Mona Lisa’s Mysterious Background Decrypted by Art-Loving Geologist 

The Mona Lisa by Leonardo da Vinci is pictured at the Louvre museum in Paris, France June 7, 2023. (Reuters)
The Mona Lisa by Leonardo da Vinci is pictured at the Louvre museum in Paris, France June 7, 2023. (Reuters)
TT
20

Mona Lisa’s Mysterious Background Decrypted by Art-Loving Geologist 

The Mona Lisa by Leonardo da Vinci is pictured at the Louvre museum in Paris, France June 7, 2023. (Reuters)
The Mona Lisa by Leonardo da Vinci is pictured at the Louvre museum in Paris, France June 7, 2023. (Reuters)

Over 500 years after Leonardo da Vinci painted the Mona Lisa, an academic believes she has unraveled the mystery about the backdrop to one of the world's most famous works of art.

Art historians have long debated its landscape, speculating on the locations that could have inspired Leonardo, but the geologist and Italian Renaissance specialist Ann Pizzorusso thinks she has pinpointed it to Lecco in northern Italy.

"When I came to Lecco, I realized he had painted the Mona Lisa here," Pizzorusso said, speaking of the small town on the shores of Lake Como, hitherto best known as the setting of Alessandro Manzoni's masterpiece novel "The Betrothed".

According to the scholar, the arched bridge depicted in the painting would correspond to the 14th-century Ponte Azzone Visconti, even though previous theories had related it to similar structures in other Italian cities, such as Arezzo and Bobbio.

Pizzorusso is not the first person to have claimed to have solved the mystery, but she cites her knowledge of geology to back her claims.

"The bridge to me was not the important aspect of painting," Pizzorusso said. "In the other hypotheses the geology was just incorrect."

The geologist found that rock formations in Lecco were limestone, which matched what is depicted behind the noblewoman.

"When you look at the Mona Lisa, you see this part of the Adda River, and you see another lake behind it, which are perfectly shown underneath these sawtooth mountains," she said from the spot where the scene could have been painted.

Pizzorusso's research on Leonardo "shows perfectly the extent to which the artist and the scientist came together," said Michael Daley, executive director of ArtWatch UK, a nonprofit organization monitoring the conservation of artworks.

"No art historian is qualified to take Ann on in terms of her scientific understanding. The other studies are dead ducks now," he said.



Ancient DNA Shows Genetic Link Between Egypt and Mesopotamia

This photo provided by researchers shows rock-cut tombs in Nuwayrat, Egypt where a pottery vessel in which the remains of a man, radiocarbon dated to around 2855–2570 cal BCE, was discovered. (John Garstang, Mahmoud Abd El Gelel/Garstang Museum of Archaeology/University of Liverpool via AP)
This photo provided by researchers shows rock-cut tombs in Nuwayrat, Egypt where a pottery vessel in which the remains of a man, radiocarbon dated to around 2855–2570 cal BCE, was discovered. (John Garstang, Mahmoud Abd El Gelel/Garstang Museum of Archaeology/University of Liverpool via AP)
TT
20

Ancient DNA Shows Genetic Link Between Egypt and Mesopotamia

This photo provided by researchers shows rock-cut tombs in Nuwayrat, Egypt where a pottery vessel in which the remains of a man, radiocarbon dated to around 2855–2570 cal BCE, was discovered. (John Garstang, Mahmoud Abd El Gelel/Garstang Museum of Archaeology/University of Liverpool via AP)
This photo provided by researchers shows rock-cut tombs in Nuwayrat, Egypt where a pottery vessel in which the remains of a man, radiocarbon dated to around 2855–2570 cal BCE, was discovered. (John Garstang, Mahmoud Abd El Gelel/Garstang Museum of Archaeology/University of Liverpool via AP)

Ancient DNA has revealed a genetic link between the cultures of ancient Egypt and Mesopotamia, according to research published Wednesday in the journal Nature.

Researchers sequenced whole genomes from the teeth of a remarkably well-preserved skeleton found in a sealed funeral pot in an Egyptian tomb site dating to between 4,495 and 4,880 years ago.

Four-fifths of the genome showed links to North Africa and the region around Egypt. But a fifth of the genome showed links to the area in the Middle East between the Tigris and Euphrates Rivers, known as the Fertile Crescent, where Mesopotamian civilization flourished.

"The finding is highly significant" because it "is the first direct evidence of what has been hinted at" in prior work," said Daniel Antoine, curator of Egypt and Sudan at the British Museum.

Earlier archeological evidence has shown trade links between Egypt and Mesopotamia, as well as similarities in pottery-making techniques and pictorial writing systems. While resemblances in dental structures suggested possible ancestral links, the new study clarifies the genetic ties.

The Nile River is "likely to have acted as an ancient superhighway, facilitating the movement of not only cultures and ideas, but people," said Antoine, who was not involved in the study.

The skeleton was found in an Egyptian tomb complex at the archaeological site of Nuwayrat, inside a chamber carved out from a rocky hillside. An analysis of wear and tear on the skeleton - and the presence of arthritis in specific joints - indicates the man was likely in his 60s and may have worked as a potter, said co-author and bioarchaeologist Joel Irish of Liverpool John Moores University.

The man lived just before or near the start of ancient Egypt's Old Kingdom, when Upper and Lower Egypt were unified as one state, leading to a period of relative political stability and cultural innovation, including the construction of the Giza pyramids.

"This is the time that centralized power allowed the formation of ancient Egypt as we know it," said co-author Linus Girdland-Flink, a paleogeneticist at the University of Aberdeen.

At approximately the same time, Sumerian city-states took root in Mesopotamia and cuneiform emerged as a writing system.

Researchers said analysis of other ancient DNA samples is needed to obtain a clearer picture of the extent and timing of movements between the two cultural centers.