Taiwan Nighttime Dragon Boat Racing Puts Modern Twist on Ancient Tradition

Dragon boat crew members participate in a traditional Chinese dragon boat race in Taipei, Taiwan, Saturday, June 8, 2024. (AP Photo/Chiang Ying-ying)
Dragon boat crew members participate in a traditional Chinese dragon boat race in Taipei, Taiwan, Saturday, June 8, 2024. (AP Photo/Chiang Ying-ying)
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Taiwan Nighttime Dragon Boat Racing Puts Modern Twist on Ancient Tradition

Dragon boat crew members participate in a traditional Chinese dragon boat race in Taipei, Taiwan, Saturday, June 8, 2024. (AP Photo/Chiang Ying-ying)
Dragon boat crew members participate in a traditional Chinese dragon boat race in Taipei, Taiwan, Saturday, June 8, 2024. (AP Photo/Chiang Ying-ying)

Across the Chinese diaspora, racing in dragon boats has been a tradition reaching back thousands of years.
But change is afoot, most recently in central Taiwan where the races were switched to the evening to take advantage of cooler temperatures, a refreshing breeze and the sight of the boats lit up with LED lights running the length of the low-lying watercraft, The Associated Press reported.
A drummer pounds out a rhythm behind the elaborately carved dragon head in the bow, while a navigator sits in the stern, where a tail rises to complete the look of the mythical animal, a traditional Chinese harbinger of prosperity and good luck.
It is mainly an amateur sport and crews are formed among groups of neighbors and co-workers. Emily Lin, 31, who works as a sales executive in Changhua county, said training sessions at a local junior high school were an excellent way to strengthen friendships outside of work.
"This dragon boat race allows us to meet, exchange and take part in something,” Lin said Monday following qualifiers the previous night.
Daytime racing means dealing with the intense central Taiwan sun reflecting off the river, leaving you feeling unwell, said Chen Ta-tzung, a 28-year-old machinery maintenance specialist.
"But in the evening, you don’t have the sun,” Chen said, a bit of a breeze making everything easier than during the day. “When we focus on rowing during the race, we cannot enjoy the beautiful scene. But when we row back, we can really enjoy the beautiful sights,” he added.
This year's races hold a special meaning for many participants and observers as they are the first after a three-year break because of the COVID-19 pandemic.
The sizes of the boats vary and the numbers of rowers can range from ten to 20 or more. The festival generally falls at the start of June based around the summer solstice according to the Chinese lunar calendar.
Over recent decades, the sport has spread in popularity around the world and standards have been imposed on rules and equipment, including the size of paddles and requirements that the drummer, playing a similar role to the coxswain in college and Olympic rowing, maintains a constant beat.
“Racing at night is special for rowers," said Huang Yi-kai, 21, who is a coach for standup paddleboard rowers. "This allowed rowers to focus on the moment. It's a refreshing experience.”
Dragon boat races are also being held in Hong Kong and Macao, as well as around mainland China.



Misk Art Institute to Launch Creative Forum 2026 in September

This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA
This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA
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Misk Art Institute to Launch Creative Forum 2026 in September

This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA
This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA

Misk Art Institute, a subsidiary of Mohammed bin Salman Foundation (Misk), announced the launch of the Creative Forum 2026, to be held on September 3 and 4 at the King Abdullah Petroleum Studies and Research Center (KAPSARC) in Riyadh.

Over two days, the forum will bring together more than 48 cultural experts, curators, academics, artists, and policymakers from around the world across 16 specialized panel discussions, eight artistic and cultural mentorship sessions covering various topics, and six sessions of the "Coffee with a Cultural Expert" program to examine the rapid transformations taking place in cultural practices amid technological developments, SPA reported.

This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change.

It will also examine aspects of storytelling and identity, creative collaboration networks, and the impact of digital transformation and artificial intelligence on today's cultural landscape.

The forum reflects Misk Art Institute's commitment to fostering cultural dialogue at both the regional and international levels and creating spaces for discussion on issues shaping the future of the cultural sector.

It also underscores the importance of preserving the human dimension of creative practice and promoting the exchange of expertise and knowledge, contributing to a thriving creative ecosystem and reinforcing Saudi Arabia's position as a leading regional and international destination for cultural and artistic dialogue.

Since its launch in 2020, the Creative Forum has hosted more than 280 speakers from over 20 countries, attracted more than 14,000 participants, and generated more than three million digital impressions worldwide, reflecting its established position as one of the region's leading cultural events.


Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
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Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)

Painter and sculptor Sliman Mansour, one of the most prominent names in Palestinian art, has died at the age of 79, his family announced.

Mansour, whose vivid artwork depicted both Palestinian traditions and his people's struggles under Israeli occupation, died on Monday at his home in east Jerusalem, his family said.

"The final chapter has been written. With hearts gripped by sorrow beyond description, we announce that our dear father has left this world," the family said in a statement.

"For the world, he leaves behind a life filled with beauty and memories, and a legacy that will continue through everyone whose lives he touched. As for us, we have lost a father who was the source of our love, our strength and our refuge."

Mansour was born in Birzeit, north of Ramallah, in 1947 and studied art and design in Jerusalem, graduating in 1970.

The Palestinian Culture Ministry mourned Mansour, calling him "one of the most important pillars of contemporary Palestinian visual art, whose career over decades formed part of the Palestinian visual and national memory".

The ministry hailed his landmark 1973 painting, "Camel of Hardships", depicting an elderly Palestinian porter carrying the city of Jerusalem on his back, as "an artistic and national icon", adding that his work served "as witness to Palestinian history and guardian of identity".

Mansour was the recipient of numerous awards, among them the UNESCO-Sharjah Prize for Arab Culture in 2019.


Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris
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Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris

The Saudi Ministry of Culture announced on Monday the establishment of a Saudi cultural center in Paris on the sidelines of the visit of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, to France.

The center will serve as a platform for promoting Saudi culture and highlighting its historical depth and creative diversity through high-quality cultural programs and initiatives involving French practitioners, institutions and the public.

It will support the international presence of Saudi cultural practitioners, strengthen communication between intellectuals and creative professionals in the two countries, and build strategic partnerships between Saudi and French cultural institutions, facilitating the exchange of expertise and implementation of joint cultural initiatives.

The establishment of the center reflects the continued development of Saudi-French relations and underscores the Kingdom's commitment to strengthening its international cultural presence and presenting an authentic cultural image that introduces the world to its rich heritage and contemporary creative output.