/France in 2002.

- 'Role models' -

Casual xenophobia and racism were widespread at the time, including at the highest level of state.

The image of Malians was "horribly stigmatizing", said Yaffa, who is now deputy mayor in Paris's 18th district where many residents are of African background.

The first Miss Mali/France contest "provided the framework for activism" and the women competing were "role models for our younger sisters", he said.

Their activism was aimed at promoting hygiene, education and health, and to persuade women not to bleach their skin.

Topics today include illegal immigration. Miss Senegal/France recently talked with young people in Senegal "to convince them not to get into one of those boats", said Mamadou Thiam, who runs the Franco-Senegalese organizing committee.

Amissah is using her fame to help end the "taboo" surrounding endometriosis in Ivory Coast.

Close contacts created by the beauty contests between France and African countries sometimes contrasts with deteriorating diplomatic relations between France and some of its former colonies on the continent.

A recent example is Mali, where the military government asked French troops to leave after 10 years of anti-extremist missions there.

But Yaffa brushed off such tensions, saying his organization will never allow itself to become the "collateral damage" of diplomacy.

"The problem is governments, not the population," he said.



Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques continues its mission to preserve the Kingdom’s architectural heritage by restoring Al-Qalaah Mosque in Hawtat Bani Tamim, Riyadh Region. Built in 1250 AH (1834 CE), this historic landmark is situated within the fortress of Second Saudi State founder Imam Turki bin Abdullah.

The mosque is a prime example of traditional Najdi architecture, featuring stone foundations, mud walls constructed using molded brick techniques, and a roof of tamarisk trunks and palm fronds supported by stone-bead cylindrical columns, SPA reported.

Through the current renovation, the mosque’s area has expanded from 608.68 to 625.78 square meters while maintaining a capacity for 180 worshippers. Executed by specialized Saudi firms under expert engineering supervision, the project balances traditional standards with modern sustainability to ensure the mosque remains a living testament to Islamic and national history.

This initiative aligns with Vision 2030 objectives to rehabilitate historical sites for worship, highlight cultural heritage, and preserve the Kingdom’s authentic architectural identity for future generations.


UNESCO Fears for Fate of Historical Sites during Iran War

Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
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UNESCO Fears for Fate of Historical Sites during Iran War

Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo

UNESCO said it is deeply concerned about the fate of world heritage sites in Iran and across the region, after Tehran's Golestan palace, often compared to Versailles, and a historic mosque and palace in Isfahan were damaged in the war.

The United Nations' cultural agency on Wednesday urged all parties to protect the region's outstanding cultural sites, saying four of Iran's 29 world heritage sites had been damaged since the start of the US and Israeli war with Iran.

"UNESCO is deeply concerned by the first impact that the hostilities are already having on many world heritage sites," Lazare Eloundou Assomo, director of the World Heritage Centre, told Reuters, adding he was also concerned for sites in Israel, Lebanon and across the Middle East.

Tehran's Golestan palace, damaged in US–Israeli strikes, is testimony to the grandeur of Iran's civilization in the 19th century, he said.

The palace was chosen as the Persian royal residence and seat of power by the Qajar family and shows the introduction of European styles in Persian arts, according to the UNESCO website. The last Shah of Iran, Mohammad Reza Pahlavi, held a coronation ceremony there in 1969.

"We sometimes even compare it with the Versailles Palace in France, for instance, and it has suffered, unfortunately, some damage. We don't know the extent for the moment. But clearly, with the images that we have been able to receive, we can confirm ... it has been affected," Eloundou Assomo said.

Photos of the interior of the palace have shown piles of smashed glass and shards of wood on the floor, and shattered woodwork.

Isfahan was one of Central Asia's most important cities and a key point on the Silk Road trading route. Its Masjed-e Jame (Jameh Mosque) is more than 1,000 years old and shows the development of Islamic art through 12 centuries.

Buildings close to the buffer zone of the prehistoric sites of the Khorramabad Valley have also been damaged, UNESCO said.

UNESCO has shared coordinates of key cultural sites to all parties, Eloundou Assomo said, and was monitoring damage.

"We are calling for the protection of all sites of cultural significance ... everything that tells the history of all the civilisations of the 18 countries in the region," he said.


Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
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Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)

An odd-looking coin used to pay for a bus fare in Leeds in the 1950s has been found to belong to an ancient civilization from more than 2,000 years ago, reported The Independent.

The coin, handed to a local bus driver decades ago, came into the hands of James Edwards, former chief cashier with Leeds City Transport, who gathered fares and counted them at the end of each day.

Since it couldn’t be spent, Edwards took it home and gifted the ancient coin to his young grandson, Peter, who kept it in a small wooden chest for more than 70 years.

Archaeologists from the University of Leeds have now found that it came from the Carthaginians, part of the Phoenician culture, in the Spanish city of Cadiz during the 1st century BC.

“My grandfather would come across coins which were not British and put them to one side, and when I went to his house, he would hand me a few,” the now 77-year-old grandson said.

“It was not long after the war, so I imagine soldiers returned with coins from countries they had been sent to. Neither of us were coin collectors, but we were fascinated by their origin and imagery – to me, they were treasure,” he said.

Peter attempted to uncover the coin’s origin, focusing on a particular inscription.

It bears the face of the god Melqart on one side, resembling the Greek hero Herakles and wearing his famed lionskin headdress.

Experts said it came from what was once a Carthaginian settlement on the Spanish coast.

“The coin always fascinated me because it was hard to decipher where it came from,” Peter said.

“My first thought when I found out its origin was that I would like to return it to an institute where it could be studied by all, and Leeds Museums and Galleries kindly offered to give it a good home,” he said.

The coin has been donated to Leeds Museums and Galleries and is now part of the Leeds Discovery Centre, which includes coins and currency from cultures around the world, spanning thousands of years of history.

“It’s incredible to imagine how this tiny piece of history created by an ancient civilization thousands of years ago has somehow made its way to Leeds and into our collection,” said Salma Arif, Leeds City Council’s executive member for adult social care, active lifestyles and culture.

“Museums like ours are not just about preserving objects, they’re also about telling stories like this one and inspiring visitors to think about the history that’s all around us, sometimes in the most unlikely of places,” Arif said.