US Vows More Returns of Looted Antiquities as Italy Celebrates Latest Haul of 600 Artifacts 

A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)
A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)
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US Vows More Returns of Looted Antiquities as Italy Celebrates Latest Haul of 600 Artifacts 

A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)
A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)

Italy on Tuesday celebrated the return of around 600 antiquities from the US, including ancient bronze statues, gold coins, mosaics and manuscripts valued at 60 million euros ($65 million), that were looted years ago, sold to US museums, galleries and collectors and recovered as a result of criminal investigations.

US Ambassador Jack Markell, Matthew Bogdanos, the head of the antiquities trafficking unit of the New York district attorney's office, and members of the US Homeland Security Investigations department were on hand for the presentation alongside the leadership of Italy’s Culture Ministry and Carabinieri art squad.

It was the latest presentation of the fruits of Italy’s decades-old effort to recover antiquities that were looted or stolen from its territory by “tombaroli” tomb raiders, sold to antiquities dealers who often forged or fudged provenance records to resell the loot to high-end buyers, auction houses and museums.

Markell said that Washington was committed to returning the stolen loot “to where it belongs” as a sign of respect for Italy and its cultural and artistic heritage.

“We know that safeguarding this history requires care and vigilance, and this is why we do what we do,” he said, adding that the US was keeping a close eye on the latest target for art traffickers: Ukraine.

Not included in the latest haul from the US was the “Victorious Youth” ancient Greek bronze statue, the object of a decades-long court battle between Italy and the Malibu, California-based Getty Museum. The prized statue recently made headlines anew when the European Court of Human Rights strongly backed Italy's right to seize it, reaffirming that it had been illegally exported from Italy.

Bogdanos and Homeland Security officials declined to comment on whether or when the “Victorious Youth” might be returned, saying it's part of an ongoing investigation.

Among the most valuable artifacts on display Tuesday was a fourth-century Naxos silver coin depicting god of wine Dionysius that was looted from an illicit excavation site in Sicily before 2013 and smuggled to the United Kingdom. Bogdanos said the coin, which was being offered for sale for $500,000, was found in New York last year as part of an investigation into a noted British coin dealer.

He said that other items were returned from New York’s Metropolitan Museum of Art and some of the well-known New York philanthropists who donated artifacts to its collections that turned out to have been stolen.

The returned artifacts, ranging from the ninth century B.C. to the second century, also included a life-sized bronze figure, as well as bronze heads and multiple Etruscan vases. Other items, including oil paintings from the 16th and 19th centuries, had been stolen from Italian museums, religious institutions and private homes in well-documented thefts, the carabinieri said.

Bogdanos, who forged an alliance with the Italian carabinieri art squad as they tried to recover Iraq’s stolen antiquities after the US invasion, said that Washington doesn’t distinguish between items taken during illicit excavations or those stolen in thefts: it all amounts to looting.

“Looting is local,” Bogdanos said. Locals “know when the security guards come on, they know when they come off. They know when the security guards are guarding particular sites and not others. They know when there are scientific, proper, approved archeological excavations, and then they know when those archaeological excavations close for example, for the winter or for lack of funding.”

Given that, he said, there will always be looting.

“Our job is to minimize it, increase the risk to those who would engage in this traffic, convict them and where appropriate, sentence them,” Bogdanos said.



Saudi Arabia Museum of Contemporary Art Hosts 'Manga Hokusai Manga' Exhibition

The exhibition presents the works of the renowned Japanese artist Katsushika Hokusai - SPA
The exhibition presents the works of the renowned Japanese artist Katsushika Hokusai - SPA
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Saudi Arabia Museum of Contemporary Art Hosts 'Manga Hokusai Manga' Exhibition

The exhibition presents the works of the renowned Japanese artist Katsushika Hokusai - SPA
The exhibition presents the works of the renowned Japanese artist Katsushika Hokusai - SPA

In the presence of Japan's Ambassador to Saudi Arabia Yasunari Morino, the Saudi Arabia Museum of Contemporary Art (SAMoCA) at Jax District inaugurated on Wednesday the Manga Hokusai Manga exhibition. This exhibition, organized in collaboration with the Embassy of Japan and the Japan Foundation, will run until February 8, 2025.
This international exhibition, which has been on tour since 2016, is presented for the first time in an Arab country. Driven by its commitment to fostering cross-cultural exchange and dialogue, SAMoCA is hosting the exhibition at a significant time, as 2025 marks the 70th anniversary of the establishment of diplomatic relations between Saudi Arabia and Japan, SPA reported.
The exhibition presents the works of the renowned Japanese artist Katsushika Hokusai, a key figure in traditional Japanese art. It highlights his collection called Hokusai Manga, first published in 1814. With more than 4,000 sketches across 15 volumes, the collection depicts various aspects of daily life, landscapes, and whimsical creatures, signalling a new era in Japanese illustration art.
Hokusai's works became popular during the Edo period (1603–1868), and his volumes were published until 1834. Even after his passing in 1849, his work continued inspiring artists in Japan and globally, shaping modern manga art.
The exhibition aims to showcase the history and development of manga, highlighting how Hokusai's classical illustrations have impacted modern visual arts. It offers visitors a journey through the evolution of this art form, from its classical origins to its modern and innovative expressions.
The Saudi Arabia Museum of Contemporary Art is the first contemporary art museum in Saudi Arabia. It plays a significant role in the nation's cultural renaissance under Vision 2030, serving as a platform for local and international artists to exchange, connect, and grow, shaping the future of contemporary art in the Kingdom and beyond.
Tickets for the exhibition are available through WeBook.