Demise of Rangelands 'Severely Underestimated', Report Says

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Demise of Rangelands 'Severely Underestimated', Report Says

From camel drivers in the Sahara to nomads on the Mongolian steppe, traditional herders the world over rely on earth's wildest open spaces to support an ancient way of life.
But the expansive plains, tundra and savanna they inhabit are in much greater peril than previously thought, researchers said Tuesday in a major reassessment of the health of these crucial environments.
As much as half of all rangelands -- encompassing some of nature's most striking vistas from the Arctic to the tropics, deserts and mountains -- are believed to be degraded, the report said.
Mostly natural grasslands used by livestock and wild animals to graze, they also include scrubland, mountain plateaus, deserts and wetlands.
Climate change, urban expansion, population growth and the conversion of land for farming was fueling their destruction, said the report by the UN Convention to Combat Desertification (UNCCD).
Rangelands were grossly undervalued and their "silent demise" had passed mostly unnoticed despite what was at stake, said UNCCD executive secretary Ibrahim Thiaw.
"We as humanity have to pay attention to this," he told AFP.
The "persistent loss and deterioration" of rangelands would be felt beyond the pastoralist communities who have adapted to life in these environments over centuries, the report said.
Climate ally
Healthy rangelands are an asset in the fight against global warming, locking away carbon in soil and spurring the growth of vegetation that pulls planet-heating CO2 from the atmosphere.
Traditional farming customs -- such as rotating grazing areas and conserving scarce resources in difficult times -- improved soil health and its capacity to store carbon, the report's lead author Pedro Maria Herrera Calvo told AFP.
Poor policy, neglect and large-scale rangeland mismanagement had eroded soils, releasing carbon rather than storing it, and stripped the earth of the nutrients needed to support plant and animal life.
Rangelands are biodiversity hotspots, providing habitats for Africa's most iconic wildlife, and pasture for one billion grazing animals, the report said.
They account for one-sixth of the world's food production, it added, and underpin many national economies.
They are also a cultural bedrock for half a billion pastoralist people in more than 100 countries, mostly poor and marginalized communities such as the Bedouin, Fulani and Saami.
A quarter of the world's languages are spoken among pastoral groups who call these places home.
"It is part of our heritage," said Thiaw. "Losing it would mean not only losing ecosystems and losing the economy, but losing our own culture."
'Voiceless and powerless'
Yet they are barely studied, said Calvo. Rosier outlooks did not reflect reality, and this reassessment by dozens of experts was long overdue, he added.
"We feel that the actual data estimating rangelands degradation around 25 percent is severely underestimated," he said. "We think that almost 35 -– even 50 percent –- of rangelands are already degraded."
Rangelands cover 80 million square kilometers -- more than half the land surface of earth. Protecting them would require policy that better supports the pastoralists who understand them best, the report said.
Instead of having a seat at the table however, nomadic communities were "voiceless and powerless", the report said.
Ignoring their wisdom in sustainably managing these complex environments -- or, worse still, forcing them off the land -- would only condemn these wild places and their custodians to an even bleaker future, Thiaw argued.
"It is important for this to be taken much more seriously."



Picasso on a Plate: Unseen Ceramics Up for Auction

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
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Picasso on a Plate: Unseen Ceramics Up for Auction

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP

A clutch of one-off and hitherto unseen ceramic plates and dishes by Pablo Picasso are going under the hammer in Geneva on June 19.

Emblematic motifs from Picasso's artistic universe -- pigeons, fish, a goat, a bull, and a bird adorn the colorful plates and dishes, AFP said.

"It's a truly exceptional collection. The plates and dishes we have here are real Picasso works," Bernard Piguet, director of the Piguet auction house in Geneva, told AFP.

"These unique pieces belonged to Picasso's estate, and in the early 1980s, his heirs gave them to one of their friends," he said.

The close friend, a French art lover whose name has not been revealed, kept them until his death. His heirs have decided to put the ceramics up for sale.

Made between 1947 and 1963 in the Madoura workshop in Vallauris on the southeast French coast, the ceramic artworks are being exhibited to the general public for the first time ahead of Thursday's auction.

'Reasonable' prices

The seven pieces are being sold in separate lots.

Two large platters decorated with pigeons are both expected to fetch between 30,000 and 50,000 Swiss francs ($37,000-$61,500).

A third plate depicting three blue, pink, and brick-colored fish on a white background, resembling a child's drawing, is estimated at 20,000 to 30,000 francs.

A thin brick, titled "Head of a Bearded Man", and painted with ceramic pastels in yellow, white, garnet, brown, blue orange and green, has the same estimate.

Glazed on a painted background in shades of grey, brown, and black, a terracotta plate depicting a goat's head bears the prestigious stamp "Original Picasso print" on the back. It is valued at 20,000-30,000 francs.

The two others feature a bull on a hexagonal terracotta tile (15,000-20,000 francs), and a stylized bird on a plate painted in black and white (15,000-25,000 francs).

"It's a lot," Piguet said of the price. "But don't forget that these are works of art in their own right and unique pieces" without replicas.

"If you step back from Picasso's work and his drawings, which are becoming practically unaffordable today, you have here original works by Picasso that command a reasonable estimate."

New outlet

Picasso was one of the most influential artists of the 20th century. The prolific Spanish painter died in 1973, aged 91.

He created thousands of plates, platters, vases, pitchers, and other earthenware utensils in the Madoura ceramics studio, run by the pottery couple Georges and Suzanne Ramie.

After World War II, "Picasso was already an internationally-renowned artist," said Adeline Bisch Balerna, head of paintings and sculptures at Piguet.

"He had already opened up a huge number of avenues for all artists; the great, well-known works had been created, and he was seeking new means of expression for his art."

Picasso would visit the Madoura studio, meet Georges Ranie, and be "captivated by all the possibilities offered" by this new artistic outlet, she explained.

Piguet is also auctioning two Picasso works "never before seen on the art market", from the same family friend's collection: "Serenade" (1919), an Indian ink and watercolor painting estimated at 20,000-30,000 francs, and the pencil drawing "Famille balzacienne" (1962), valued at 80,000-120,000 francs.

Unseen Klein

Meanwhile the contemporary art in Thursday's sale includes one of French artist Yves Klein's first blue monochromes, in what is its first appearance on the art market, according to Piguet auction house.

From 1959, "Monochrome bleu sans titre (IKB 328)", estimated at 100,000-150,000 francs, is painted in International Klein Blue, the deep blue hue developed by the artist himself.

"In daylight, it really has this luminous blue, this completely fascinating Klein blue. And when you put it indoors, you see it as a dark blue, almost midnight blue," said Bernard Piguet.

Klein died in 1962 aged 34, following a series of heart attacks.

The work comes from the collection of the Swiss artist couple Muriel and Gerald Minkoff, who liked to exchange their works with their contemporaries.

It was discovered by their successors in their Geneva apartment, according to Piguet.