Unknown Bust of the Architect Who Designed the Florence Cathedral Dome Found After 700 Years 

This image released by the Opera di Santa Maria del Fiore on Thursday, May 23, 2024, shows a terracotta portrait of Florence landmark cathedral's architect Filippo Brunelleschi dating back to the early Renaissance, which was recently found among the furnishings of an historic residence near the Tuscan capital. (Opera di Santa Maria del Fiore via AP, HO)
This image released by the Opera di Santa Maria del Fiore on Thursday, May 23, 2024, shows a terracotta portrait of Florence landmark cathedral's architect Filippo Brunelleschi dating back to the early Renaissance, which was recently found among the furnishings of an historic residence near the Tuscan capital. (Opera di Santa Maria del Fiore via AP, HO)
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Unknown Bust of the Architect Who Designed the Florence Cathedral Dome Found After 700 Years 

This image released by the Opera di Santa Maria del Fiore on Thursday, May 23, 2024, shows a terracotta portrait of Florence landmark cathedral's architect Filippo Brunelleschi dating back to the early Renaissance, which was recently found among the furnishings of an historic residence near the Tuscan capital. (Opera di Santa Maria del Fiore via AP, HO)
This image released by the Opera di Santa Maria del Fiore on Thursday, May 23, 2024, shows a terracotta portrait of Florence landmark cathedral's architect Filippo Brunelleschi dating back to the early Renaissance, which was recently found among the furnishings of an historic residence near the Tuscan capital. (Opera di Santa Maria del Fiore via AP, HO)

A previously unknown terracotta bust of the famed early Renaissance architect who designed the Florence Cathedral dome was unveiled Thursday in the Tuscan capital, where it will be displayed permanently following restoration.

The Opera di Santa Maria del Fiore, the entity charged with preserving the landmark cathedral and operating its museum, called the discovery after nearly 700 years of the terracotta bust depicting Filippo Brunelleschi “exceptional.” It cited both the artistic value as well as the rarity of depictions of the renowned architect around or after the time of his death in 1446.

Art historians Giancarlo Gentilini and Alfredo Bellandi identified the sculpture as a model by Andrea di Lazzaro Cavalcanti for the marble bust of Brunelleschi in the memorial monument in the Florence Cathedral.

Bellandi praised the work’s “expressive naturalism of great intensity.”

Cavalcanti, Brunelleschi’s adopted son and heir, sculpted the life-like bust from a nearly solid block of clay in early 1447, before completing the monument later that year, experts said.

The terracotta model was likely stored in the sculptor’s workshop for study for a period, while the state of preservation indicates it was long preserved before it “later fell into oblivion,” the cathedral’s custodian entity said.

The Opera di Santa Maria del Fiore purchased the terracotta bust for 300,000 euros (around $324,000). It will be exhibited in the Museo dell’Opera del Duomo near the cathedral after restoration work on scratches and to remove a chalky residue and traces of paint.



Archaeological Discovery: Innovative Tomb Patterns Found in Saudi Arabia

Ancient tombs dating back 4,500 years discovered in the northwestern part of the Arabian Peninsula. (SPA)
Ancient tombs dating back 4,500 years discovered in the northwestern part of the Arabian Peninsula. (SPA)
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Archaeological Discovery: Innovative Tomb Patterns Found in Saudi Arabia

Ancient tombs dating back 4,500 years discovered in the northwestern part of the Arabian Peninsula. (SPA)
Ancient tombs dating back 4,500 years discovered in the northwestern part of the Arabian Peninsula. (SPA)

Saudi Arabia is actively exploring its rich archaeological heritage, uncovering treasures that are prompting a reevaluation of the region’s history.

These efforts highlight the Arabian Peninsula’s significant role in human civilization, with many artifacts preserved underground or on rock formations.

Archaeological tombs discovered across Saudi Arabia provide a valuable opportunity to reshape the historical narrative of the Arabian Peninsula’s civilization.

Field research and ongoing exploration enrich these discoveries, led by Saudi researchers Dr. Eid Al-Yahya and archaeologist Dr. Qusai Al-Turki.

Their recent focus includes the “Al-Ajalah” (Wheel) tombs in various regions between Makkah and Madinah, and a unique musical instrument tomb found in Turbah city, near Makkah.

Exploring burial sites in Saudi Arabia is challenging and time-consuming due to the large number of tombs, their varied designs, purposes, and remote locations.

Al-Yahya and Al-Turki aim to uncover these tombs’ intriguing patterns, which often reflect themes of life, the heavens, and the afterlife, showcasing Saudi Arabia’s significant historical role in early civilization.

The researchers have named “Wheel” tombs as such due to their circular design resembling a wheel or a “Star Tomb,” resembling a four-pointed star.

This comparison stems from its pictorial symbolism in early cuneiform and its association with the concept of “star” or “planet.”

Al-Yahya, an anthropologist specializing in Arabian Peninsula civilization, conducted field surveys across thousands of tombs in Saudi Arabia.

This helped him and Al-Turki in identifying hundreds of thousands of such tombs, including the prevalent Wheel tomb pattern found in areas like Al-Mahd and Al-Baqum, and in regions between Makkah and Madinah.

The Wheel is described as a circular structure with pillars, featuring a burial chamber in one of its four sections. Originally intended for four individuals, only one person was buried there, visible as a dark spot in the northeast corner of the wheel, as seen in aerial photographs.

Al-Turki, known for his research on ancient civilizations between Iraq and the Arabian Gulf, noted similarities between Saudi Arabia’s Wheel tombs and tombs dating back to around 4,000 years ago in Mesopotamian writings.

This suggests that these tombs, shaped like wheels or stars surrounded by circles, were originally built in the Arabian Peninsula.

They symbolized connections to the universe, stars, and planets like Mercury, Mars, and Saturn.

Researchers believe that when migrants from the Arabian Peninsula settled in Mesopotamia, they brought this tomb design with them, integrating it into their cultural inventions, including writing.

In another find, coincidence led amateur Saad Al-Subai to discover a unique pattern of ancient tombs in the Bani Hilal area of southwest Saudi Arabia.

This discovery revealed a distinctive style found specifically in Turbah city, resembling a musical instrument with a tall column and a lower oval ring adorned with 17 triangular stone structures resembling strings.

The oval ring measures 50 meters north-south and 40 meters east-west, with a tail length of about 100 meters, width of 2 meters, and height up to 1.50 meters.

These triangular tombs start with an elevated base and slope towards the head, located at the center of the oval ring, marking the primary burial site for the most important individual.

Discoveries like these are reshaping our understanding of Saudi Arabia’s history and civilization.

Al-Yahya and Al-Turki continue their efforts to study and highlight the rich heritage of Saudi Arabia, emphasizing its historical significance as one of humanity’s earliest inhabited regions.