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Brazilian Dance Craze Created by Young People in Rio’s Favelas Is Declared Cultural Heritage 

Youth perform a street dance style known as passinho for their social media accounts, in the Rocinha favela of Rio de Janeiro, Brazil, April 11, 2024. (AP) 
Youth perform a street dance style known as passinho for their social media accounts, in the Rocinha favela of Rio de Janeiro, Brazil, April 11, 2024. (AP) 
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Brazilian Dance Craze Created by Young People in Rio’s Favelas Is Declared Cultural Heritage 

Youth perform a street dance style known as passinho for their social media accounts, in the Rocinha favela of Rio de Janeiro, Brazil, April 11, 2024. (AP) 
Youth perform a street dance style known as passinho for their social media accounts, in the Rocinha favela of Rio de Janeiro, Brazil, April 11, 2024. (AP) 

It all started with nifty leg movements, strong steps backwards and forwards, paced to Brazilian funk music. Then it adopted moves from break dancing, samba, capoeira, frevo - whatever was around.

The passinho, a dance style created in the 2000s by kids in Rio de Janeiro’s favelas, was declared in March to be an "intangible cultural heritage" by legislators in the state of Rio, bringing recognition to a cultural expression born in the sprawling working-class neighborhoods.

The creators of passinho were young kids with plenty of flexibility - and no joint problems. They started trying out new moves at home and then showing them off at funk parties in their communities and, crucially, sharing them on the internet.

In the early days of social media, youngsters uploaded videos of their latest feats to Orkut and YouTube, and the style started spreading to other favelas. A competitive scene was born, and youths copied and learned from the best dancers, leading them to innovate further and strive to stay on top.

"Passinho in my life is the basis of everything I have," dancer and choreographer Walcir de Oliveira, 23, said in an interview. "It's where I manage to earn my livelihood, and I can show people my joy and blow off steam, you understand? It's where I feel happy, good."

Brazilian producer Julio Ludemir helped capture this spirit and discover talents by organizing "passinho battles" in the early 2010s. At these events, youths took turns showing off their steps before a jury that selected the winners.

The "Out of Doors" festival at New York's Lincoln Center staged one such duel in 2014, giving a US audience a taste of the vigorous steps. Passinho breached the borders of favelas and disconnected from funk parties that are often associated with crime. Dancers started appearing on mainstream TV and earned the spotlight during the opening ceremony of the Rio 2016 Olympic Games.

Ludemir describes the style as an expression of Brazilian "antropofagia," the modernist concept of cannibalizing elements from other cultures in order to produce something new.

"Passinho is a dance that absorbs references from all dances. It's a crossing of the cultural influences absorbed by kids from the periphery as they were connecting with the world through social media in internet cafes," he said.

Dancing also became a means for youths to move seamlessly between communities controlled by rival drug gangs. It offered you men from favelas a new way out, besides falling into a life of crime or the all-too-common pipe dream of becoming a soccer star.

Passinho was declared state heritage by Rio's legislative assembly through a law proposed by Rio state legislator Veronica Lima. It passed unanimously and was sanctioned March 7. In a statement, Lima said it was important to help "decriminalize funk and artistic expressions of youths" from favelas.

Ludemir says the heritage recognition is sure to consolidate the first generation of passinho dancers as an inspiration for favelas youths.

Among them are Pablo Henrique Goncalves, a dancer known as Pablinho Fantástico, who won a passinho battle back in 2014 and later created a boy group called OZCrias, with four dancers born and raised like him in Rocinha, Rio's largest favela. The group earns money performing in festivals, events, theaters and TV shows, and they welcomed the heritage recognition.

Another dance group is Passinho Carioca in the Penha complex of favelas on the other side of the city. One of its directors, Nayara Costa, said in an interview that she came from a family where everyone got into drug trafficking. Passinho saved her from that fate, and now she uses it to help youngsters - plus teach anyone else interested in learning.

"Today I give classes to people who are in their sixties; passinho is for everyone," said Costa, 23. "Passinho, in the same way that it changed my life, is still going to change the lives of others."

