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Lebanon’s Tripoli Begins 2024 Celebrations as Arab Culture Capital

The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)
The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)
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Lebanon’s Tripoli Begins 2024 Celebrations as Arab Culture Capital

The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)
The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)

Lebanon’s Caretaker Prime Minister Najib Mikati kicked off the “Tripoli the Capital of Arab Culture” celebrations at a formal event held at the Rashid Karami International Fair in Tripoli.

Attendees included Mohamed Ould Amar, Director-General of ALECSO, and Mohammad Wissam Mortada, Minister of Culture.

Ministers, deputies, ambassadors, and other notable figures also were also present at the ceremony.

Mortada told Asharq Al-Awsat that he believes the celebrations to be a once-in-a-lifetime opportunity for Lebanon and Tripoli.

“This is our chance to uncover Tripoli’s treasures in terms of people and landmarks. I’m stunned by the human and natural potential here. You’ll witness what makes Tripoli unique, and we’re doing it all with no funding,” said the minister.

Despite no budget, workers are determined to succeed. Young volunteers are eager to overcome obstacles and make the event a hit. Some see the coming months as Tripoli’s big chance to shine, while others feel funding issues should have delayed the festivities.

“Tripoli has suffered, but now, with activities starting, people will see what they've missed out on for years,” Mortada affirmed.

This year promises a packed schedule of cultural activities, some already underway for months. Organizations are competing to host programs, but the highlight could be cultural weeks organized by several Arab countries.

Qatar, Tunisia, Algeria, Iraq, Palestine, Morocco, Syria, and Oman have confirmed plans.

For Mortada, the aim is for more than just temporary celebrations; he wants to establish Tripoli as a permanent cultural capital of Lebanon.

The minister is not just dreaming; he's building on reality.

Tripoli boasts the Rashid Karami International Fair, a stunning architectural marvel. Spread across 70 hectares, it features unique conference halls, integrated buildings, and an experimental theater.

UNESCO recognizes its significance but also flags maintenance challenges and development threats.

Tripoli’s vibrant markets and river make it a unique destination. Its port is crucial for trade, with an economic zone stretching to Europe.

Mortada believes Tripoli could become Lebanon’s cultural tourism hub, generating revenue for the country.

“Tripoli is ready to play a vital role,” he asserted.

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Culture

From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
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From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)

After sending its most famous work to be featured in Amsterdam’s blockbuster 2023 exhibition of nearly every work by Johannes Vermeer, the Mauritshuis museum found itself with a blank space where the iconic “Girl with a Pearl Earring” had been displayed.

The Hague-based institution turned to more than 2,700 artists, from Texas to Ukraine, from age 7 to 70, who created their own interpretations of the 17th-century masterpiece.

A selection of 60 works using materials ranging from orange peels to bottle caps to sweatshirts were exhibited in the museum while the painting was on loan 40 miles (64 kilometers) to the north.

“The submissions continue to come, it will never end with her,” Martine Gosselink, director of the Mauritshuis museum, told The Associated Press, pointing to the ongoing popularity of works featuring the mystery girl.

A 2020 investigation into the painting using a battery of modern imaging techniques uncovered details about Vermeer's methods and the makeup of his pigments, but not the young woman’s identity.

“I bring together the original The Girl with a Pearl and the face of a Wayang puppet,” artist Rob de Heer told the AP, standing in front of a screen in the museum’s foyer where all of the winning submissions are displayed.

De Heer, who primarily works with mixed media, wanted to take an image from the Golden Age history of the Netherlands and combine it with one evoking its colonial legacy. Wayang puppets are a traditional form of theater in parts of Indonesia, which was ruled by the Netherlands until 1949.

His surrealist work is followed in the rolling display by a piece featuring the original girl’s face superimposed on an antique tea tin.

Other submissions include works by South Korean artist Nanan Kang, who used an ear of corn for the face; Georgian artist Nino Kavazauri, who reimagined a modern girl waiting at a bus stop with a cup of coffee; and Simon Chong, a Welsh animator, who works on the popular television series “Bob’s Burgers” and created a girl in the show’s cartoon style.

The winners were displayed in a replica frame in the exact spot where “Girl with a Pearl Earring” usually hangs, between two portraits by Dutch Baroque painter Gerard ter Borch.

The popularity of the first competition prompted a second round and those submissions are now on display at the Fabrique des Lumières in Amsterdam. The museum continues to feature submitted works of art on its Instagram page.

Gosselink, who has been the museum’s director since 2020, said the breadth and depth of the works made it difficult to select who would be featured in the exhibition.

“I would dare to say that some of the ones we selected are new pieces of art, and they would be served very well in a new surrounding, like a museum," Gosselink said.