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Culture

Prince Mohammed bin Salman Project Restores Century-Old Uqlat Al-Suqur Mosque in Qassim

The renovation utilized traditional mud, stone, and wood to preserve the mosque's authentic Najdi architectural style. (SPA)
The renovation utilized traditional mud, stone, and wood to preserve the mosque's authentic Najdi architectural style. (SPA)
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Prince Mohammed bin Salman Project Restores Century-Old Uqlat Al-Suqur Mosque in Qassim

The renovation utilized traditional mud, stone, and wood to preserve the mosque's authentic Najdi architectural style. (SPA)
The renovation utilized traditional mud, stone, and wood to preserve the mosque's authentic Najdi architectural style. (SPA)

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of the Uqlat Al-Suqur Mosque in Qassim Region, revitalizing a heritage landmark dating back to 1922, reported the Saudi Press Agency on Saturday.

Originally the only mosque in the area, it served as a vital religious and social hub for education and community governance.

The renovation, executed by specialized Saudi firms, utilized traditional mud, stone, and wood to preserve its authentic Najdi architectural style.

The project increased the mosque's area to 544 square meters, expanding its capacity to 250 worshippers while maintaining its historical identity.

The initiative aligns with Vision 2030 to preserve the Kingdom's urban heritage and boost the cultural and religious significance of its historical mosques for future generations.

Culture

Tomb More Than 1,000 Years Old Found in Panama

This handout picture released by Panama’s Ministry of Culture shows an archaeologist working inside a pre-Hispanic tomb approximately 1,200 years old, discovered at the El Cano Archaeological Park in Cocle, Panama, on February 20, 2026. (Handout / Panama’s Ministry of Culture / AFP)
This handout picture released by Panama’s Ministry of Culture shows an archaeologist working inside a pre-Hispanic tomb approximately 1,200 years old, discovered at the El Cano Archaeological Park in Cocle, Panama, on February 20, 2026. (Handout / Panama’s Ministry of Culture / AFP)
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Tomb More Than 1,000 Years Old Found in Panama

This handout picture released by Panama’s Ministry of Culture shows an archaeologist working inside a pre-Hispanic tomb approximately 1,200 years old, discovered at the El Cano Archaeological Park in Cocle, Panama, on February 20, 2026. (Handout / Panama’s Ministry of Culture / AFP)
This handout picture released by Panama’s Ministry of Culture shows an archaeologist working inside a pre-Hispanic tomb approximately 1,200 years old, discovered at the El Cano Archaeological Park in Cocle, Panama, on February 20, 2026. (Handout / Panama’s Ministry of Culture / AFP)

Archaeologists have discovered a tomb more than a thousand years old in Panama containing human remains alongside gold and ceramic artifacts, the lead researcher told AFP on Friday.

The discovery was made at the El Cano site in the Nata district about 200 kilometers (124 miles) southwest of Panama City.

Scientists and archaeologists have already unearthed other remains of pre-Hispanic cultures in the region that has been excavated for two decades.

The skeletal remains were found surrounded by gold objects and pottery decorated with traditional motifs, pointing to these being "high-ranking" individuals, archaeologist Julia Mayo told AFP, adding that the tomb was built between 800 and 1000 AD.

"The individual with the gold was the one with the highest social status in the group," she said.

That body was found with two bracelets, two earrings, and pectoral jewelry that featured bats and crocodiles, she added.

The El Cano archaeological site is linked to the societies that inhabited the central provinces of Panama between the 8th and 11th centuries.

"This is where they buried their dead for 200 years," said Mayo.

Nine other tombs "similar" to the one found on Friday had already been found at the site, she added.

Panama's Ministry of Culture said the discovery was "of great importance for Panamanian archaeology and the study of pre-Hispanic societies of the Central American isthmus," referring to the land that connects North and South America.

According to experts, these excavations demonstrate that death did not represent an end for these societies, but a transition to another phase where social status remained important.

Culture

When in Rome: Budapest Pizzeria Offers Time-Travel Twist with Ancient Rome-Inspired Pie

László Bárdossy, head chef of the Neverland Pizzeria adds topping on the restaurant's Roman-era pizza in Budapest, Hungary, on Feb. 11, 2026. (AP)
László Bárdossy, head chef of the Neverland Pizzeria adds topping on the restaurant's Roman-era pizza in Budapest, Hungary, on Feb. 11, 2026. (AP)
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When in Rome: Budapest Pizzeria Offers Time-Travel Twist with Ancient Rome-Inspired Pie

László Bárdossy, head chef of the Neverland Pizzeria adds topping on the restaurant's Roman-era pizza in Budapest, Hungary, on Feb. 11, 2026. (AP)
László Bárdossy, head chef of the Neverland Pizzeria adds topping on the restaurant's Roman-era pizza in Budapest, Hungary, on Feb. 11, 2026. (AP)

In Hungary’s capital, a city best known for its goulash, a pizzeria is inviting diners to travel back two millennia to a time before tomatoes, mozzarella or even the word “pizza” were known in Europe.

At Neverland Pizzeria in central Budapest, founder Josep Zara and his team have created a limited-edition pie using only ingredients that would have been available in ancient Rome, long before what we know today as pizza ever existed.

“Curiosity drove us to ask what pizza might have been like long ago,” Zara said. “We went all the way back to the Roman Empire and wondered whether they even ate pizza at the time.”

Strictly speaking, they did not. Tomatoes arrived in Europe centuries later from the Americas, and mozzarella was as yet unknown. Some histories have it that the discovery of mozzarella led directly to the invention of pizza in Naples in the 1700s.

But Romans did eat oven-baked flatbreads topped with herbs, cheeses and sauces, the direct ancestors of modern pizza, which were often sold in ancient Roman snack bars called thermopolia.

In 2023, archaeologists uncovered a fresco in Pompeii depicting a focaccia-like flatbread topped with what appear to be pomegranate seeds, dates, spices and a pesto-like spread. The image made headlines around the world, and sparked Zara’s imagination.

“That made me very curious about what kind of flavor this food might have had,” he said. “That’s where we got the idea to create a pizza that people might have eaten in the Roman Empire, using only ingredients that were in wide use at the time.”

Zara began researching Roman culinary history, consulting a historian in Germany as well as the ancient cookbook De re coquinaria, thought to have been authored around the 5th century. Following his research, he compiled a list of historically documented ingredients to present to the pizzeria's head chef.

“We sat down to imagine what we might be able to make using these ingredients, and without using things like tomatoes and mozzarella,” Zara said. “We had to exclude all ingredients that originated from America.”

Head chef László Bárdossy said the constraints forced the team into months of experimentation, and a few false starts.

“We had to discard a couple ideas,” Bárdossy said. “The fact that there wasn’t infrastructure like a water system at the time of the Romans made things difficult for us, since more than 80% of pizza dough is water. We had to come up with something that would have worked before running water.”

The solution: helping the dough rise using fermented spinach juice. Ancient grains such as einkorn and spelt, widely cultivated in Roman times, formed the base, and the dough ended up slightly more dense than that of most modern pizzas.

The finished pie is topped with ingredients associated with Roman aristocratic cuisine, including epityrum, an olive paste, garum, a fermented fish sauce ubiquitous in Roman cooking, confit duck leg, toasted pine nuts, ricotta and a grape reduction.

“Our creation can be called a modern pizza from the perspective that we tried to make it comprehensible for everyone,” Bárdossy said. “Although we wouldn’t use all its ingredients for everyday dishes. There is a narrow niche that thinks this is delicious and is curious about it, while most people want more conventional pizza, so it’s not for everyday eating. It’s something special.”

For Zara, the project reflects Neverland Pizzeria’s broader philosophy.

“We’ve always liked coming up with new and interesting things, but tradition is also very important for us, and we thought that these two things together suit us,” he said.

However, he added, there is a modern boundary the restaurant will not cross.

“We do a lot of experimentation with our pizzas. But of course, we definitely do not use pineapple,” he said.